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| Author | : Elizabeth S. Bolman |
| Publisher | : Yale University Press |
| Total Pages | : 433 |
| Release | : 2016-01-01 |
| Genre | : Architecture |
| ISBN | : 0300212305 |
This landmark, interdisciplinary publication of the Red Monastery church, the most important Christian monument in Egypt's Nile Valley, highlights its remarkable and newly conserved paintings and architectural sculpture.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 354 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 1588394573 |
This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published— highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today.
| Author | : Elizabeth S. Bolman |
| Publisher | : Yale University Press |
| Total Pages | : 348 |
| Release | : 2002-01-01 |
| Genre | : Art |
| ISBN | : 0300092245 |
The book reproduces the cleaned paintings for the first time. It also describes and analyzes their amalgam of Coptic (Egyptian Christian), Byzantine, and Arab styles and motifs as well as the religious culture to which they belong. In 1996, funded by the United States Agency for International Development and at the request of the Monastery of St. Antony, the Antiquities Development Project of the American Research Center in Egypt began the conservation of the paintings in the church. The paintings revealed by the conservators are of extremely high quality, both stylistically and conceptually. While rooted in the Christian tradition of Egypt, they also reveal explicit connections with Byzantine and Islamic art of the twelfth and thirteenth centuries. Some newly discovered paintings can even be dated back to the sixth or seventh century.
| Author | : Gawdat Gabra |
| Publisher | : American University in Cairo Press |
| Total Pages | : 278 |
| Release | : 2002-09-01 |
| Genre | : Art |
| ISBN | : 1617972606 |
Egypt, the birthplace of communal monasticism, has a rich store of monasteries and monastic art. Coptic Monasteries takes the reader on a tour of the best preserved and most significant of these ancient religious centers, documenting in exhaustive detail the richness and the glory of the Coptic heritage. An informative introduction by Tim Vivian brings to life the early Christian era, with background information on the origins of the Coptic Church as well as its rites and ceremonies, sketches of some of monasticism's founding figures, and accounts of some of the difficulties they faced, from religious schism to nomadic attacks. Gawdat Gabra's expert commentary, complemented by almost one hundred full-color photographs of newly restored wall paintings and architectural features, covers monasteries from Aswan to Wadi al-Natrun. Ranging across a thousand years of history, Gabra's observations will make any reader an expert on the composition and content of some of Egypt's most outstanding religious art, the salient architectural features of each monastery, as well as the ongoing process of restoration that has returned much of their original vibrancy to these works. A unique and invaluable historical record, Coptic Monasteries is equally an in-depth, on-the-spot guide to these living monuments or an armchair trip back in time to the roots of one of the world's oldest Christian traditions.
| Author | : Bentley Layton |
| Publisher | : OUP Oxford |
| Total Pages | : 376 |
| Release | : 2014-09-18 |
| Genre | : Religion |
| ISBN | : 0191019224 |
This book is the first publication of a very early set of Christian monastic rules from Roman Egypt, accompanied by four preliminary chapters discussing their historical and social context and their character as rules. These rules were found quoted in the writings of the great Egyptian monastic leader Shenoute. Designed for a federation of monks and nuns who banded together about 360 CE—forming the so-called "White Monastery Federation"—the rules date back to the fourth and fifth centuries. New historical evidence is presented for the founding of the Federation. Providing almost the earliest evidence for Christian communal (cenobitic) monasticism, the rules depict many intimate aspects of ascetic practice. Details of monastic daily life are mentioned in passing in the rules, and the author uses these details to describe their picture of monastic life under five general topics: the monastery as a physical plant, the human makeup of the community, ascetic observances, the hierarchy of authority, and the daily liturgy. The book includes a clear English translation of the rules accompanied by the original Coptic text, amounting to five hundred and ninety-five entries.
