The Prose Writings Of Jonathan Swift Irish Tracts 1720 1723 And Sermons
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Swift as Priest and Satirist
| Author | : Todd C. Parker |
| Publisher | : Associated University Presse |
| Total Pages | : 240 |
| Release | : 2009 |
| Genre | : Humor |
| ISBN | : 9780874130447 |
The essays in this volume cover four broad categories: (1) Essays that historicize his relationship to the Church of Ireland and to the bruising world of eighteenth-century theological discourse in general. (2) Essays that examine how Swift represents religious figures and controversies in his poetry and prose, including a A Tale of a Tub. (3) Essays that theorize the relationships between religious and literary genres. (4) Essays that articulate the links between Swift's satires and contemporary religious, philosophical, and scientific discourse."--BOOK JACKET.
Character & Consciousness in Eighteenth-century Comic Fiction
| Author | : Elizabeth Kraft |
| Publisher | : University of Georgia Press |
| Total Pages | : 238 |
| Release | : 1992 |
| Genre | : Literary Criticism |
| ISBN | : 9780820313658 |
The eighteenth-century novel developed amid an emerging emphasis on individualism that clashed with long-cherished beliefs in hierarchy and stability. Though the comic novelists, unlike Defoe and Richardson, avoided total involvement in the mind of any one character, they were nonetheless fundamentally concerned with the nature of consciousness. In Character and Consciousness in Eighteenth-Century Comic Fiction, Elizabeth Kraft examines the kind of consciousness central to comic novels of the period. It is, she asserts, individual identity conceived in social terms--a character's search for his or her place in a precarious secular order. Understanding this concept of character is vitally important to a full appreciation of eighteenth-century comic fiction. To respond validly to these fictional characters, Kraft claims, the twentieth-century reader must recapture, or recreate, the eighteenth-century self. In readings of five novels--Henry Fielding's Tom Jones, Charlotte Lennox's Female Quixote, Laurence Sterne's Tristram Shandy, Tobias Smollett's Peregrine Pickle, and Fanny Burney's Cecilia--Kraft explores the relationships among consciousness, character, and comic narrative. Fielding, Lennox, and Sterne, she argues, question the validity of narratives of consciousness. Each seeks to define the limitations as well as the virtues of the form in representing the individual and communal lives. Smollett and Burney, on the other hand, address a readership that expects the novel to offer meaningful renderings of person experience. These novelists accept the validity of the narrative of consciousness but place this narrative within the context of the larger community. As a thorough analysis of relations between narrative and the construction of character and consciousness, Kraft's study is an important addition to our understanding of the theoretical formulations of eighteenth-century fiction.
Money, Power, and Print
| Author | : Charles Ivar McGrath |
| Publisher | : Associated University Presse |
| Total Pages | : 254 |
| Release | : 2008 |
| Genre | : Business & Economics |
| ISBN | : 9780874130270 |
"This collection gathers the expertise of scholars in several disciplines to examine the manner in which financial and economic arguments were expressed in pamphlets, broadsides, and longer works of literature in the seventeenth and eighteenth centuries, and to assess to what extent the political realities of the day were informed by these debates or, alternatively, shaped by that rhetoric. The contributors to the volume draw upon an extensive variety of contemporary sources and modern analyses of the formative years of the financial revolution to reexamine many of the existing conventional ideas about the relationship between money, power, and print, and to suggest that the subject is far more complex and interrelated than most studies up to now have indicated. Particular attention is paid to the fact that the financial revolution did not occur in London in isolation from the various regions of the British Isles." "The essays address the question of how money, power, and print influenced the contemporary emergence of a radically different public finance structure in the British empire and how retrospective understanding of the results have influenced historical readings of the texts and the events. A number of contributions offer detailed analyses of particular moments or structures in the reshaping of the public financial sphere, such as the parliamentary and pamphlet debate over the establishment of the Bank of England and proposals for a land bank as an alternative. Other essays focus on broader themes illustrative of larger trends during the period, such as the Scottish support for an expedition to Madagascar to take advantage of presumed pirate treasure on the island."--BOOK JACKET.
