The Rhymers' Lexicon
Author | : Andrew Loring |
Publisher | : |
Total Pages | : 944 |
Release | : 1920 |
Genre | : English language |
ISBN | : |
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Author | : Andrew Loring |
Publisher | : |
Total Pages | : 944 |
Release | : 1920 |
Genre | : English language |
ISBN | : |
Author | : Lorin Andrews Lathrop |
Publisher | : |
Total Pages | : 970 |
Release | : 1905 |
Genre | : English language |
ISBN | : |
Author | : Edward Thomas |
Publisher | : Oxford University Press |
Total Pages | : 806 |
Release | : 2023-10-05 |
Genre | : Poets, English |
ISBN | : 0198784341 |
Edward Thomas can be seen as the most important poetry critic in the early twentieth century. Thomas was a prose-writer before he was a poet. The Selected Edition of his prose, and especially this volume, shows that he was also a critic before he was a poet. His unusual literary career opens up key questions about the relation between poetry and criticism, as well as between poetry and prose. Thomas wrote books about poetry, but his criticism mainly took the form of reviews. He reviewed collections, editions, and studies of poetry, most regularly, for the Daily Chronicle and the Morning Post. These reviews amount to a unique commentary on the state of poetry and of poetry criticism after 1900. Since reviewing provided Thomas's main income, he also reviewed other kinds of book. Hence the sheer mass of his reviews, the stress he suffered as a literary journalist. Yet his criticism maintains an astonishingly high standard. Thomas's response to contemporary poetry intersects with his readings of older poetry. No critic or poet of the time was so deeply acquainted with the traditions of English-language poetry or so alert to new poetic movements in Ireland and America. Edward Thomas's writings on poetry have a double importance. Besides suggesting the hidden evolution of his own aesthetic, they constitute a lost history and critique of poetry before the Great War. They change our assumptions about that period. Thomas's perspectives on poets such as Yeats, Hardy, Frost, Lawrence, and Pound illuminate the making of modern poetry.
Author | : Edna Longley |
Publisher | : Oxford University Press |
Total Pages | : 806 |
Release | : 2023-10-05 |
Genre | : Literary Collections |
ISBN | : 0192885707 |
Edward Thomas can be seen as the most important poetry critic in the early twentieth century. Thomas was a prose-writer before he was a poet. The Selected Edition of his prose, and especially this volume, shows that he was also a critic before he was a poet. His unusual literary career opens up key questions about the relation between poetry and criticism, as well as between poetry and prose. Thomas wrote books about poetry, but his criticism mainly took the form of reviews. He reviewed collections, editions, and studies of poetry, most regularly, for the Daily Chronicle and the Morning Post. These reviews amount to a unique commentary on the state of poetry and of poetry criticism after 1900. Since reviewing provided Thomas's main income, he also reviewed other kinds of book. Hence the sheer mass of his reviews, the stress he suffered as a literary journalist. Yet his criticism maintains an astonishingly high standard. Thomas's response to contemporary poetry intersects with his readings of older poetry. No critic or poet of the time was so deeply acquainted with the traditions of English-language poetry or so alert to new poetic movements in Ireland and America. Edward Thomas's writings on poetry have a double importance. Besides suggesting the hidden evolution of his own aesthetic, they constitute a lost history and critique of poetry before the Great War. They change our assumptions about that period. Thomas's perspectives on poets such as Yeats, Hardy, Frost, Lawrence, and Pound illuminate the making of modern poetry.
Author | : |
Publisher | : |
Total Pages | : 1212 |
Release | : 1904 |
Genre | : Bibliography |
ISBN | : |
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Author | : Lawrence Holofcener |
Publisher | : |
Total Pages | : 232 |
Release | : 1960 |
Genre | : English language |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1222 |
Release | : 1905 |
Genre | : Bibliography |
ISBN | : |
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Author | : Edwin G. Pulleyblank |
Publisher | : UBC Press |
Total Pages | : 498 |
Release | : 2011-11-01 |
Genre | : Foreign Language Study |
ISBN | : 0774844671 |
Known for his pioneering work in Chinese historical phonetics, Edwin Pulleyblank has compiled this Lexicon to present in convenient dictionary form the result of his researches on the phonology of Middle Chinese and its evolution to Mandarin. The Lexicon complements Pulleyblank's earlier book, Middle Chinese, by providing reconstructed pronunciation for approximately 8,000 Chinese characters at three historical stages. Early Middle Chinese is the language of the Qieyun rhyme dictionary of AD 601, which codified the standard literary language of both North and South China the preceding period of division. Pulleyblank's reconstruction is a thorough reworking of that of Bernhard Karlgren, completed in the twenties, and in some respects differs radically from it. Late Middle Chinese is the standard language of the High Tang Dynasty, based on the dialect of the capital, Chang'an. It has not been reconstructed previously as a separate stage but is of special importance, since it is the ancestor of most modern dialects. Early Mandarin represents the speech of the Yuan capital, Dadu (present Beijing), around the year 1300, for which Pulleyblank's reconstruction differs considerably from that of Hugh M. Stimson. The sources and methods used in these reconstructions were fully discussed in Middle Chinese, but recent developments in phonological theory have led to some modifications in detail. The entries are arranged alphabetically according to the Pinyin system with an index, by the traditional Kangxi radical and stroke numbers. The Morohashi number is also given for each character, enabling easy reference to this important Chinese thesaurus. Another useful feature of the Lexicon is the inclusion of the numbers in Karlgren's Grammata Serica for characters that are included in that work. Concise English equivalents for the Chinese words are also provided. Reconstructed forms are given in the International Phonetic Alphabet. Though this requires a number of phonetic signs and diacritical marks, these are carefully explained in the introduction. Every effort has been made to provide a useful tool for students of Chinese literature and China's relations with foreign countries, as well as for specialists in Chinese linguistics.