The Rice Sprout Song
Author | : Ailing Zhang |
Publisher | : Univ of California Press |
Total Pages | : 210 |
Release | : 1998 |
Genre | : Fiction |
ISBN | : 9780520214378 |
"A modern Chinese classic."--C. T. Hsia, author of History of Modern Chinese Fiction
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Author | : Ailing Zhang |
Publisher | : Univ of California Press |
Total Pages | : 210 |
Release | : 1998 |
Genre | : Fiction |
ISBN | : 9780520214378 |
"A modern Chinese classic."--C. T. Hsia, author of History of Modern Chinese Fiction
Author | : Ailing Zhang |
Publisher | : Univ of California Press |
Total Pages | : 210 |
Release | : 1998-05-15 |
Genre | : Fiction |
ISBN | : 0520210883 |
In this "first of three novels written in English in the 1950s and 1960s by Eileen Chang," the author touches "on subjects hitherto unnoticed in her works: the politics of writing and writing about politics."--Foreword, p. vii-viii.
Author | : Ailing Zhang |
Publisher | : Univ of California Press |
Total Pages | : 218 |
Release | : 1998-08-10 |
Genre | : Fiction |
ISBN | : 0520210875 |
Relates the events in the life of a Chinese lower-class woman trapped within the confines of an unhappy arranged marriage, resulting in her gradual descent into madness.
Author | : Bangqing Han |
Publisher | : Columbia University Press |
Total Pages | : 588 |
Release | : 2005 |
Genre | : Fiction |
ISBN | : 0231122691 |
Courtesans, desire & the denizens of the Shanghai underworld are just some of the elements in Han Bangqing's novel of late imperial China, published in 1892 & now available in English for the first time.
Author | : David Der-Wei Wang |
Publisher | : Univ of California Press |
Total Pages | : 420 |
Release | : 2004-10-04 |
Genre | : History |
ISBN | : 9780520937246 |
In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations. Taking into account the campaigns of violence and brutality that have rocked generations of Chinese—often in the name of enlightenment, rationality, and utopian plenitude—this book places its arguments along two related axes: history and representation, modernity and monstrosity. Wang considers modern Chinese history as a complex of geopolitical, ethnic, gendered, and personal articulations of bygone and ongoing events. His discussion ranges from the politics of decapitation to the poetics of suicide, and from the typology of hunger and starvation to the technology of crime and punishment.
Author | : Chih-tsing Hsia |
Publisher | : Indiana University Press |
Total Pages | : 782 |
Release | : 1999 |
Genre | : Literary Criticism |
ISBN | : 9780253334770 |
Regarded as a pioneering classic study of 20th-century Chinese fiction, this volume covers some 60 years, from the Literary Revolution of 1917 through the Cultural Revolution of 1966-76.'
Author | : Eileen Chang |
Publisher | : New York Review of Books |
Total Pages | : 346 |
Release | : 2017-06-21 |
Genre | : Fiction |
ISBN | : 1681372444 |
Masterful short works about passion, family, and human relationships by one of the greatest writers of 20th century China. A New York Review Books Original “[A] giant of modern Chinese literature” –The New York Times "With language as sharp as a knife edge, Eileen Chang cut open a huge divide in Chinese culture, between the classical patriarchy and our troubled modernity. She was one of the very few able truly to connect that divide, just as her heroines often disappeared inside it. She is the fallen angel of Chinese literature, and now, with these excellent new translations, English readers can discover why she is so revered by Chinese readers everywhere." –Ang Lee Eileen Chang is one of the great writers of twentieth-century China, where she enjoys a passionate following both on the mainland and in Taiwan. At the heart of Chang’s achievement is her short fiction—tales of love, longing, and the shifting and endlessly treacherous shoals of family life. Written when Chang was still in her twenties, these extraordinary stories combine an unsettled, probing, utterly contemporary sensibility, keenly alert to sexual politics and psychological ambiguity, with an intense lyricism that echoes the classics of Chinese literature. Love in a Fallen City, the first collection in English of this dazzling body of work, introduces American readers to the stark and glamorous vision of a modern master.
Author | : Paul Schellinger |
Publisher | : Routledge |
Total Pages | : 838 |
Release | : 2014-04-08 |
Genre | : Literary Criticism |
ISBN | : 1135918260 |
The Encyclopedia of the Novel is the first reference book that focuses on the development of the novel throughout the world. Entries on individual writers assess the place of that writer within the development of the novel form, explaining why and in exactly what ways that writer is importnant. Similarly, an entry on an individual novel discusses the importance of that novel not only form, analyzing the particular innovations that novel has introduced and the ways in which it has influenced the subsequent course of the genre. A wide range of topic entries explore the history, criticism, theory, production, dissemination and reception of the novel. A very important component of the Encyclopedia of the Novel is its long surveys of development of the novel in various regions of the world.
Author | : Xiaojue Wang |
Publisher | : BRILL |
Total Pages | : 390 |
Release | : 2020-05-11 |
Genre | : Literary Criticism |
ISBN | : 1684175356 |
"The year 1949 witnessed China divided into multiple political and cultural entities. How did this momentous shift affect Chinese literary topography? Modernity with a Cold War Face examines the competing, converging, and conflicting modes of envisioning a modern nation in mid-twentieth century Chinese literature. Bridging the 1949 divide in both literary historical periodization and political demarcation, Xiaojue Wang proposes a new framework to consider Chinese literature beyond national boundaries, as something arising out of the larger global geopolitical and cultural conflict of the Cold War. Examining a body of heretofore understudied literary and cultural production in mainland China, Taiwan, Hong Kong, and overseas during a crucial period after World War II, Wang traces how Chinese writers collected artistic fragments, blended feminist and socialist agendas, constructed ambivalent stances toward colonial modernity and an imaginary homeland, translated foreign literature to shape a new Chinese subjectivity, and revisited the classics for a new time. Reflecting historical reality in fictional terms, their work forged a path toward multiple modernities as they created alternative ways of connection, communication, and articulation to uncover and undermine Cold War dichotomous antagonism. "
Author | : Christopher Lee |
Publisher | : Stanford University Press |
Total Pages | : 208 |
Release | : 2012-04-18 |
Genre | : Literary Criticism |
ISBN | : 0804783705 |
The history of Asian American literature reveals the ongoing attempt to work through the fraught relationship between identity politics and literary representation. This relationship is especially evident in literary works which claim that their content represents the socio-historical world. The Semblance of Identityargues that the reframing of the field as a critical, rather than identity-based, project nonetheless continues to rely on the logics of identity. Drawing on the writings of philosopher and literary critic Georg Lukacs, Christopher Lee identifies a persistent composite figure that he calls the "idealized critical subject," which provides coherence to oppositional knowledge projects and political practices. He reframes identity as an aesthetic figure that tries to articulate the subjective conditions for knowledge. Harnessing Theodor Adorno's notion of aesthetic semblance, Lee offers an alternative account of identity as a figure akin to modern artwork. Like art, Lee argues, identity provides access to imagined worlds that in turn wage a critique of ongoing histories and realities of racialization. This book assembles a transnational archive of literary texts by Eileen Chang, Frank Chin, Maxine Hong Kingston, Chang-rae Lee, Michael Ondaatje, and Jose Garcia Villa, revealing the intersections of subjectivity and representation, and drawing our attention to their limits.