The Record Men The Chess Brothers And The Birth Of Rock And Roll
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Author | : Rich Cohen |
Publisher | : W. W. Norton & Company |
Total Pages | : 191 |
Release | : 2005-10-17 |
Genre | : Music |
ISBN | : 0393352501 |
"Brilliant; the best book I have ever read about the recording industry; a classic."--Larry King On the south side of Chicago in the late 1940s, two immigrants; one a Jew born in Russia, the other a black blues singer from Mississippi; met and changed the course of musical history. Muddy Waters electrified the blues, and Leonard Chess recorded it. Soon Bo Diddly and Chuck Berry added a dose of pulsating rhythm, and Chess Records captured that, too. Rock & roll had arrived, and an industry was born. In a book as vibrantly and exuberantly written as the music and people it portrays, Rich Cohen tells the engrossing story of how Leonard Chess, with the other record men, made this new sound into a multi-billion-dollar business; aggressively acquiring artists, hard-selling distributors, riding the crest of a wave that would crash over a whole generation. Originally published in hardcover as Machers and Rockers. About the series: Enterprise pairs distinguished writers with stories of the economic forces that have shaped the modern worlds; the institutions, the entrepreneurs, the ideas. Enterprise introduces a new genre; the business book as literature.
Author | : Nadine Cohodas |
Publisher | : Macmillan |
Total Pages | : 388 |
Release | : 2001-09-28 |
Genre | : Music |
ISBN | : 9780312284947 |
Sun Records gave us rock and roll, Motown Records gave us pop soul, and Chess Records gave us the blues. Chess was label for Muddy Waters, Howlin' Wolf, Chuck Berry, Etta James, and Bo Diddley--and in this critcially acclaimed history we learn the full story of this legendary label. The greatest artists who sang and played the blues made their mark with Leonard and Phil Chess, whose Chicago-based record company was synonymous with the sound that swept up from the South, embraced the Windy City, and spread out like wildfire into mid-century America. Spinning Blues into Gold is the impeccably researched story of the men behind the music and the remarkable company they created. Chess Records--and later Checkers, Argo, and Cadet Records--was built by Polish immigrant Jews, brothers who saw the blues as a unique business opportunity. From their first ventures, a liquor store and then a nightclub, they promoted live entertainment. And parlayed that into the first pressings sold out of car trunks on long junkets through the midsection of the country, ultimately expanding their empire to include influential radio stations. The story of the Chess brothers is a very American story of commerce in the service of culture. Long on chutzpah, Leonard and Phil Chess went far beyond their childhoods as the sons of a scrap-metal dealer. They changed what America listened to; the artists they promoted planted the seeds of rock 'n' roll--and are still influencing music today. In this book, Cohodas expertly captures the rich and volatile mix of race, money, and recorded music. She also takes us deep into the world of independent record producers, sometimes abrasive and always aggressive men striving to succeed. Leonard and Phil Chess worked hand-in-glove with disenfranchised black artists, the intermittent charges of exploitation balanced by the reality of a common purpose that eventually brought fame to many if not most of the parties concerned. From beginning to end, as we find in these pages, the lives of the Chess brothers were socially, financially, and creatively entwined with those of the artists they believed in.
Author | : R. COHEN |
Publisher | : |
Total Pages | : 0 |
Release | : 2022 |
Genre | : |
ISBN | : |
Author | : John Collis |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 0 |
Release | : 1998-10-15 |
Genre | : Music |
ISBN | : 1582340056 |
Tells the story of Chess Records, tracing the evolution of the label, and discussing its role in introducing African-American music to white America.
Author | : RICH. COHEN |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : |
ISBN | : |
Author | : John Broven |
Publisher | : University of Illinois Press |
Total Pages | : 642 |
Release | : 2011-08-11 |
Genre | : Biography & Autobiography |
ISBN | : 0252094018 |
This volume is an engaging and exceptional history of the independent rock 'n' roll record industry from its raw regional beginnings in the 1940s with R & B and hillbilly music through its peak in the 1950s and decline in the 1960s. John Broven combines narrative history with extensive oral history material from numerous recording pioneers including Joe Bihari of Modern Records; Marshall Chess of Chess Records; Jerry Wexler, Ahmet Ertegun, and Miriam Bienstock of Atlantic Records; Sam Phillips of Sun Records; Art Rupe of Specialty Records; and many more.
Author | : Nelson George |
Publisher | : Penguin |
Total Pages | : 260 |
Release | : 2005-04-26 |
Genre | : Social Science |
ISBN | : 9780143035152 |
From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media.
