The Rhetoric Of The Other Literature
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Author | : W. Ross Winterowd |
Publisher | : |
Total Pages | : 192 |
Release | : 1990 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Using traditional and contemporary rhetorical theory, Winterowd argues that the fiction-nonfiction division of literature is unjustified and destructive. He would bridge the gap between literary scholars and rhetoricians by including both fiction (imaginative literature) and nonfiction (literature of fact) in the canon. The actual difference in literary texts, he notes, lies not in their factuality but in their potential for eliciting an aesthetic response. With speech act and rhetorical theory as a basis, Winterowd argues that presentational literature gains its power on the basis of its ethical and pathetic appeal, not because of its assertions or arguments.
Author | : Wayne C. Booth |
Publisher | : University of Chicago Press |
Total Pages | : 573 |
Release | : 2010-05-15 |
Genre | : Literary Criticism |
ISBN | : 0226065596 |
The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms—such as "the implied author," "the postulated reader," and "the unreliable narrator"—have become part of the standard critical lexicon. For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years—two decades that Booth describes as "the richest in the history of the subject."
Author | : Erik Gunderson |
Publisher | : Cambridge University Press |
Total Pages | : 369 |
Release | : 2009-07-09 |
Genre | : Literary Collections |
ISBN | : 1139827804 |
Rhetoric thoroughly infused the world and literature of Graeco-Roman antiquity. This Companion provides a comprehensive overview of rhetorical theory and practice in that world, from Homer to early Christianity, accessible to students and non-specialists, whether within classics or from other periods and disciplines. Its basic premise is that rhetoric is less a discrete object to be grasped and mastered than a hotly contested set of practices that include disputes over the very definition of rhetoric itself. Standard treatments of ancient oratory tend to take it too much in its own terms and to isolate it unduly from other social and cultural concerns. This volume provides an overview of the shape and scope of the problems while also identifying core themes and propositions: for example, persuasion, virtue, and public life are virtual constants. But they mix and mingle differently, and the contents designated by each of these terms can also shift.
Author | : Gian Biagio Conte |
Publisher | : Cornell University Press |
Total Pages | : 232 |
Release | : 1986 |
Genre | : Literary Criticism |
ISBN | : 9780801483592 |
Gian Biagio Conte here seeks to establish a theoretical basis for explaining the ways in which Latin poets borrow from one another and echo one another.
Author | : Irene Peirano Garrison |
Publisher | : Cambridge University Press |
Total Pages | : 299 |
Release | : 2019-08-22 |
Genre | : History |
ISBN | : 1107104246 |
Offers a radical re-appraisal of rhetoric's relation to literature, with fresh insights into rhetorical sources and their reception in Roman poetry.
Author | : Susan Miller |
Publisher | : SIU Press |
Total Pages | : 228 |
Release | : 2008 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780809327881 |
Trust in Texts: A Different History of Rhetoric challenges the accepted idea of a singular rhetorical tradition poorly maintained from the Athenian Golden Age until the present. Author Susan Miller argues that oratorical rhetoric is but one among many codes that guide the production of texts and proposes that emotion and trust are central to the motives and effects of rhetoric. This groundbreaking volume makes a case for historical rhetoric as disbursed, formal and informal lessons in persuasion that are codified as crafts that mediate between what is known and unknown in particular rhetorical situations. Traditional, unified histories of rhetoric ignore the extensive historical interactions among discourses—including medicine, drama, lyric poetry, philosophy, oratory, and literary fiction—that have operated from antiquity across cultures that are historically and geographically joined. Drawing not just on traditional rhetorical works, but also on texts from philosophy and literature, Miller expands the body of works to be considered in the study of rhetoric. As the first book-length study that calls into question the centrality of logos to rhetoric, Trust in Texts will change the way the history of rhetoric is viewed and taught and will be essential to scholars and students of communications, rhetoric, English, classics, and literary studies.
Author | : Martin Nystrand |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 316 |
Release | : 2003 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780299181741 |
Rhetoric has traditionally studied acts of persuasion in the affairs of government and men, but this work investigates the language of other, non-traditional rhetors, including immigrants, women, urban children and others who have long been on the margins of civic life and political forums.
Author | : Ewa P?onowska Ziarek |
Publisher | : SUNY Press |
Total Pages | : 262 |
Release | : 1995-01-01 |
Genre | : Philosophy |
ISBN | : 9780791427118 |
'This book makes a significant and needed contribution to post-structural philosophy and literary theory. In this impressive analysis that delicately weaves together philosophical and literary texts, Ewa Ziarek powerfully and persuasively demonstrates that the rhetoric of the failure of traditional subject-centered rationality does not lead to nihilism or nominalism.'-Kelly Oliver, University of Texas at Austin
Author | : Jay Timothy Dolmage |
Publisher | : Syracuse University Press |
Total Pages | : 368 |
Release | : 2014-01-22 |
Genre | : Social Science |
ISBN | : 081565233X |
Disability Rhetoric is the first book to view rhetorical theory and history through the lens of disability studies. Traditionally, the body has been seen as, at best, a rhetorical distraction; at worst, those whose bodies do not conform to a narrow range of norms are disqualified from speaking. Yet, Dolmage argues that communication has always been obsessed with the meaning of the body and that bodily difference is always highly rhetorical. Following from this rewriting of rhetorical history, he outlines the development of a new theory, affirming the ideas that all communication is embodied, that the body plays a central role in all expression, and that greater attention to a range of bodies is therefore essential to a better understanding of rhetorical histories, theories, and possibilities.
Author | : Katherine Acheson |
Publisher | : Routledge |
Total Pages | : 297 |
Release | : 2016-12-05 |
Genre | : Literary Criticism |
ISBN | : 1351875590 |
Early modern printed books are copiously illustrated with charts, diagrams, and other kinds of images that represent systems of thought and ways of doing things. Visual Rhetoric and Early Modern English Literature shows how these images fostered what Elizabeth Eisenstein called brainwork related to concepts of space, truth, art, and nature, and reveals their importance to poetry by Andrew Marvell and John Milton, and Aphra Behn’s Oroonoko. The genres of illustration considered in this book include military strategy and tactics, garden design, instrumentation, Bibles, scientific schema, drawing instruction, natural history, comparative anatomy, and Aesop’s Fables. The argument produces unique insights into the ways in which visual rhetoric affected verbal expression, and the book develops novel methods of using printed images as evidence in the interpretation of the rich, strange, and beautiful literature of early modern England.