The Representation Of Women In English Literature
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Author | : Sutanu Kumar Mahapatra |
Publisher | : Gyan Books |
Total Pages | : 173 |
Release | : 2015 |
Genre | : History |
ISBN | : 9789351280781 |
Papers presented at a UGC-sponsored National Seminar on the topic "The Representation of Women in English Literature" held at Ramnagar College during 13-14 May 2013.
Author | : Joanne Shattock |
Publisher | : Cambridge University Press |
Total Pages | : 338 |
Release | : 2001-08-30 |
Genre | : Literary Criticism |
ISBN | : 9780521659574 |
These new essays by leading scholars explore nineteenth-century women's writing across a spectrum of genres. The book's focus is on women's role in and access to literary culture in the broadest sense, as consumers and interpreters as well as practitioners of that culture. Individual chapters consider women as journalists, editors, translators, scholars, actresses, playwrights, autobiographers, biographers, writers for children and religious writers as well as novelists and poets. A unique chronology offers a woman-centered perspective on literary and historical events and there is a guide to further reading.
Author | : Nahir I. Otaño Gracia |
Publisher | : University of Wales Press |
Total Pages | : 393 |
Release | : 2022-02-01 |
Genre | : History |
ISBN | : 1786838354 |
Essays on a variety of medieval women, which will grant readers a more complete view of medieval women’s lives broadly speaking. These essays largely take a new perspective on their subjects, pushing readers to reconsider preconceived notions about medieval women, authority, and geography. This book will expand the knowledge base of our readers by introducing them to non-canonical and non-European subjects.
Author | : Robyn Muir |
Publisher | : BRILL |
Total Pages | : 163 |
Release | : 2022-04-25 |
Genre | : Philosophy |
ISBN | : 9004499504 |
Evil women, who are they really? What are their motives, and how are they remembered and constructed within our culture? Evil Women: Representations within Literature, Culture and Film seeks to interrogate the nature and construction of evil women in the above fields. Through literature, poetry, history, ballads, film and real-life culture, scholars explore how the evil woman has been constructed and, in some cases, erased; the punishment and treatment of evil women; and the way evil women have been portrayed on and off screen through character, narrative and behind the camera development.
Author | : Carolyn G. Heilbrun |
Publisher | : Baltimore : Johns Hopkins University Press |
Total Pages | : 224 |
Release | : 1983 |
Genre | : Literary Criticism |
ISBN | : |
Essays in feminist criticism look at the fiction of Katherine Mansfield, Virginia Woolf, Jane Austen, George Sand, George Meredith, Thomas Hardy, and others.
Author | : Lynn Mae Alexander |
Publisher | : Ohio University Press |
Total Pages | : 266 |
Release | : 2003 |
Genre | : Art and literature |
ISBN | : 0821414933 |
In Victorian England, virtually all women were taught to sew, but this essentially domestic virtue took on a different aspect for the professional seamstress of the day. This study considers the way this powerful image of working-class suffering was used by social reformers in art and literature.
Author | : Jane Austen |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 534 |
Release | : 2018-05-14 |
Genre | : |
ISBN | : 9781719117364 |
Sense and Sensibility is a novel by Jane Austen, published in 1811. It was published anonymously; By A Lady appears on the title page where the author's name might have been. It tells the story of the Dashwood sisters, Elinor (age 19) and Marianne (age 16 1/2) as they come of age. They have an older, stingy half-brother, John, and a younger sister, Margaret, 13.
Author | : Lisa V. Mazey |
Publisher | : Vernon Press |
Total Pages | : 161 |
Release | : 2020-05-05 |
Genre | : Language Arts & Disciplines |
ISBN | : 1622739213 |
Women have fulfilled film roles that exhibit their historically subservient or sexualised positions in society, among others. Over the decades, the gender identity of women has fluctuated to include powerful women, emotionally strong women, lesbian women, and even neurologically atypical women. These identities reflect the change in societal norms and what is now acknowledged as more likely and more mainstream. The evolution of society’s views of women can be mapped through these roles; from 1950’s America where women were depicted as the counterpart to male characters and their masculinity either as a threat or support to the patriarchal norms; to more recent times, where these norms have been questioned, challenged, deconstructed and reconstructed to include women in a more equitable balance. The fight for equal access, equal pay and equal standing still exists in all walks of life and different cultures requiring continued scrutiny of the norms that made that fight necessary. The essays offer a unique vantage of the changing culture and conversations that allowed, encouraged, and praised an evolution of women’s roles. They strive to represent the issues faced by women, from the early heyday of Hollywood through to films as recent as 2007; examining depictions of the masculine gaze, mental and physical oppression, the mother figure, as well as how these roles may develop in the future. The book contains valuable material for film students at an undergraduate or post-graduate level, as well as scholars from a range of disciplines including cultural studies, media studies, film studies and women’s and gender studies.
Author | : Bernardine Evaristo |
Publisher | : Grove Press |
Total Pages | : 415 |
Release | : 2019-11-05 |
Genre | : Fiction |
ISBN | : 0802156991 |
NATIONAL BESTSELLER WINNER OF THE BOOKER PRIZE “A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.
Author | : Ruth-Ellen B. Joeres |
Publisher | : University of Chicago Press |
Total Pages | : 390 |
Release | : 1998 |
Genre | : Education |
ISBN | : 9780226400655 |
The first major study in English of nineteenth-century German women writers, this book examines their social and cultural milieu along with the layers of interpretation and representation that inform their writing. Studying a period of German literary history that has been largely ignored by modern readers, Ruth-Ellen Boetcher Joeres demonstrates that these writings offer intriguing opportunities to examine such critical topics as canon formation; the relationship between gender, class, and popular culture; and women, professionalism, and technology. The writers she explores range from Annette von Droste-Hülshoff, who managed to work her way into the German canon, to the popular serial novelist E. Marlitt, from liberal writers such as Louise Otto and Fanny Lewald, to the virtually unknown novelist and journalist Claire von Glümer. Through this investigation, Boetcher Joeres finds ambiguities, compromises, and subversions in these texts that offer an extensive and informative look at the exciting and transformative epoch that so much shaped our own.