Author | : Mikal Gilmore |
Publisher | : Simon and Schuster |
Total Pages | : 403 |
Release | : 2008-11-18 |
Genre | : Music |
ISBN | : 1416594531 |
The 1960s and 1970s represent a rare moment in our cultural history -- music was exploring unprecedented territories, literature was undergoing a radical reinvention, politics polarized the nation, and youth culture was at the zenith of its influence. There has never been, nor is there likely to be, another generation that matches the contributions of the artists of that time period. In this poignant book, journalist Mikal Gilmore weaves a narrative of the '60s and '70s as he examines the lives of the era's most important cultural icons. Keeping the power of rock & roll at the forefront, Gilmore gathers together stories about major artists from every field -- George Harrison, Ken Kesey, Johnny Cash, Allen Ginsberg, to name just a few. Gilmore reveals the truth about this idealized period in history, never shying away from the ugly influences that brought many of rock's most exciting figures to their knees. He examines how Jim Morrison's alcoholism led to the star's death at the age of twenty-seven, how Jerry Garcia's drug problems brought him to the brink of death so many times that his bandmates did not believe the news of his actual demise, how Pink Floyd struggled with the guilt of kicking out founding member Syd Barrett because of his debilitating mental illness. As Gilmore examines the dark side of these complicated figures, he paints a picture of the environment that bred them, taking readers from the rough streets of Liverpool (and its more comfortable suburbs) to the hippie haven of Haight-Ashbury that hosted the infamous Summer of Love. But what resulted from these lives and those times, Gilmore argues, was worth the risk -- in fact, it may be inseparable from those hard costs. The lives of these dynamic and diverse figures are intertwined with Gilmore's exploration of the social, political, and emotional characteristics that defined the era. His insights and examinations combine to create a eulogy for a formative period of American history.
Author | : Renée Rosen |
Publisher | : Penguin |
Total Pages | : 482 |
Release | : 2017-02-28 |
Genre | : Fiction |
ISBN | : 1101991127 |
In 1960s Chicago, a young woman stands in the middle of a musical and social revolution. A new historical novel from the bestselling author of White Collar Girl and What the Lady Wants. “The rise of the Chicago Blues scene fairly shimmers with verve and intensity, and the large, diverse cast of characters is indelibly portrayed with the perfect pitch of a true artist.” —Melanie Benjamin, New York Times bestselling author of The Swans of Fifth Avenue Leeba Groski doesn’t exactly fit in, but her love of music is not lost on her childhood friend and neighbor, Leonard Chess, who offers her a job at his new record company in Chicago. What starts as answering phones and filing becomes more than Leeba ever dreamed of, as she comes into her own as a songwriter and crosses paths with legendary performers like Chuck Berry and Etta James. But it’s Red Dupree, a black blues guitarist from Louisiana, who captures her heart and changes her life. Their relationship is unwelcome in segregated Chicago and they are shunned by Leeba’s Orthodox Jewish family. Yet in the midst of the Civil Rights Movement, Leeba and Red discover that, in times of struggle, music can bring people together. READERS GUIDE INSIDE
Author | : Adam Patrick Bell |
Publisher | : Oxford University Press |
Total Pages | : 249 |
Release | : 2018-02-08 |
Genre | : Music |
ISBN | : 0190296631 |
Dawn ot the DAW tells the story of how the dividing line between the traditional roles of musicians and recording studio personnel (producers, recording engineers, mixing engineers, technicians, etc.) has eroded throughout the latter half of the twentieth century to the present. Whereas those equally adept in music and technology such as Raymond Scott and Les Paul were exceptions to their eras, the millennial music maker is ensconced in a world in which the symbiosis of music and technology is commonplace. As audio production skills such as recording, editing, and mixing are increasingly co-opted by musicians teaching themselves in their do-it-yourself (DIY) recording studios, conventions of how music production is taught and practiced are remixed to reflect this reality. Dawn of the DAW first examines DIY recording practices within the context of recording history from the late nineteenth century to the present. Second, Dawn of the DAW discusses the concept of "the studio as musical instrument" and the role of the producer, detailing how these constructs have evolved throughout the history of recorded music in tandem. Third, Dawn of the DAW details current practices of DIY recording--how recording technologies are incorporated into music making, and how they are learned by DIY studio users in the musically--chic borough of Brooklyn. Finally, Dawn of the DAW examines the broader trends heard throughout, summarizing the different models of learning and approaches to music making. Dawn of the DAW concludes by discussing the ramifications of these new directions for the field of music education.