The Role Of Images And The Veneration Of Icons In The Oriental Orthodox Churches
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Author | : Christine Chaillot |
Publisher | : LIT Verlag Münster |
Total Pages | : 141 |
Release | : 2018 |
Genre | : Religion |
ISBN | : 3643909853 |
The aim of this book is to demonstrate the presence in the very ancient Eastern Churches of religious images of all kinds (icons, paintings, illuminations), including the representation of Christ, together with the veneration (not the adoration) of icons/images. Presented here are not only the iconographic but also the liturgical-and especially the Christological-dimensions of the icon on the basis of texts used by these four traditions down the centuries. In contrast to the Byzantine Orthodox world which, after a controversy on this subject, officially established the veneration of icons from the time of the Second Council of Nicaea (787) and in 843, these Churches did not experience Iconoclasm. Christine Chaillot is Swiss and Orthodox (Patriarchate of Constantinople). She has published several books on the Orthodox Churches and the Oriental Orthodox Churches. (Series: Studies on Oriental Orthodox Church History / Studien zur Orientalischen Kirchengeschichte, Vol. 55) [Subject: Religious Studies, Christian Studies, History, Iconography]
Author | : Abū Qurrah (Bishop of Ḥarrān.) |
Publisher | : Peeters Publishers |
Total Pages | : 132 |
Release | : 1997 |
Genre | : Christian literature, Arabic |
ISBN | : 9789068319286 |
Theodore Abu Qurrah (c.750-c.825) was an intellectual heir of St. John of Damascus. Both became monks of Mar Sabas monastery in the Judean desert. Whereas John of Damascus was prominent among the generations of Greek writers in the Holy Land in early Islamic times, Theodore Abu Qurrah was the first Orthodox scholar whose name we know regularly to write Christian theology in Arabic. He spoke and wrote the Arabic language at a time when it was just becoming the cultural language of classical Islamic civilization, as well as the lingua sacra of the Qu'ran and of the new world religion. He was among the first Christians to exploit the apologetic potential of the new Arabic medium of public discourse. Abu Qurrah's Arabic tract in defense of the veneration of the holy icons was a response to the problem of the public veneration of the symbols of Christianity in an Islamic environment in which the caliph's policies since the time of 'Abd al-Malik (685-705) had been to claim the public space for Islam. In this treatise one finds arguments once expounded by earlier Greek writers, now deployed to meet the needs of a new generation of Arabic-speaking Christians, who were more evidently in contact and debate with Muslims.
Author | : Elizabeth Zelensky |
Publisher | : Brazos Press |
Total Pages | : 144 |
Release | : 2005-02 |
Genre | : Art |
ISBN | : 1587431092 |
In this useful guidebook, the authors debunk common misconceptions about Orthodox icons and explain how they might enrich the devotional lives of non-Orthodox Christians.
Author | : Ernst Benz |
Publisher | : Routledge |
Total Pages | : 158 |
Release | : 2017-09-29 |
Genre | : Religion |
ISBN | : 1351304747 |
Western European Christendom finds it difficult to comprehend the Eastern Orthodox Church because it knows little about the practice and doctrines of Orthodoxy. Even what is known is overlaid by many strata of prejudices and misunderstandings, partly political in nature. One of the obstacles has been the natural tendency to confound the ideas and customs of the Orthodox Church with familiar parallels in Roman Catholicism. To escape this tradition pitfall, Ernst Benz focuses on icon painting as a logical place to begin his examination of the Orthodox Church. Beginning with a brilliant discussion of the importance of icons in the Eastern Church--and the far-reaching effects of icons on doctrine as well as art--Benz counteracts the confusion, explaining simply and clearly the liturgy and sacraments, dogma, constitution and law of Eastern Orthodoxy. In brief history, he describes the rise of Orthodox national churches, schismatic churches, and churches in exile; the role of monasticism and its striking differences from Roman Catholic monasticism; the missionary work of the Orthodox Church; and the influence of Orthodoxy on politics and culture. The role of the church can be defined in terms of the image. Benz writes that the church exists so that "members may be incorporated into the image of Jesus Christ a in that individual believers are aechanged into his likeness'" as Paul writes in the second letter to the Corinthians. Thus, Orthodox theology holds up the icon as the true key to the understanding of Orthodox dogma. The Eastern Orthodox Church will be valuable to anyone interested in learning more about the church, its thought, its life, and its ideals.
