The Queer Coming Of Age Film Genre
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| Author | : Brad Windhauser |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 229 |
| Release | : 2024-10-15 |
| Genre | : Performing Arts |
| ISBN | : 1666949868 |
In The Queer Coming of Age Film Genre, Brad Windhauser argues for the existence of this genre and, using a genre and queer theory lens, investigates how the initial, classic cluster of this genre’s films represent the unique issues experienced by queer people – including trans, non-binary, and intersex individuals - coming of age in society in the mid- to late 90s. As society evolved, the book posits, so too did the ways in which these films explored additional factors influencing the queer coming of age experience, such as race and economic status, in the genre’s second stage. Windhauser explores how this genre depicts the way queer people often engage with the coming-of-age process earlier than their cis-het peers, due to their queer identity, but also how this process can extend beyond adolescence into emerging adulthood and adulthood itself. Ultimately, the book demonstrates how these films have become a tool to both further political goals of queer advocacy and acceptance and to offer guidance to queer people looking to gain a deeper understanding of their own lives and experiences. Scholars of film studies, genre studies, pop culture, and queer studies will find this book of particular interest.
| Author | : Kelly McWilliam |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2021-04-26 |
| Genre | : Performing Arts |
| ISBN | : 042988981X |
Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop. The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western. This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology.
| Author | : Mark David Ryan |
| Publisher | : Springer |
| Total Pages | : 373 |
| Release | : 2017-11-23 |
| Genre | : Performing Arts |
| ISBN | : 3319482998 |
This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films’ preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women’s filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity.
| Author | : Kinga Földváry |
| Publisher | : Manchester University Press |
| Total Pages | : 442 |
| Release | : 2020-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 1526142112 |
The book presents a systematic method of interpreting Shakespeare film adaptations based on their cinematic genres. Its approach is both scholarly and reader-friendly, and its subject is fundamentally interdisciplinary, combining the findings of Shakespeare scholarship with film and media studies, particularly genre theory. The book is organised into six large chapters, discussing films that form broad generic groups. Part I looks at three genres from the classical Hollywood era (western, melodrama and gangster-noir), while Part II deals with three contemporary blockbuster genres (teen film, undead horror and biopic). Beside a few better-known examples of mainstream cinema, the volume also highlights the Shakespearean elements in several nearly forgotten films, bringing them back to critical attention.
| Author | : Thomas Waugh |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 623 |
| Release | : 2006-07-18 |
| Genre | : Psychology |
| ISBN | : 0773585281 |
From pornography to autobiography, from the Cold War to the sexual revolution, from rural roots and mythologies to the queer meccas of Vancouver, Toronto, and Montreal, The Romance of Transgression in Canada is a history of sexual representation on the large and small screen in English Canada and Quebec. Thomas Waugh identifies the queerness that has emerged at the centre of our national sex-obsessed cinema, filling a gap in the scholarly literature. In Part One he explores the explosive canon of artists such as Norman McLaren, Claude Jutra, Colin Campbell, Paul Wong, John Greyson, Patricia Rozema, Lea Pool, Bruce Labruce, Esther Valiquette, Marc Paradis, and Mirha-Soleil Ross. Part Two is an encyclopaedia of short essays covering 340 filmmakers, video artists, and institutions. The Romance of Transgression in Canada is both a scholarly account and a celebration of Canadian LGBTQ films - moving images that have scandalized conservative politicans, but are the envy of queer cultural festivals around the world.
| Author | : Michele Meek |
| Publisher | : Indiana University Press |
| Total Pages | : 244 |
| Release | : 2023-04-04 |
| Genre | : Performing Arts |
| ISBN | : 0253065755 |
Teen films of the 1980s were notorious for treating consent as irrelevant, with scenes of boys spying in girls' locker rooms and tricking girls into sex. While contemporary movies now routinely prioritize consent, ensure date rape is no longer a joke, and celebrate girls' desires, sexual consent remains a problematic and often elusive ideal in teen films. In Consent Culture and Teen Films, Michele Meek traces the history of adolescent sexuality in US cinema and examines how several films from the 2000s, including Blockers, To All the Boys I've Loved Before, The Kissing Booth, and Alex Strangelove, take consent into account. Yet, at the same time, Meek reveals that teen films expose how affirmative consent ("yes means yes") fails to protect youth from unwanted and unpleasant sexual encounters. By highlighting ambiguous sexual interactions in teen films--such as girls' failure to obtain consent from boys, queer teens subjected to conversion therapy camps, and youth manipulated into sexual relationships with adults--Meek unravels some of consent's intricacies rather than relying on oversimplification. By exposing affirmative consent in teen films as gendered, heteronormative, and cis-centered, Consent Culture and Teen Films suggests we must continue building a more inclusive consent framework that normalizes youth sexual desire and agency with all its complexities and ambivalences.
