The Role Of The Poet In Early Societies
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Author | : Morton Wilfred Bloomfield |
Publisher | : Boydell & Brewer |
Total Pages | : 186 |
Release | : 1989 |
Genre | : Literary Collections |
ISBN | : 9780859912792 |
Bloomfield and Dunn describe the varying roles which "poets" have historically filled within society, whether ancient, medieval, or pre-modern and identify the key functions of the poet figure. He (or sometimes she) supports the ruler and is in turn rewarded for a central service to the tribe; he exercises his authority by an apparently magical understanding of the past, present, and future; and, whenever called upon to perform an official rite, he knows how to wield the appropriate traditional, esoteric utterances. In order to illustrate the ways in which this kind of poetic function can be seen to have been exercised in early Irish literature, pre-modern Scottish Gaelic, early Welsh, early Norse and Old English the authors draw on a wide-range of texts. The study concludes with an examination of the implications of their findings for twentieth century readers exploring the utterances of poets remote from them in time or space.
Author | : Morton W. Bloomfield |
Publisher | : Boydell & Brewer |
Total Pages | : 182 |
Release | : 1992 |
Genre | : Literary Collections |
ISBN | : 9780859913478 |
This study draws on a wide range of texts — early Irish, pre-modern Scottish Gaelic, early Welsh, Early Norse, Old English —to illustrate the role of the poet as a tool of power, as seer, and as ceremonial figure.
Author | : Paul Cavill |
Publisher | : Boydell & Brewer |
Total Pages | : 232 |
Release | : 1999 |
Genre | : Literary Criticism |
ISBN | : 9780859915410 |
A study of maxims - what they are, why and when they are used - based on detailed investigation of issues, texts and formulas.
Author | : Miguel R. López |
Publisher | : Texas A&M University Press |
Total Pages | : 228 |
Release | : 2001 |
Genre | : Literary Criticism |
ISBN | : 9780890969625 |
The premature death of Ricardo Sánchez in 1995 marked the passing of an almost legendary figure in Chicano literature and in the Chicano political movement. A troubadour of Chicano Movement poetry, he established an anti-aesthetic that became the norm. Sánchez's autobiographical poetry forges a link between genres of the past and present and establishes him as the first great tragic figure of contemporary Chicano literature.In a body of work that spanned spatial, temporal, and cultural boundaries, Sánchez dealt with issues of power and of linguistic and cultural barriers between Anglo, Native American, and Mexican American peoples in the United States.While he lived, critics showed reluctance to engage Sánchez's work fully, perhaps in part because of his reputation as a confrontational, even outrageous individual. Focusing on Canto y grito mi liberación and Hechizospells, Miguel R. López examines Sánchez's work and places him in the context of the past, present, and future of Chicano literature. López explains clearly the relation of time and space in Sánchez's prolific work and shows him as a writer committed to his craft as well as to his political stance.In the end, the portrait that emerges is of a poet whose work was linguistically and thematically complex and one who was more passionate, controversial, and forthright in his expression than any other contemporary Chicano writer.
Author | : Zhu Guohua |
Publisher | : Taylor & Francis |
Total Pages | : 382 |
Release | : 2023-06-19 |
Genre | : Literary Criticism |
ISBN | : 1000879453 |
With references to the theoretical framework of Michel Foucault and Pierre Bourdieu, this book offers a critical investigation into such epic issues as the end of art and the inherent laws of literature’s evolution, while conflating the two into one major argumentation. The book proceeds from Hegel's claim of "the end of art" to tackle the universal yet essential problem of literature: its legitimacy in a sociological sense. It invests Bourdieu’s sociological terms -- power, capital, habitus, field, etc. into the study of literature and art while taking on other theoretical enquiries, particularly the Marxist exploration into ideology, as well as aspects of economics and communication studies. This book will be a valuable resource for students and scholars of the sociology of literature, cultural studies, and those with specific interests in Chinese literature, literary and art theory.