Author | : Ambrosios Giakalis |
Publisher | : BRILL |
Total Pages | : 170 |
Release | : 2021-11 |
Genre | : History |
ISBN | : 9004474455 |
This analysis of the arguments for and against icons presented at the Seventh Ecumenical Council of 787 provides a fresh insight from an Eastern Orthodox point of view into the role of icons as channels communicative of divine life.
Author | : Ambrosios Giakalis |
Publisher | : BRILL |
Total Pages | : 184 |
Release | : 2005-08-01 |
Genre | : History |
ISBN | : 9047407288 |
This book, newly revised and updated, examines the Eastern Church's theology of icons chiefly on the basis of the acta of the Seventh Ecumenical Council of 787. The political circumstances leading to the outbreak of the iconclast controversy in the eighth century are discussed in detail, but the main emphasis is on the theological arguments and assumptions of the council participants. Major themes include the nature of tradition, the relationship between image and reality, and the place of christology. Ultimately the argument over icons was about the accessibility of the divine. Icons were held by the iconophiles to communicate a deifying grace which raised the believer to participation in the life of God.
Author | : John of Damascus |
Publisher | : |
Total Pages | : |
Release | : 1976-08 |
Genre | : |
ISBN | : 9780899811079 |
Author | : Jaroslav Pelikan |
Publisher | : Princeton University Press |
Total Pages | : 220 |
Release | : 2023-10-17 |
Genre | : Art |
ISBN | : 0691252734 |
A sweeping account of the controversies surrounding the worship of images in the early Byzantine church In 726, the Byzantine emperor, Leo III, issued an edict that all religious images in the empire were to be destroyed, a directive that was later endorsed by a synod of the church in 753 under his son, Constantine V. If the policy of Iconoclasm had succeeded, the entire history of Christian art—and of the Christian church, at least in the East—would have been altered. Iconoclasm was defeated by Byzantine politics, popular revolts, monastic piety, and, most fundamentally of all, by theology, just as it had been theology that the opponents of images had used to justify their actions. Analyzing an intriguing chapter in the history of ideas, the renowned scholar Jaroslav Pelikan shows how a faith that began by attacking the worship of images ended first in permitting and then in commanding it. Pelikan charts the theological defense of icons during the iconoclastic controversies of the eighth and ninth centuries, whose high point came in 787, when the Second Council of Nicaea restored the cult of images in the church. He demonstrates how the dogmas of the Trinity and the Incarnation eventually provided the basic rationale for images: because the invisible God had become human and therefore personally visible in Jesus Christ, it became permissible to make images of that Image. And because not only the human nature of Christ, but that of his Mother had been transformed by the Incarnation, she, too, could be “iconized,” together with all the other saints and angels. The iconographic “text” of the book is provided by one of the very few surviving icons from the period before Iconoclasm, the Egyptian tapestry Icon of the Virgin now in the Cleveland Museum of Art. Other icons serve to illustrate the theological argument, just as the theological argument serves to explain the icons. In an incisive foreword, Judith Herrin explains the enduring importance of the book and discusses how later scholars have built on Pelikan’s work. Please note: All images in this ebook are presented in black and white and have been reduced in size.
Author | : Alfredo Tradigo |
Publisher | : Getty Publications |
Total Pages | : 384 |
Release | : 2006 |
Genre | : Christian saints in art |
ISBN | : 9780892368457 |
Catalogues the heritage of images according to type and subject, from the ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. This book includes chapters such as role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church.
Author | : Léonide Ouspensky |
Publisher | : |
Total Pages | : 268 |
Release | : 1978 |
Genre | : Art |
ISBN | : |