| Author | : David L. Pike |
| Publisher | : University of Toronto Press |
| Total Pages | : 393 |
| Release | : 2012-12-06 |
| Genre | : Performing Arts |
| ISBN | : 1442698322 |
Award-winning author David L. Pike offers a unique focus on the crucial quarter-century in Canadian filmmaking when the industry became a viable force on the international stage. Pike provides a lively, personal, and accessible history of the most influential filmmakers and movements of both Anglo-Canadian and Quebecois cinema, from popular movies to art film and everything in between. Along with in-depth studies of key directors, including David Cronenberg, Patricia Rozema and Denys Arcand, Jean-Claude Lauzon, Robert Lepage, Léa Pool, Atom Egoyan, and Guy Maddin, Canadian Cinema since the 1980s reflects on major themes and genres and explores the regional and cultural diversity of the period. Pike positions Canadian filmmaking at the frontlines of a profound cinematic transformation in the age of global media and presents fresh perspectives on both its local and international contexts. Making a significant advance in the study of the film industry of the period, Canadian Cinema since the 1980s is also an ideal text for students, researchers, and Canadian film enthusiasts.
| Author | : Jennifer Coates |
| Publisher | : Routledge |
| Total Pages | : 158 |
| Release | : 2021-08-12 |
| Genre | : Social Science |
| ISBN | : 1000426009 |
This book uncovers and explains the ways by which politics is naturalized and denaturalized, and familiarized and de-familiarized through popular media. It explores the tensions between state actors such as censors, politicized and nonpoliticized audiences, and visual media creators, at various points in the history of Japanese visual media. It offers new research on a wide array of visual media texts including classical narrative cinema, television, documentary film, manga, and animated film. It spans the militarized decades of the 1930s and 1940s, through the Asia Pacific War into the present day, and demonstrates how processes of politicization and depoliticization should be understood as part of wider historical developments including Japan’s postwar devastation and poverty, subsequent rapid modernization and urbanization, and the aging population and economic struggles of the twenty-first century.
| Author | : Daniela Berghahn |
| Publisher | : Edinburgh University Press |
| Total Pages | : 233 |
| Release | : 2014-08-20 |
| Genre | : Performing Arts |
| ISBN | : 0748677879 |
This book fills this gap and provides an essential resource for academics and researchers with an interest in cinematic representations of the family and transnational cinema.
| Author | : Julia Coffey |
| Publisher | : Springer |
| Total Pages | : 270 |
| Release | : 2016-02-03 |
| Genre | : Social Science |
| ISBN | : 9811003068 |
'Learning Bodies’ addresses the lack of attention paid to the body in youth and childhood studies. Whilst a significant range of work on this area has explored gender, class, race and ethnicity, and sexualities – all of which have bodily dimensions – the body is generally studied indirectly, rather than being the central focus. This collection of papers brings together a scholarly range of international, interdisciplinary work on youth, with a specific focus on the body. The authors engage with conceptual, empirical and pedagogical approaches which counteract perspectives that view young people’s bodies primarily as ‘problems’ to be managed, or as sites of risk or deviance. The authors demonstrate that a focus on the body allows us to explore a range of additional dimensions in seeking to understand the experiences of young people. The research is situated across a range of sites in Australia, North America, Britain, Canada, Asia and Africa, drawing on a range of disciplines including sociology, education and cultural studies in the process. This collection aims to demonstrate – theoretically, empirically and pedagogically – the implications that emerge from a reframed approach to understanding children and youth by focusing on the body and embodiment.