1650-1850
| Author | : Kevin L. Cope |
| Publisher | : Rutgers University Press |
| Total Pages | : 461 |
| Release | : 2019-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 1684480744 |
With issue twenty-four of 1650–1850, this annual enters its second quarter-century with a new publisher, a new look, a new editorial board, and a new commitment to intellectual and artistic exploration. As the diversely inventive essays in this first issue from the Bucknell University Press demonstrate, the energy and open-mindedness that made 1650–1850 a success continue to intensify. This first Bucknell issue includes a special feature that explores the use of sacred space in what was once incautiously called “the age of reason.” A suite of book reviews renews the 1650–1850 legacy of full-length and unbridled evaluation of the best in contemporary Enlightenment scholarship. These lively and informative reviews celebrate the many years that book review editor Baerbel Czennia has served 1650–1850 and also make for an able handoff to Samara Anne Cahill of Nanyang Technological University, who will edit the book review section beginning with our next volume. Most important of all, this issue serves as an invitation to scholars to offer their most creative and thoughtful work for consideration for publication in 1650–1850. About the annual journal 1650-1850 1650-1850 publishes essays and reviews from and about a wide range of academic disciplines—literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences—between the “hard” and the “humane” disciplines. The editors encourage proposals for “special features” that bring together five to seven essays on focused themes within its historical range, from the Interregnum to the end of the first generation of Romantic writers. While also being open to more specialized or particular studies that match up with the general themes and goals of the journal, 1650-1850 is in the first instance a journal about the artful presentation of ideas that welcomes good writing from its contributors. First published in 1994, 1650-1850 is currently in its 24th volume. ISSN 1065-3112. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Libel and Lampoon
| Author | : Andrew Benjamin Bricker |
| Publisher | : Oxford University Press |
| Total Pages | : 341 |
| Release | : 2022 |
| Genre | : History |
| ISBN | : 0192846159 |
Libel and Lampoon shows how English satire and the law mutually shaped each other during the long eighteenth century. Following the lapse of prepublication licensing in 1695, the authorities quickly turned to the courts and newly repurposed libel laws in an attempt to regulate the press. In response, satirists and their booksellers devised a range of evasions. Writers increasingly capitalized on forms of verbal ambiguity, including irony, allegory, circumlocution, and indirection, while shifty printers and booksellers turned to a host of publication ruses that complicated the mechanics of both detection and prosecution. In effect, the elegant insults, comical periphrases, and booksellers' tricks that came to typify eighteenth-century satire were a way of writing and publishing born of legal necessity. Early on, these emergent satiric practices stymied the authorities and the courts. But they also led to new legislation and innovative courtroom procedures that targeted satire's most routine evasions. Especially important were a series of rulings that increased the legal liabilities of printers and booksellers and that expanded and refined doctrines for the courtroom interpretation of verbal ambiguity, irony, and allegory. By the mid-eighteenth century, satirists and their booksellers faced a range of newfound legal pressures. Rather than disappearing, however, personal and political satire began to migrate to dramatic mimicry and caricature-acoustic and visual forms that relied less on verbal ambiguity and were therefore not subject to either the provisions of preperformance dramatic licensing or the courtroom interpretive procedures that had earlier enabled the prosecution of printed satire.
In Search of the Classic
| Author | : Steven Shankman |
| Publisher | : Penn State Press |
| Total Pages | : 353 |
| Release | : 2010-11 |
| Genre | : Literary Criticism |
| ISBN | : 0271043199 |
The &"classical,&" Steven Shankman argues, should not be confused with a particular historical period of Western antiquity, although it may owe its original articulation to the literary and philosophical explorations of ancient Greek authors. Shankman's book searches for and attempts to formulate the shape of the continuing presence&—as embodied in particular literary works mainly from Western antiquity and the neoclassical and modern periods&—of what the author calls a &"classical&" understanding of literature. For Shankman, literature, defined from a classical perspective, is a coherent, compelling, and rationally defensible representation that resists being reduced either to the mere recording of material reality or to the bare exemplification of an abstract philosophical precept. He derives his definition largely from his reading of Greek literature from Homer through Plato, from the history of literary criticism, and from the Greco-Roman tradition in English, American, and French literature. Shankman reveals unsuspected yet convincing connections among authors of such widely disparate times and places. His idea of the &"classic&" that authorizes these connections is presented as normative, thus making possible the evaluation of literary works and, in turn, forthright discussion of what constitutes the &"literary&" as distinct from other kinds of discourse. Shankman's study runs counter to a strong tendency of contemporary criticism that argues precisely against any distinct category of the &"literary.&" He offers a series of interpretations that cumulatively advance theoretical discussion by challenging scholars to rethink the critical paradigms of postmodernism. At the center of the book is a discussion of the quintessentially classic Val&éry poem Le Cimeti&ère marin and the classic qualities it shares with Pindar's third Pythian ode, from which Val&éry derives the epigraph for his poem.
A Political Biography of William King
| Author | : Christopher Fauske |
| Publisher | : Routledge |
| Total Pages | : 255 |
| Release | : 2015-10-06 |
| Genre | : History |
| ISBN | : 1317324188 |
William King (1650–1729) was perhaps the dominant Irish intellect of the period from 1688 until his death in 1729. An Anglican (Church of Ireland) by conversion, King was a strident critic of John Toland and the clerical superior of Jonathan Swift.
