The Quran And Quantum Physics Hands Holding A Pen And The Heart
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Author | : Sebahat Malak |
Publisher | : |
Total Pages | : 407 |
Release | : 2018-12-26 |
Genre | : Science |
ISBN | : 9781731545305 |
SCIENCE AND HEARTToday's human beings have realized that science and religion are not separate or distant concepts. The number of those who do not see science as a means of material development is increasing day by day. Material development can only be of benefit if it is implemented with spirituality and integrated into it. When these two types of formations are carried out together, the doors of success will be opened. This book is the product of this perspective, which demonstrates the importance of creating and executing systems in accordance with human nature, provides the reader with the opportunity to examine a wide range of subjects, from quantum physics to art, from divine thought to knowledge. Step-by-step describes it us the intersections of science and religion with quran verses with regard to works of many famous physicists like Heisenberg, Hawking, Einstein, Bohr. Setting aside the pervasive material bias of science reveals a surprisingly clear unity of science and religion. A brief insight into the book:EINSTEIN'S THEORY OF GENERAL RELATIVITY AND FLORENSKI'S REVERSE PERSPECTIVEAfter the failure of five-century of this experience, it seems that we have no choice but to admit that the image of the world created with perspective is not a state of perception, but as a result of the demands of as strong and highly abstract ideas as possible. (Pavel Florenski Reverse Perspective)Pavel Florenski used his characteristics of being a physicist, a mathematician and a pious person in his book Reverse Perspective, which became popular as his masterpiece. In his book, Florenski illuminates the paintings of the Renaissance period. It says that in artistic terms, the prayers, religiously surrenders within the works of that era lead the viewer to feel the truth of the painting as a whole with all of its dimensions, equal with a contemporary taste and that of the period it was produced, rather than examining it in detail and interpreting at the same time. The above quote, from Florenski's book, illuminates the issue that he persistently emphasizes. According to him, it is necessary to free the realm of the worlds of science and art. Because a situation or concept can never be explained. In such cases, inappropriate meanings are imposed on it. In other words, the subject becomes a target of misconception, in which the subject is removed from the reality of a centralist attitude.Florenski's period is also very important. As in all periods, all the work done at the beginning of the 20th century is the same point of departure and ideas that are part of each other. As a different example; the German philosopher of the 20th century Heidegger's understanding that takes the human from the subject center and situates him as an object in the universe can be shown. Therefore, in the parts that complete the whole period, while Florenski names the situation as Reverse Perspective, Einstein, the scientist of the same period calls it General Relativity. Their common conclusion is, on the other hand, the quantum mechanics.
Author | : Jonathan A.C. Brown |
Publisher | : Oxford University Press |
Total Pages | : 161 |
Release | : 2011-03-24 |
Genre | : Biography & Autobiography |
ISBN | : 0199559287 |
Drawing on traditional Muslim sources, Michael Cook describes Muhammad's life and teaching. He also attempts to stand back from this traditional picture to show how far it is historically justified.
Author | : Muhammad Hisham Kabbani |
Publisher | : |
Total Pages | : 278 |
Release | : 1995 |
Genre | : Body, Mind & Spirit |
ISBN | : |
Author | : Bassam Saeh |
Publisher | : International Institute of Islamic Thought (IIIT) |
Total Pages | : 108 |
Release | : 2015-01-12 |
Genre | : Religion |
ISBN | : |
This study illustrates why the language of the Qur'an is miraculous, unique, and evidence of divine authority. The author compares the language of the Qur'an with the language of pre-Islamic poetry, the Prophet's words (hadith), and the language of the Arabs both past and present, to demonstrate that although the Qur'an was revealed in Arabic it was at the same time an Arabic which was entirely new. Original and early Muslim audiences viewed this as miraculous and responded to the Qur'an's words, sounds, rhythms, etc. in a manner consistent with a deeper appreciation of its beauty and majesty which modern ears, trained by familiarity, and despite being surrounded by all manner of dictionaries and studies, are at a loss to capture. The author attempts to remove this veil and present the Qur'an to readers as if hearing it for the first time, to bring to life some of this wonder. In doing so he guides readers to appreciate the beauty of the Qur'an, to become more immersed in it, and to have a clearer understanding of its structure and flow. Devoting special attention to Surah Al Muddaththir, to underpin his analysis, Saeh thus brings the Revelation to life, to demonstrate that each surah has distinct features and characteristics that make it stand out uniquely within the design and sweep of the whole.