Author | : Jerome Meckier |
Publisher | : LIT Verlag Münster |
Total Pages | : 393 |
Release | : 2011 |
Genre | : Literary Criticism |
ISBN | : 3643901011 |
Aldous Huxley began as a poet. He perfected the voice of the modern satirical poet of ideas, who used art against itself to produce a parodic poetry of breakdowns, collapses, stalemates, and dead ends best suited to the apparent pointlessness of the post-war era. His cleverest, most irreverent poems are contrapuntal: they, in effect, silence venerable poets and cancel traditional formats. Huxley's poetic personas either fail to preserve conventional forms or purposely sabotage them. By 1920, Huxley became the parodic equivalent of the formative intelligences (i.e., Dante, Goethe, and Lucretius) who once synthesized their respective eras positively. In this book, author Jerome Meckier explicates most of Huxley's poems, including Leda, his masterpiece, an ironical modern myth. Meckier traces Huxley's development in terms of the poets he inserted in five of his eleven novels, along with their poems. These poets mostly fail as poets, their different stances falling apart one after another. But Huxley began to detect a spiritual significance underlying the creative urge. This allowed him to rehabilitate many of the Romantic and Victorian poets he formerly ridiculed as frauds and liars. Eventually, he celebrated mystical contemplation as silent poetry, positing a utopia in which everyone is a poet to the limits of his or her potentiality. Huxley became the perennial philosopher, a neo-Brahmin: the sage-like figure he initially personified parodically. His paradigmatic career took him from a Pyrrhonic silencing of outmoded poems and poets to the advocacy of a poetry of silence. (Series: "Human Potentialities". Studien zu Aldous Huxley & zeitgenossischer Kultur/Studies in Aldous Huxley & Contemporary Culture - Vol. 11)
Author | : 朱国华 |
Publisher | : BEIJING BOOK CO. INC. |
Total Pages | : 347 |
Release | : 2021-11-11 |
Genre | : Literary Criticism |
ISBN | : |
本书分为三个部分:第一部分提出了文学权力的概念,并结合资本的概念,从社会学的角度分析了它的构成条件及其作用方式;第二部分结合传播媒介的历史,考察了文学权力的历史演变,得出文学权力决定于文学作为符号资本在表征领域里所占据的比重的结论;第三部分集中讨论了政治资本和经济资本如何侵入到文学领域,并在何种层面上构成了文学的合法性危机。
Author | : George Kaliaden |
Publisher | : Xlibris Corporation |
Total Pages | : 256 |
Release | : 2017-02-27 |
Genre | : Self-Help |
ISBN | : 1524520667 |
How do our words acquire healing powers? How do words make changes in each others brains? How do special uses of words, poetic or therapeutic, modify our thoughts, alter our feelings and transform our lives? This book introduces helping professionals to the practice of poetry therapy, highlighting the prophetic role of poets and healing professionals in our everyday life.
Author | : Elizabeth Acevedo |
Publisher | : HarperCollins |
Total Pages | : 345 |
Release | : 2018-03-06 |
Genre | : Young Adult Fiction |
ISBN | : 0062662821 |
Winner of the National Book Award for Young People’s Literature, the Michael L. Printz Award, and the Pura Belpré Award! Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent. “Crackles with energy and snaps with authenticity and voice.” —Justina Ireland, author of Dread Nation “An incredibly potent debut.” —Jason Reynolds, author of the National Book Award Finalist Ghost “Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero.” —Ibi Zoboi, author of American Street This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8. Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!
Author | : Michael Swanton |
Publisher | : |
Total Pages | : 400 |
Release | : 2002 |
Genre | : Literary Criticism |
ISBN | : |
A new and completely revised edition of this authoritative work, intended to encourage personal appreciation and independent appraisal by students of English. This is a stimulating introduction to the poetry composed in an age that witnessed fundamental cultural developments: the emergence of the English from among the warring tribes of Europe, their conversion to Christianity, the development of feudalism and the chivalric myth, the military adventure of the Crusades, and the growth of a vigorous citizen class in the burgeoning towns of England.