The Prosody Of The Tudor Interlude
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Author | : Jules Eugene Bernard |
Publisher | : |
Total Pages | : 248 |
Release | : 1969 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Examines seventy--plus interludes written between 1497 and 1593 for rime scheme, verse, and subject.
Author | : Jules Eugene Bernard |
Publisher | : |
Total Pages | : 225 |
Release | : 1937 |
Genre | : |
ISBN | : |
Author | : Jules Eugene Bernard |
Publisher | : |
Total Pages | : |
Release | : 1969 |
Genre | : |
ISBN | : |
Author | : J. A. B. Somerset |
Publisher | : A&C Black |
Total Pages | : 193 |
Release | : 2014-01-13 |
Genre | : Literary Criticism |
ISBN | : 1472509587 |
The important influence of the Tudor 'interlude' on later Elizabethan drama is now widely recognized and the inherent theatrical values of these short plays of the era which preceded the opening of permanent theatres have become increasingly apparent through modern productions and study. Largely written for performance by travelling players in a variety of situations, their dramatic technique and methods of staging provide valuable clues for an understanding of Shakespearean theatre. The plays given here represent the interlude in its popular and courtly forms. All are newly edited from the earliest originals and the volume includes an introduction and full explanatory notes.
Author | : Ian Lancashire |
Publisher | : Manchester University Press |
Total Pages | : 312 |
Release | : 1980 |
Genre | : Drama |
ISBN | : 9780719015236 |
Author | : Thomas Betteridge |
Publisher | : OUP Oxford |
Total Pages | : 710 |
Release | : 2012-07-19 |
Genre | : Drama |
ISBN | : 0191651516 |
The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
Author | : Antonio LÓPEZ SANTOS |
Publisher | : Ediciones Universidad de Salamanca |
Total Pages | : 22 |
Release | : 2014-05-29 |
Genre | : |
ISBN | : |
Author | : Darryll Grantley |
Publisher | : Cambridge University Press |
Total Pages | : 445 |
Release | : 2004-04-05 |
Genre | : Literary Criticism |
ISBN | : 1139451707 |
Darryll Grantley has created a comprehensive guide to the interlude: the extant non-cycle drama in English from the late fourteenth century up to the period in which the London commercial theatre began. As precursors of seventeenth-century drama, not only do these interludes shed important light on the technical and literary development of Shakespearean theatre, but many are also works of considerable theatrical or cultural interest in themselves. This accessible reference guide provides an entry for each of the extant interludes and fragments (c.100) typically containing an account of early editions or manuscripts; authorship and sources; modern editions; plot summary and dramatis personae; list of social issues present in the plays; verbal and dramaturgical features; songs and music; allusions and place names; stage directions and comments on staging; and modern productions, among other valuable and informative details. There are full bibliographies, indexes of characters and songs, and appendices.
Author | : John Heywood |
Publisher | : Boydell & Brewer Ltd |
Total Pages | : 368 |
Release | : 1991 |
Genre | : Art |
ISBN | : 9780859913195 |
The series is performing an important service by providing fully annotated editions of Tudor humanists and playwrights in the original Tudor English, with glossaries and listing of textual variants and doubtful readings. COMPARATIVE DRAMA `A first-rate edition that substantially advances the cause of scholarship.' COMPARATIVE DRAMA First complete and fully annotated collection of John Heywood's plays in the original language. It makes possible a reevaluation ofhis remarkable achievement as actor-playwright and an appreciation of his lively contribution to the English language. In all their experimental variety the comedies are seen to have the stamp of an idiosyncratic, theatricalintelligence coupled with a surprising seriousness and Heywood emerges as a resourceful apologist for traditional Catholic doctrine in a time of Reformation. In arguing for a new chronology, the editors suggest that Henry VIII'sservant and entertainer was capable of refreshing irreverence and political daring. Contents: Witty and Witles, Johan Johan, The Pardoner and theFrere, The Foure PP, A Play of Love, The Play of the Wether. Notes.Appendices: Verses from a lost Play of Reason, Translation of . RICHARD AXTON is a Fellow of Christ's College, Cambridge, and University lecturer in English. PETER HAPPÉis the former Principal of Barton PeverilSixth-Form College.
Author | : Sir David Lindsay |
Publisher | : Canongate Books |
Total Pages | : 292 |
Release | : 2012-06-26 |
Genre | : Fiction |
ISBN | : 1847675069 |
The Thrie Estaitis was first performed in the mid-sixteenth century to an audience of royalty and commoners alike. With its high style and penetrating political satire, it pressed for reform in Church and State and even in kingship itself with a hilarious masque of vice and corruption in high places. Sir David Lindsay's great play is a milestone in world drama. After almost 400 years it was revived by Tyrone Guthrie in a famous production for the Edinburgh Festival of 1948. Ever since then this masterpiece has been recognised as a key text in the resurgence of political theatre in modern Scotland and it appears as irreverent today as it was in Lindsay's troubled times.