The Psychology Of Visual Art
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Author | : George Mather |
Publisher | : Cambridge University Press |
Total Pages | : 233 |
Release | : 2014 |
Genre | : Art |
ISBN | : 1107005981 |
A contemporary and interdisciplinary perspective on the study of art, connecting and integrating ideas from across the humanities and sciences.
Author | : Rudolf Arnheim |
Publisher | : Univ of California Press |
Total Pages | : 526 |
Release | : 2004-11-08 |
Genre | : Art |
ISBN | : 9780520243835 |
A 50-year-old classic, which was revised and expanded in 1974. Explains how the eye organizes visual material according to psychological laws.
Author | : George Mather |
Publisher | : Routledge |
Total Pages | : 143 |
Release | : 2020-10-07 |
Genre | : Art |
ISBN | : 1000208117 |
Why do we enjoy art? What inspires us to create artistic works? How can brain science help us understand our taste in art? The Psychology of Art provides an eclectic introduction to the myriad ways in which psychology can help us understand and appreciate creative activities. Exploring how we perceive everything from colour to motion, the book examines art-making as a form of human behaviour that stretches back throughout history as a constant source of inspiration, conflict and conversation. It also considers how factors such as fakery, reproduction technology and sexism influence our judgements about art. By asking what psychological science has to do with artistic appreciation, The Psychology of Art introduces the reader to new ways of thinking about how we create and consume art.
Author | : Edward W.L. Smith |
Publisher | : McFarland |
Total Pages | : 201 |
Release | : 2014-01-10 |
Genre | : Social Science |
ISBN | : 0786490551 |
This book offers the first comprehensive examination of the psychodynamic theories of artistic creativity and the arts. Neither oversimplifying the complexity of these theories, nor bogging down in pedantic discourse, it honors the depth and richness of the work of Freud, Adler, Kris, Reich, Jung, and several lesser-known theorists, while making their theories readily accessible to the educated reader. After discussing the role of theory, the work offers each concept as a readily usable template for describing and understanding a work of art, whether painting, sculpture, music, dance, film, poetry, or prose. With these theories at hand, anyone interested in the arts will possess a far richer vocabulary for describing the artistic experience and a deeper understanding of the artist's creativity.
Author | : Robert L. Solso |
Publisher | : MIT Press |
Total Pages | : 316 |
Release | : 1994 |
Genre | : Psychology |
ISBN | : 9780262691864 |
Applies research on how humans perceive, process and store information to the viewing and interpretation of art. The author argues that the clearest view of the mind comes from creating or experiencing art. The illustrations cover a range of examples but focus primarily on Western art.
Author | : Catherine Weir |
Publisher | : Routledge |
Total Pages | : 230 |
Release | : 2017-09-08 |
Genre | : Psychology |
ISBN | : 135129542X |
Interpreting Visual Art explores the psychological and cognitive mechanisms that underlie one's interpretation of art. After the brain encodes visual information, this encoding is then processed by perceptual mechanisms to identify objects and depth in pictures. The brain incorporates many factors in order for people to "see" the art. Cognitive processes have a major role in how people interpret artworks because attention, memory, and language are also linked to the aesthetic experience. Catherine Weir and Evans Mandes first examine major attributes of aesthetic judgement - balance, symmetry, color, line, and shape - from an empirical point of view as opposed to more philosophical and speculative approaches. Then, they explore the perceptual process, paying special attention to art history in the Western world and emphasizing techniques from cave paintings to modern art. The role beauty and emotions play in our interpretations of pictures have been investigated from many approaches: evolutionary psychology, neuroscience, and appraisal theory. Through the application of empirical research in cognitive science to master works from Botticelli to Pollock, readers are introduced to a research-oriented understanding of how art has been perceived, interpreted, and appreciated in the twenty-first century. This book will appeal to those interested in art as well as those teaching art history, psychology, and neuroscience.
Author | : Ellen Winner |
Publisher | : |
Total Pages | : 321 |
Release | : 2019 |
Genre | : Art |
ISBN | : 0190863358 |
"How Art Works explores puzzles that have preoccupied philosophers as well as the general public: Can art be defined? How do we decide what is good art? Why do we gravitate to sadness in art? Why do we devalue a perfect fake? Could 'my kid have done that'? Does reading fiction enhance empathy? Drawing on careful observations, probing interviews, and clever experiments, Ellen Winner reveals surprising answers to these and other artistic mysteries. We may come away with a new understanding of how art works on us."--Jacket.
Author | : Vicky Karkou |
Publisher | : Frontiers Media SA |
Total Pages | : 1093 |
Release | : 2022-08-16 |
Genre | : Science |
ISBN | : 2889746437 |
Author | : Bjarne Sode Funch |
Publisher | : Museum Tusculanum Press |
Total Pages | : 338 |
Release | : 1997 |
Genre | : Art |
ISBN | : 9788772894027 |
This book is more than an introduction to the psychology of art appreciation, it puts into perspective the research carried out within the area and offers a new understanding of the relationship between art and viewer. A number of studies within the psycho-physical, cognitive, psychoanalytic, and existential-phenomenological schools of thought are presented in order to demonstrate how their views on the appreciation of visual art vary. Five different types of art appreciation, ranging from a spontaneous preference for a work of art to a blissful experience of trancendence, are identified and described.
Author | : John A. Walker |
Publisher | : Manchester University Press |
Total Pages | : 246 |
Release | : 1997-12-15 |
Genre | : Architecture |
ISBN | : 9780719050206 |
This book is about the expanding realm of visual culture: in architecture, art, design, advertising, photography, film, television, video, theatre performance, computer imagery and virtual reality. It is also about Visual Culture Studies, a relatively new academic discipline, or rather range of disciplines, that scholars employ to analyse visual artefacts. Unlike many other texts on the same subject, it foregrounds the ‘visual’ and is systematic and accessible. Visual culture provides an overview of the subject that pays heed to the achievements of both traditional and new theory whilst directing the reader to a large body of literature via references and an extensive bibliography. Walker and Chaplin discuss the concepts of ‘the visual’ and of ‘culture’ as well as the field and origins of Visual Culture Studies; coping with theory; models of production and consumption; institutions; pleasure; the canon and concepts of value; visual literacy and poetics; modes of analysis; culture and commerce; and new technologies. This book is designed for those studying the history and theory of fine arts, design and the mass media.