The Roman Satirists And Their Masks
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| Author | : S.H. Braund |
| Publisher | : Bristol Classical Press |
| Total Pages | : 0 |
| Release | : 1998-01-01 |
| Genre | : Foreign Language Study |
| ISBN | : 9781853991394 |
Starting from the conviction that Latin literature gains from being viewed as performance, the author sees the creation of different characters or "masks" in Latin literature as a result of the Greco-Roman training in rhetoric. She treats the texts of Roman satire as drama and focuses on the characters whose voices are heared in these performances: the angry satirist, the mocking satirist and the smiling satirist. She goes on to explore the implications of the use of these "masks" for authors and audiences of satire.
| Author | : Kirk Freudenburg |
| Publisher | : Cambridge University Press |
| Total Pages | : 380 |
| Release | : 2005-05-12 |
| Genre | : History |
| ISBN | : 1139826573 |
Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.
| Author | : William J. Dominik |
| Publisher | : Routledge |
| Total Pages | : 280 |
| Release | : 2003-09-02 |
| Genre | : History |
| ISBN | : 1134801475 |
The present volume is part of a general renaissance in the study of rhetoric and bears testimony to a discipline undergoing rapid and exciting change. It draws together established and newer scholars in the field to produce a probing and innovative analysis of the role played by rhetoric in Roman culture. Utilizing a variety of critical approaches and methodologies, these scholars examine not only the role of rhetoric in Roman society but also the relationship between rhetoric and Rome's major literary genres. In addition to demonstrating rhetoric's critical significance for Roman culture, the studies reveal the important role played by rhetoric in the formation of the various genres of literature.
| Author | : Nancy Shumate |
| Publisher | : A&C Black |
| Total Pages | : 192 |
| Release | : 2013-11-20 |
| Genre | : History |
| ISBN | : 1849668035 |
The often overlapping discourses of nationalism and imperialism, along with related ideas of social decline, have been central in 19th- and 20th-century Anglo-European views of the world. This book offers four readings of Latin literary texts to show that the templates for these 'modern' discourses were forged in their essentials by the early Roman imperial period. Each chapter follows the relevant rhetorical thread in works of Horace, Tacitus or Juvenal, comparing their strategies with the defining structures of modern nationalist or colonialist discourses. General rhetorical principles can be discerned, remarkably persistent across time and circumstances. Classicists will find something new in an approach that systematically analyses the rhetorical strategies that underlie Roman prototypes of these discourses while demonstrating how closely later incarnations follow them.
| Author | : Daniel Hooley |
| Publisher | : John Wiley & Sons |
| Total Pages | : 204 |
| Release | : 2008-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 0470777087 |
This compact and critically up-to-date introduction to Roman satire examines the development of the genre, focusing particularly on the literary and social functionality of satire. It considers why it was important to the Romans and why it still matters. Provides a compact and critically up-to-date introduction to Roman satire. Focuses on the development and function of satire in literary and social contexts. Takes account of recent critical approaches. Keeps the uninitiated reader in mind, presuming no prior knowledge of the subject. Introduces each satirist in his own historical time and place – including the masters of Roman satire, Lucilius, Horace, Persius, and Juvenal. Facilitates comparative and intertextual discussion of different satirists.
| Author | : Leah Kronenberg |
| Publisher | : Cambridge University Press |
| Total Pages | : 236 |
| Release | : 2009-05-14 |
| Genre | : History |
| ISBN | : 1139488635 |
In this book Professor Kronenberg shows that Xenophon's Oeconomicus, Varro's De Re Rustica and Virgil's Georgics are not simply works on farming but belong to a tradition of philosophical satire which uses allegory and irony to question the meaning of morality. These works metaphorically connect farming and its related arts to political life; but instead of presenting farming in its traditional guise as a positive symbol, they use it to model the deficiencies of the active life, which in turn is juxtaposed to a preferred contemplative way of life. Although these three texts are not usually treated together, this book convincingly connects them with an original and provocative interpretation of their allegorical use of farming. It also fills an important gap in our understanding of the literary influences on the Georgics by showing that it is shaped not just by its poetic predecessors but by philosophical dialogue.
| Author | : Philip Hardie |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2010-10-14 |
| Genre | : History |
| ISBN | : 1139493019 |
This is a wide-ranging collection of essays on ancient Roman literary careers and their reception in later European literature, with contributions by leading experts. Starting from the three major Roman models for constructing a literary career - Virgil (the rota Vergiliana), Horace and Ovid - the volume then looks at alternative and counter-models in antiquity: Propertius, Juvenal, Cicero and Pliny. A range of post-antique responses to the ancient patterns is examined, from Dante to Wordsworth, and including Petrarch, Shakespeare, Milton, Marvell, Dryden and Goethe. These chapters pose the question of the continuing relevance of ancient career models as ideas of authorship change over the centuries, leading to varying engagements and disengagements with classical literary careers. The volume also considers other ways of concluding or extending a literary career, such as bookburning and figurative metempsychosis.
| Author | : Min Wild |
| Publisher | : Routledge |
| Total Pages | : 240 |
| Release | : 2016-05-23 |
| Genre | : Literary Criticism |
| ISBN | : 1317166426 |
Christopher Smart and Satire explores the lively and idiosyncratic world of satire in the eighteenth-century periodical, focusing on the way that writers adopted personae to engage with debates taking place during the British Enlightenment. Taking Christopher Smart's audacious and hitherto underexplored Midwife, or Old Woman's Magazine (1750-1753) as her primary source, Min Wild provides a rich examination of the prizewinning Cambridge poet's adoption of the bizarre, sardonic 'Mary Midnight' as his alter-ego. Her analysis provides insights into the difficult position in which eighteenth-century writers were placed, as ideas regarding the nature and functions of authorship were gradually being transformed. At the same time, Wild also demonstrates that Smart's use of 'Mary Midnight' is part of a tradition of learned wit, having an established history and characterized by identifiable satirical and rhetorical techniques. Wild's engagement with her exuberant source materials establishes the skill and ingenuity of Smart's often undervalued, multilayered prose satire. As she explores Smart's use of a peculiarly female voice, Wild offers us a picture of an ingenious and ribald wit whose satirical overview of society explores, overturns, and anatomises questions of gender, politics, and scientific and literary endeavors.
| Author | : |
| Publisher | : Stanford University |
| Total Pages | : 256 |
| Release | : |
| Genre | : |
| ISBN | : |
| Author | : Michele Renee Salzman |
| Publisher | : Cambridge University Press |
| Total Pages | : 439 |
| Release | : 2016 |
| Genre | : History |
| ISBN | : 1107110300 |
This book sheds new light on the religious and consequently social changes taking place in late antique Rome. The essays in this volume argue that the once-dominant notion of pagan-Christian religious conflict cannot fully explain the texts and artifacts, as well as the social, religious, and political realities of late antique Rome. Together, the essays demonstrate that the fourth-century city was a more fluid, vibrant, and complex place than was previously thought. Competition between diverse groups in Roman society - be it pagans with Christians, Christians with Christians, or pagans with pagans - did create tensions and hostility, but it also allowed for coexistence and reduced the likelihood of overt violent, physical conflict. Competition and coexistence, along with conflict, emerge as still central paradigms for those who seek to understand the transformations of Rome from the age of Constantine through the early fifth century.
