The Rock Paintings of Tassili
Author | : Jean-Dominique Lajoux |
Publisher | : London : Thames and Hudson |
Total Pages | : 210 |
Release | : 1963 |
Genre | : Africa, North |
ISBN | : |
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Author | : Jean-Dominique Lajoux |
Publisher | : London : Thames and Hudson |
Total Pages | : 210 |
Release | : 1963 |
Genre | : Africa, North |
ISBN | : |
Author | : Terence Meaden |
Publisher | : Archaeopress Publishing Ltd |
Total Pages | : 335 |
Release | : 2020-02-27 |
Genre | : Social Science |
ISBN | : 1789693586 |
In rock art, humanlike images appear widely throughout the ages. The artworks discussed in this book range from paintings, engravings or scratchings on cave walls and rock shelters, images pecked into rocky surfaces or upon standing stones, and major sacred sites, in which exists the possibility of recovering the meanings intended by the artists.
Author | : Jitka Soukopova |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 191 |
Release | : 2013-01-16 |
Genre | : Art |
ISBN | : 1443845795 |
The Central Sahara is considered the greatest “museum” of rock art in the world, containing several thousand prehistoric and recent images. The oldest paintings, called Round Heads, originated during a humid phase in the 10th millennium before present and they were created by dark-skinned hunter-gatherers living in the Algerian and Libyan mountains. Rock shelters show mainly anthropomorphic figures with body paintings and other embellishments testifying ancient rituals and ceremonies. Only two animal species – antelope and mouflon – appear to be as important as men and women; mixed with them on the same walls, these animals had a fundamental place in the ideology of the period. Since the discovery by Europeans in the 19th century, research in the Sahara has been scarce due to the difficult working conditions and to the problematic politics associated with national permissions. The rock art and the archaeology have always been treated as separated disciplines and only rarely were the paintings associated with a material culture. They have been described and classified but not interpreted because it was considered unachievable. Using interdisciplinary studies, this book approaches the previously neglected fields of the study of Saharan rock art, and it proposes new ways to research the art and the societies that created it.
Author | : Augustin Holl |
Publisher | : Rowman Altamira |
Total Pages | : 180 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780759106055 |
The Neolithic rock images of Iheren, Algeria are the starting point for Augustin Holl's careful analysis of the iconography of Saharan rock art. Created in the third millennium B.C., the Iheren murals are over 3 meters wide and contain multiple compositions that present an allegorical depiction of the lifeways of Tassilian pastoralists in the Sahara. Holl approaches his task as an archaeologist, examining the various strands of evidence icons, ideas, motifs, colors, and sizes-and weaving them together into a story that offers a window on the pastoralist worldview through the semiotics of their art. His deconstruction and synthesis of this corpus of material should be of interest to African archaeologists, rock art specialists, art historians, and cultural anthropologists alike."
Author | : Chris Scott |
Publisher | : |
Total Pages | : 0 |
Release | : 2004 |
Genre | : Sahara |
ISBN | : 9781873756768 |
Whether readers are traveling by 4WD or camel, this acclaimed guide covers all aspects Saharan and includes 10,000 miles of itineraries in Morocco, Mauritania, Libya, Mali, Tunisia, Algeria, Niger, Chad, and Egypt.
Author | : David Coulson |
Publisher | : Harry N Abrams B.V. |
Total Pages | : 264 |
Release | : 2001 |
Genre | : Art |
ISBN | : |
Contains more than two hundred photographs of Africa's rock art, coupled with historical and interpretive analyses, compiled to raise public awareness of the variety, importance, and frailty of these works.
Author | : Bruno David |
Publisher | : |
Total Pages | : 1185 |
Release | : 2018 |
Genre | : Art |
ISBN | : 0190607351 |
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
Author | : Elena A. A. Garcea |
Publisher | : All’Insegna del Giglio |
Total Pages | : 281 |
Release | : 2001-07-01 |
Genre | : Social Science |
ISBN | : 8878141844 |
Uan Tabu is a rockshelter on the left bank of the central valley of the Wadi Teshuinat, which is a main ancient water course in the Tadrart Acacus mountain range. It is located in the Fezzan region, south-western Libya (Great Jamahirya). The site was discovered by Fabrizio Mori in 1960 and was re-excavated and studied by a multi-disciplinary team at the beginning of the 1990s. It has also remarkable rock art that includes paintings from the Round Head and Pastoral phases. Between 1960 and 1963, a trench was dug into the archaeological deposit at the foot of the rock wall. The results of the 1960s’ excavation have never been published before, apart from some brief notes. They are thoroughly described and discussed in the present volume. Between 1990 and 1993, the excavation was resumed and extended. The 1990s’ excavation has been preliminarily published. Further information and details are now presented and commented. A stratigraphic and cultural correlation between the two excavations is also attempted in this volume. Four main archaeological and paedological units were identified and dated. They spanned from the Late Pleistocene to the Late Holocene. The earliest one, dating to the Pleistocene, included an Aterian techno-complex and was dated to around 61,000 years BP. Later, during the Early Holocene, a ‘pre-pastoral’ occupation occurred since the 10th millennium bp. This period was differentiated in two phases characterised by different socio-cultural systems: 1. during the Early Acacus (around 9800-8800 years bp), the site was used on a seasonal basis, probably during the dry season, for practising hunting activities; 2. during the Late Acacus (around 8800-8600 years bp), a more sedentary lifestyle was hypothesised for the inhabitants of the site. These two cultural facies comprised the upper three units. The fourth phase of occupation of the shelter was only attested to the surface of the site, but it could be still considered as an indication of the use of the site during the Late Holocene, as late as the 4th millennium bp. A dung fill in the wall of the rockshelter dated to the end of this, Late Pastoral, phase and is the only evidence for domesticated animals.