"Paul Guest's lyricism ranges from mystical to self deprecation and sarcasm, and his The Resurrection of the Body and the Ruin of the World traverses a great distance. The collection is able to reference, among others, Godzilla, the poet's disability, science, and much more. The mysticism doesn't really come off as subject matter, but rather how the poet treats his subject matter. In "Invocation to Destructive Muses," Guest writes, Our poet writes for hours in the myth of quiet: / interruptions pile up like debris. Earthquakes happen. / They are canceled. Tsunamis lap under doors. / Sponged up. Beach Boys die. The poet feels bad / but not too bad. This is from a poem where the first seven words are, Be it Godzilla, King of the Monsters. Yet, of all the imagery of violent destruction, the persona of the poet starts peeking through, and Guest's particular talent is taking things that wouldn't ordinarily fit together, and making them work naturally. Other entries into Guest's first book are bluntly personal. "For a Long time I Have Wanted to Write a Handi-Capable Poem" best illustrates Guest's refusal to fall into a self-pity trap. He doesn't wave his disability in front of the reader, he just assumes his wheel chair is part of who he is. With that in mind, he chafes at disability political correctness: ... if I were the militant type, and I'm not, I might join / my brothers and sisters in disabledom and chain myself / in solidarity / to the Slurpee machine at the 7-Eleven, but they're idiots, / and I'd rather have a super-size grape Slurpee any day. / God, I've fallen into a cranky orbit. The poem also describes failed attempts to pick up women in bars as well as speaking at a conference entitled "Transitioning the Adolescent Disabled into Adulthood." Lines like these do well to balance the collection against its richly textured imagery. More importantly, lines like these, and the rest of the book, work hard to present a solidly original voice."--Author's website.