The Rodney Graham Songbook

The Rodney Graham Songbook
Author: Rodney Graham
Publisher: Charles H. Scott Gallery
Total Pages: 178
Release: 2006
Genre: Art
ISBN:

Rodney Graham is internationally acclaimed for his literary and conceptual artworks, cinematic installations, costume dramas and as a singer-songwriter. Over the years, he has blurred the line between visual art and music with works such as How I Became a Ramblin' Man, Zabriskie Point and The Phonokinetoscope. In This Is the Only Living I've Got, Don't Take It Away From Me he compiles 37 songs from his CDs and records and transcribes them into sheet music with notations for piano, guitar tablature and lyrics. The form is that of a popular songbook, featuring images of the artist, his band and new artwork. The material includes "The Bed Bug," "Love Buzz, And Other Short Songs in the Popular Idiom," "Getting it Together in the Country," "Rock is Hard," and "Never Tell a Pal A Hard Luck Story." With a CD of rare covers and two brand new tracks.

Rodney Graham

Rodney Graham
Author: Shepherd Steiner
Publisher: MIT Press
Total Pages: 128
Release: 2013-10-04
Genre: Art
ISBN: 184638124X

An examination of the complex and subtle world on display in Rodney Graham's film of an LSD-inflected bicycle ride. Rodney Graham's Phonokinetoscope (2001) is a five-minute 16mm film loop in which the artist is seen riding his Fischer Original bicycle through Berlin's Tiergarten while taking LSD, to the soundtrack of a fifteen-minute song (written and performed by Graham) recorded on a vinyl LP. The turntable drives the projection of the film; the film starts when the needle is placed on the record and stops when the needle is taken off. Graham's ride evokes the Swiss scientist Albert Hoffman's famous 1943 bicycle ride home after an experimental dose of LSD as well as Paul Newman's backward-facing ride in Butch Cassidy and the Sundance Kid; the accompanying music presents a thicket of riffs and borrowings. As the images and visual details repeat in the film's endless loop, the artist's Phonokinetoscope refers to a surprising number of works of art and literature, displaying a world rich with subtle meaning. In this illustrated study of Phonokinetoscope, Shep Steiner describes the work as marking Graham's transition into a new medium. Steiner positions Graham's practice in relation to postminimalist practice and that of other artists including Dan Graham, but especially, Ian Wallace and Jeff Wall; considers Graham's rhetoric of playfulness; and finally, beyond the web of references, argues for a notion of allegory and memory theater keyed to the durational work yet satisfying the aesthetic standards of static art. Phonokinetoscope, Steiner argues, looks back to Graham's earlier works focusing on the notion of protocinema and forward to his later musical preoccupations.

Romantic conceptualism

Romantic conceptualism
Author: Jörg Heiser
Publisher: Kerber Verlag
Total Pages: 224
Release: 2007
Genre: Art, Modern
ISBN:

Featuring work by 23 international artists including Bas Jan Ader, Tacita Dean, Felix Gonzalez-Torres, Rodney Graham, Louise Lawler, Yoko Ono and Frances Stark, this illustrated reader takes on romantic motifs (desire, melancholia) and methods (fragmentation, ephemerality, process) in Conceptualism, thwarting the conventional opposition between romantic inwardness and conceptual rationalism.

Selected Standards

Selected Standards
Author: Euan Macdonald
Publisher: JRP Ringier
Total Pages: 184
Release: 2007
Genre: Aerial photography
ISBN: 9783905770803

Edited by Kathy Slade and Christph Keller.

Nuggets

Nuggets
Author: Dan Graham
Publisher: Jrp Ringier
Total Pages: 0
Release: 2013
Genre: Architectural criticism
ISBN: 9783037641989

Dan Graham began directing the John Daniels Gallery (New York) in 1964, where he put on Sol LeWitt's first one-man show. In the group shows he organised he exhibited the works of Donald Judd, Dan Flavin, and Robert Smithson.Like these artists, Graham considered himself a writer-artist. His earliest work dealt with the magazine page, and one of his seminal early works was a series of magazine-style photographs with text, Homes for America (1966-1967).Focusing on cultural phenomena, and incorporating photography, video, performance, glass and mirror structures, Dan Graham's practice has become a key part of the Conceptual art canon.This volume brings together texts written on various artists he admires, as well as interviews collected since the 1990s, most notably on his large-scale installations incorporating mirrors - a culmination of his long examination of the psychological relationship between people and architecture.This book is part of the Positions series, co-published with Les presses du réel and ECU Press, Vancouver.

Aunt Maud's Scrapbook

Aunt Maud's Scrapbook
Author: Sydney Hermant
Publisher: JRP Ringier
Total Pages: 74
Release: 2006
Genre: Art
ISBN:

My work has had nothing to do with gay liberation, Michel Foucault reportedly told an admirer in 1975. And indeed there is scarcely more than a passing mention of homosexuality in Foucault's scholarly writings. So why has Foucault, who died of AIDS in 1984, become a powerful source of both personal and political inspiration to an entire generation of gay activists? And why have his political philosophy and his personal life recently come under such withering, normalizing scrutiny by commentators as diverse as Camille Paglia, Richard Mohr, Bruce Bawer, Roger Kimball, and biographer James Miller? David M. Halperin's Saint Foucault is an uncompromising and impassioned defense of the late French philosopher and historian as a galvanizing thinker whose career as a theorist and activist will continue to serve as a model for other gay intellectuals, activists, and scholars. A close reading of both Foucault and the increasing attacks on his life and work, it explains why straight liberals so often find in Foucault only counsels of despair on the subject of politics, whereas gay activists look to him not only for intellectual inspiration but also for a compelling example of political resistance. Halperin rescues Foucault from the endless nature-versus-nurture debate over the origins of homosexuality ("On this question I have absolutely nothing to say," Foucault himself once remarked) and argues that Foucault's decision to treat sexuality not as a biological or psychological drive but as an effect of discourse, as the product of modern systems of knowledge and power represents a crucial political breakthrough for lesbians and gay men. Halperin explains how Foucault's radical vision of homosexuality as a strategic opportunity for self-transformation anticipated the new anti-assimilationist, anti-essentialist brand of sexual identity politics practiced by contemporary direct-action groups such as ACT UP. Halperin also offers the first synthetic account of Foucault'sthinking about gay sex and the future of the lesbian and gay movement, as well as an up-to-the-minute summary of the most recent work in queer theory. "Where there is power, there is resistance," Michel Foucault wrote in The History of Sexuality, Volume I. Erudite, biting, and surprisingly moving, Saint Foucault represents Halperin's own resistance to what he views as the blatant and systematic misrepresentation of a crucial intellectual figure, a misrepresentation he sees as dramatic evidence of the continuing personal, professional, and scholarly vulnerability of all gay activists and intellectuals in the age of AIDS.

George Gershwin

George Gershwin
Author: Howard Pollack
Publisher: Univ of California Press
Total Pages: 938
Release: 2007-01-15
Genre: Music
ISBN: 0520933141

This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack’s lively narrative describes Gershwin’s family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin’s entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.

In Order of Pages

In Order of Pages
Author: Veronika Spierenburg
Publisher:
Total Pages: 500
Release: 2013
Genre: Art museums
ISBN: 9783037470527

One for Me and One to Share

One for Me and One to Share
Author: Gregory Elgstrand
Publisher: Yyz Books
Total Pages: 0
Release: 2012
Genre: Art and society
ISBN: 9780920397527

Illustrated with over thirty-six colour reproductions, the essays and interviews in One For Me and Once To Share: Artists' Multiples and Editions addresses artists' multiples as a new means of reproduction, circulations, and reception.