The Rhetoric of Pascal
Author | : Patricia Topliss |
Publisher | : Leicester, LeicesterU. P |
Total Pages | : 354 |
Release | : 1966 |
Genre | : Philosophy |
ISBN | : |
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Author | : Patricia Topliss |
Publisher | : Leicester, LeicesterU. P |
Total Pages | : 354 |
Release | : 1966 |
Genre | : Philosophy |
ISBN | : |
Author | : Erec R. Koch |
Publisher | : Rookwood Press |
Total Pages | : 240 |
Release | : 1997 |
Genre | : Foreign Language Study |
ISBN | : 9781886365056 |
Author | : Thomas Parker |
Publisher | : Routledge |
Total Pages | : 243 |
Release | : 2013-05-13 |
Genre | : Philosophy |
ISBN | : 1135915903 |
This study identifies and analyzes a compelling theory and practice of persuasion that integrates the complexity of human desire. It demonstrates how the philosophical component in Pascal's description of the will makes a seamless integration into a vehicle of persuasion and poetics, providing a privileged viewpoint for understanding the author's complete works, arguing that the notion of will is of fundamental importance in Pascal's anthropology as well as in his rhetoric. This avenue of interpretation is both fruitful and difficult, because the word "volonte" means very different things in Pascal and in modern French. Beginning by contextualizing the notion of 'volonte' and explaining its expanded use in the seventeenth-century lexicon, the author then endeavors to show that Pascal borrows an essentially Augustinian paradigm of desire to create a depiction of the will divided against itself, surreptitiously yearning for what its bearer does not want.
Author | : John J. Conley S.J. |
Publisher | : University of Notre Dame Pess |
Total Pages | : 315 |
Release | : 2019-04-30 |
Genre | : Philosophy |
ISBN | : 0268105162 |
There have been many studies analyzing the philosophy of Blaise Pascal, but this book is the first full-length study of the philosophies of his sisters, Jacqueline Pascal and Gilberte Pascal Périer, and his niece, Marguerite Périer. While these women have long been presented as the disciples, secretaries, correspondents, and nurses of their brother and uncle, each woman developed a distinctive philosophy that is more than auxiliary to the thought of Blaise Pascal. The unique philosophical voice of each Pascal woman is studied in The Other Pascals. As the headmistress of the Port-Royal convent school, Jacqueline Pascal made important contributions to the philosophy of education. Gilberte Pascal Périer wrote the first philosophical biographies of Blaise and Jacqueline. Marguerite Périer defended freedom of conscience against coercion by political and religious superiors. Each of these women authors speaks in a gendered voice, emphasizing the right of women to develop a philosophical and theological culture and to resist commands to blind obedience by paternal, political, or ecclesiastical authorities. The Other Pascals will be of keen interest to readers interested in early modern philosophy, history, literature, and religion. The book will also appeal to those with an interest in women’s studies and French studies.
Author | : Hanneke Grootenboer |
Publisher | : University of Chicago Press |
Total Pages | : 222 |
Release | : 2006-12-31 |
Genre | : Art |
ISBN | : 0226309703 |
Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception. “An elegant and honourable synthesis.”—Keith Miller, Times Literary Supplement
Author | : Michael Hawcroft |
Publisher | : Oxford University Press, USA |
Total Pages | : 282 |
Release | : 1999 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780198160076 |
Setting out the principles of rhetoric with a wide range of illustrative examples in the first chapter, the author then explores rhetoric at work in different genres, via a close reading of texts.
Author | : Nicholas Hammond |
Publisher | : Cambridge University Press |
Total Pages | : 447 |
Release | : 2003-04-17 |
Genre | : Philosophy |
ISBN | : 1139826700 |
Each volume of this series of companions to major philosophers contains specially commissioned essays by an international team of scholars, together with a substantial bibliography, and will serve as a reference work for students and nonspecialists. One aim of the series is to dispel the intimidation such readers often feel when faced with the work of a difficult and challenging thinker. Blaise Pascal (1623–62) occupies a position of pivotal importance in many domains: philosophy, mathematics, physics, religious polemics and apologetics. In this volume a team of leading scholars presents the full range of Pascal's achievement and surveys the intellectual background of his thought and the reception of his work. New readers and nonspecialists will find this the most convenient and accessible guide to Pascal currently available. Advanced students and specialists will find a conspectus of recent developments in the interpretation of Pascal.
Author | : Stephen C. Bold |
Publisher | : Librairie Droz |
Total Pages | : 218 |
Release | : 1996 |
Genre | : France |
ISBN | : 9782600001557 |
Author | : Jan Miel |
Publisher | : |
Total Pages | : 248 |
Release | : 1969 |
Genre | : Literary Criticism |
ISBN | : |
Originally published in 1970. The question of man's freedom to exercise his will—as active an issue among twentieth-century philosophers and theologians as it was in the Jesuit and Jansenist camps known to Pascal—is basic to this study. Pascal's theological thinking, which Professor Miel demonstrates to be the source of unity and coherence in virtually all phases of his thought, is preoccupied by a concern for man's limitations. In his analysis of Pascal's theology, Miel is concerned not only with characterizing Pascal's theological position but also with evaluating it in terms of the history of the church. In a concise and lucid review of the Christian doctrine of grace from the pre-Augustinians through the Renaissance, the author identifies the intellectual-theological atmosphere that created the need for Pascal's strong defense of Augustinian theology. Miel considers Pascal's Écrits sur la grâce, Lettres provincials, and Pensées as well as shorter compositions and correspondence. He establishes the content of Pascal's vision of grace and free will, noting both its originality and its sense of history. Most importantly, he asserts that Pascal's affirmation of Jansenism predated his association with Port Royal and, indeed, was basic to all his adult thought and work. The author finds in the writings of Pascal a style that anticipates twentieth-century theology, a sophistication that belies charges of Pascal's theological naïveté, and a concern to uphold rather than to undermine doctrinal traditions of the church.
Author | : North American Society for Seventeenth-Century French Literature. Conference |
Publisher | : Gunter Narr Verlag |
Total Pages | : 366 |
Release | : 2005 |
Genre | : Arts |
ISBN | : 9783823361534 |