The Renaissance Rediscovery of Linear Perspective
Author | : Samuel Y. Edgerton |
Publisher | : HarperCollins Publishers |
Total Pages | : 232 |
Release | : 1976 |
Genre | : Art |
ISBN | : |
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Author | : Samuel Y. Edgerton |
Publisher | : HarperCollins Publishers |
Total Pages | : 232 |
Release | : 1976 |
Genre | : Art |
ISBN | : |
Author | : Samuel Y. Edgerton |
Publisher | : Basic Civitas Books |
Total Pages | : 232 |
Release | : 1975-07-10 |
Genre | : Art |
ISBN | : |
An evaluative account of the rediscovery of geometric linear perspective in fifteenth-century Italy, the artists, architects, and mathematicians who studied and applied its principles, and its pervasive impact on Renaissance and post-Renaissance life.
Author | : Samuel Y. Edgerton |
Publisher | : Cornell University Press |
Total Pages | : 222 |
Release | : 2009 |
Genre | : Art |
ISBN | : 9780801474804 |
Edgerton shows how linear perspective emerged in early fifteenth-century Florence out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives and ultimately undermined medieval Christian cosmology.
Author | : Timothy J. Sinclair |
Publisher | : Taylor & Francis |
Total Pages | : 460 |
Release | : 2004 |
Genre | : Political Science |
ISBN | : 9780415276627 |
Author | : Mario Carpo |
Publisher | : Routledge |
Total Pages | : 209 |
Release | : 2013-04-15 |
Genre | : Architecture |
ISBN | : 1135657009 |
The essays selected for this book, presented in chronological order, discuss various aspects of image-making technologies, geometrical knowledge and tools for architectural design, focusing in particular on two historical periods marked by comparable patterns of technological and cultural change. The first is the Renaissance; characterized by the rediscovery of linear perspectives and the simultaneous rise of new formats for architectural drawing and design on paper; the second, the contemporary rise of digital technologies and the simultaneous rise of virtual reality and computer-based design and manufacturing. Many of the contributing authors explore the parallel between the invention of the perspectival paradigm in early-modern Europe and the recent development of digitized virtual reality. This issue in turn bears on the specific purposes of architectural design, where various representational tools and devices are used to visualize bi-dimensional aspects of objects that must be measured and eventually built in three-dimensional space.
Author | : Michael Kubovy |
Publisher | : CUP Archive |
Total Pages | : 212 |
Release | : 1986 |
Genre | : Art |
ISBN | : 9780521368490 |
Michael Kubovy, an experimental psychologist, recounts the lively history of the invention of perspective in the fifteenth century, and shows how, as soon as the invention spread, it was used to achieve subtle and fascinating aesthetic effects. A clear presentation of the fundamental concepts of perspective and the reasons for its effectiveness, drawing on the latest laboratory research on how people perceive, leads into the development of a new theory to explain why Renaissance artists such as Leonardo and Mantegna used perspective in unorthodox ways which have puzzled art scholars. This theory illuminates the author's broader consideration of the evolution of art: the book proposes a resolution of the debate between those who believe that the invention/discovery of perspective is a stage in the steady progress of art and those who believe that perspective is merely a conventional and arbitrary system for the representation of space.
Author | : Susan Wise Bauer |
Publisher | : W. W. Norton & Company |
Total Pages | : 816 |
Release | : 2013-09-23 |
Genre | : History |
ISBN | : 0393059766 |
A chronicle of the years between 1100 and 1453 describes the Crusades, the Inquisition, the emergence of the Ottomans, the rise of the Mongols, and the invention of new currencies, weapons, and schools of thought.
Author | : Alfred W. Crosby |
Publisher | : Cambridge University Press |
Total Pages | : 268 |
Release | : 1997-12-13 |
Genre | : History |
ISBN | : 9780521639903 |
This 1997 book discusses the shift to quantitative perception which made modern science, technology, business practice and bureaucracy possible.
Author | : Paul Robert Walker |
Publisher | : Harper Collins |
Total Pages | : 449 |
Release | : 2009-10-13 |
Genre | : History |
ISBN | : 0061743550 |
“Walker here pairs off proto-architect Filippo Brunelleschi and doormaker Lorenzo Ghiberti in an often engaging version of Quattrocento Smackdown.” —Library Journal Joining the bestsellers Longitude and Galileo’s Daughter, this is a lively and intriguing tale of two artists whose competitive spirit brought to life one of the world’s most magnificent structures and ignited the Renaissance. The dome of the Santa Maria del Fiore, the great cathedral of Florence, is among the most enduring symbols of the Renaissance, an equal to the works of Leonardo and Michelangelo. Its designer was Filippo Brunelleschi, a temperamental architect and inventor who rediscovered the techniques of mathematical perspective. Yet the completion of the dome was not Brunelleschi’s glory alone. He was forced to share the commission with his archrival, the canny and gifted sculptor Lorenzo Ghiberti. In this lush, imaginative history—a fascinating true story of artistic genius and personal triumph—Paul Robert Walker breathes life into these two talented, passionate artists and the competitive drive that united and dived them. As it illuminates fascinating individuals from Donatello and Masaccio to Cosimo de’Medici and Leon Battista Alberti, The Feud That Sparked the Renaissance offers a glorious tour of 15th-century Florence, a bustling city on the verge of greatness in a time of flourishing creativity, rivalry, and genius. “A convincing account of one of the defining moments in art and history . . . He presents the two key figures in this drama in true human proportions . . . a skillful and engrossing story.” —Kirkus Reviews “A monstrously detailed account of a fascinating period in art and architecture.” —AudioFile
Author | : James Elkins |
Publisher | : Cornell University Press |
Total Pages | : 344 |
Release | : 2018-10-18 |
Genre | : Art |
ISBN | : 1501723898 |
Perspective has been a divided subject, orphaned among various disciplines from philosophy to gardening. In the first book to bring together recent thinking on perspective from such fields as art history, literary theory, aesthetics, psychology, and the history of mathematics, James Elkins leads us to a new understanding of how we talk about pictures. Elkins provides an abundantly illustrated history of the theory and practice of perspective. Looking at key texts from the Renaissance to the present, he traces a fundamental historical change that took place in the way in which perspective was conceptualized; first a technique for constructing pictures, it slowly became a metaphor for subjectivity. That gradual transformation, he observes, has led to the rifts that today separate those who understand perspective as a historical or formal property of pictures from those who see it as a linguistic, cognitive, or epistemological metaphor. Elkins considers how the principal concepts of perspective have been rewritten in work by Erwin Panofsky, Hubert Damisch, Martin Jay, Paul Ricoeur, Jacques Lacan, Maurice Merleau-Ponty, and E. H. Gombrich. The Poetics of Perspective illustrates that perspective is an unusual kind of subject: it exists as a coherent idea, but no one discipline offers an adequate exposition of it. Rather than presenting perspective as a resonant metaphor for subjectivity, a painter's tool without meaning, a disused historical practice, or a model for vision and representation, Elkins proposes a comprehensive revaluation. The perspective he describes is at once a series of specific pictorial decisions and a powerful figure for our knowledge of the world.