| Author | : Alfred Joshua Butler |
| Publisher | : |
| Total Pages | : 436 |
| Release | : 1884 |
| Genre | : Christian antiquities |
| ISBN | : |
| Author | : Basil Thomas Alfred Evetts |
| Publisher | : |
| Total Pages | : 424 |
| Release | : 1895 |
| Genre | : Church buildings |
| ISBN | : |
| Author | : Mariam F. Ayad |
| Publisher | : Coptic Orthodox Church Centre at Shephalbury Manor |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9781935488279 |
In May 2008, the Coptic Orthodox Centre in Stevenage, UK organised a conference on Coptic Culture: Past, Present, and Future. The conference aimed to highlight the contributions and achievements of one of the most obscure periods of Egyptian history: the Coptic Period. The importance of this period lies in its valuable contributions to some of the most formative theological debates of Christianity. Strictly defined as a Late Antique culture, spanning only the third to the seventh centuries AD, the heritage of the Coptic Period still survives today in the artistic expression, liturgical services, and heritage of millions of Egyptian Christians who live in Egypt and abroad. This period's lasting contributions, however, remain underappreciated and many of its aspects remain unclear or unknown to the general public. For the first time, the conference at the Coptic Centre brought together specialists working on all aspects of Coptic culture, from its earliest phases to the present day. One of the aims of the conference was to highlight new research on Coptic art, writings, and archaeology. By bringing together specialists, academics and Coptic clergy, the conference fostered an active discussion of what defined Coptic identity in centuries past and what it means to be Coptic in contemporary culture, both in Egypt and abroad. It is important that we draw on, understand, and appreciate the rich cultural heritage of this period as we look to our past to inform our present and define our future. The conference drew scholars from Australia, Canada, Egypt, France, Germany, Italy, the Netherlands, the United Kingdom, and the USA. Their papers were organised along 5 general thematic blocks that dealt with (1) The Egyptian roots of Coptic culture; (2) How do we know what we know: Archaeological Sites and Museum Collections; (3) Aspects of Early and Medieval Coptic Culture: Case Studies; (4) Current Trends in Coptic Studies; and (5) Coptic Culture Today and where it's heading. This volume contains their contributions.
| Author | : Darlene L. Brooks Hedstrom |
| Publisher | : Cambridge University Press |
| Total Pages | : 456 |
| Release | : 2017-11-27 |
| Genre | : History |
| ISBN | : 1108696414 |
Darlene L. Brooks Hedstrom offers a new history of the field of Egyptian monastic archaeology. It is the first study in English to trace how scholars identified a space or site as monastic within the Egyptian landscape and how such identifications impacted perceptions of monasticism. Brooks Hedstrom then provides an ecohistory of Egypt's tripartite landscape to offer a reorientation of the perception of the physical landscape. She analyzes late-antique documentary evidence, early monastic literature, and ecclesiastical history before turning to the extensive archaeological evidence of Christian monastic settlements. In doing so, she illustrates the stark differences between idealized monastic landscape and the actual monastic landscape that was urbanized through monastic constructions. Drawing upon critical theories in landscape studies, materiality and phenomenology, Brooks Hedstrom looks at domestic settlements of non-monastic and monastic settlements to posit what features makes monastic settlements unique, thus offering a new history of monasticism in Egypt.
| Author | : Sharon E. J. Gerstel |
| Publisher | : Brepols Publishers |
| Total Pages | : 648 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : |
The first comprehensive study of the monastery of St Catherine at Mt Sinai in its full historical, art historical, and religious dimensions, the nineteen collected essays in Approaching the Holy Mountain provide a unique view of the longest continuously inhabited Christian monastery. As an important pilgrimage site, Sinai enjoyed an international reputation in the Middle Ages. The monastery also benefited from regional connections to Egypt and the Holy Land. The essays in this volume examine the pilgrims, monks, artists, builders, and scholars who came to the mountain and left their marks on the monastery and its holdings, as well as the image of the monastery that was promoted outside of Sinai. Because of its dry, isolated location in the Sinai desert, the monastery possesses the world's greatest collection of Byzantine icons. These icons have been celebrated in highly popular exhibitions in Athens, London, St Petersburg, New York, and Los Angeles, few longer studies of the icons have been attempted. In this volume authors investigate icons from the sixth to the sixteenth centuries and offer new interpretations of their meaning, provenance, and function. Essays also explore celebrated illuminated Byzantine manuscripts in the library of St Catherine's, pilgrim's accounts of the monastery, a recently excavated early church on the summit of Mt Sinai, liturgy at Sinai during the first Christian millennium, the influence of Sinai on later paintings and engravings, and the recent history of Sinai studies. The result is a significant advance in our understanding of one of the most important centres of early Christianity.