Author | : Amira Ayad |
Publisher | : |
Total Pages | : 303 |
Release | : 2011 |
Genre | : Fatih and reason |
ISBN | : 9786035011075 |
Author | : Hamza Andreas Tzortzis |
Publisher | : |
Total Pages | : 332 |
Release | : 2019-09-30 |
Genre | : |
ISBN | : 9781916238404 |
In The Divine Reality, (Newly Revised Edition 2019) Hamza Andreas Tzortzis provides a compelling case for the rational and spiritual foundations of Islam, whilst intelligently and compassionately deconstructing atheism. Join him on an existential, spiritual and rational journey that articulates powerful arguments for the existence of God, the Qur'an, the Prophethood of Muhammad and why we must know, love and worship God. He addresses academic and popular objections while showing how contemporary atheism is based on false assumptions about reality, which leads to incoherent answers to life's important questions. Does hope, happiness and human value make sense without the Divine?Do we have an ultimate purpose?Can we have consciousness and rational minds without God?Did the universe come from nothing?Does evil and suffering negate Divine mercy?Has scientific progress led to the denial of God?Are revelation and prophethood myths?Is God worthy of our worship?If you want to know how the Islamic intellectual and spiritual tradition answers these questions then this is the book for you.Hamza Andreas Tzortzis's new book presents a much needed comprehensive account of Islamic theism that draws upon Western and Islamic thought. Hamza Tzortzis is an international speaker, writer and instructor. He has a PgCert and an MA in philosophy and is currently continuing his postgraduate studies in the field. Hamza has studied Islamic thought and theology under qualified scholars. He has delivered workshops and courses on topics related to Islamic thought and philosophy. Hamza has debated prominent academics and thinkers on Islam and atheism.
Author | : William St. Clair Tisdall |
Publisher | : |
Total Pages | : 126 |
Release | : 1901 |
Genre | : Christianity and other religions |
ISBN | : |
Author | : Samer Akkach |
Publisher | : State University of New York Press |
Total Pages | : 289 |
Release | : 2012-02-01 |
Genre | : Religion |
ISBN | : 0791483444 |
This fascinating interdisciplinary study reveals connections between architecture, cosmology, and mysticism. Samer Akkach demonstrates how space ordering in premodern Islamic architecture reflects the transcendental and the sublime. The book features many new translations, a number from unpublished sources, and several illustrations. Referencing a wide range of mystical texts, and with a special focus on the works of the great Sufi master Ibn Arabi, Akkach introduces a notion of spatial sensibility that is shaped by religious conceptions of time and space. Religious beliefs about the cosmos, geography, the human body, and constructed forms are all underpinned by a consistent spatial sensibility anchored in medieval geocentrism. Within this geometrically defined and ordered universe, nothing stands in isolation or ambiguity; everything is interrelated and carefully positioned in an intricate hierarchy. Through detailed mapping of this intricate order, the book shows the significance of this mode of seeing the world for those who lived in the premodern Islamic era and how cosmological ideas became manifest in the buildings and spaces of their everyday lives. This is a highly original work that provides important insights on Islamic aesthetics and culture, on the history of architecture, and on the relationship of art and religion, creativity and spirituality.
Author | : Edward W. Said |
Publisher | : Vintage |
Total Pages | : 416 |
Release | : 2012-10-24 |
Genre | : Political Science |
ISBN | : 0307829650 |
A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.
Author | : Sir Muhammad Iqbal |
Publisher | : |
Total Pages | : 0 |
Release | : 2022 |
Genre | : Islam |
ISBN | : 9788194730378 |