The Prose and Poetry of Ireland
Author | : John O'Kane Murray |
Publisher | : |
Total Pages | : 786 |
Release | : 1878 |
Genre | : English literature |
ISBN | : |
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Author | : John O'Kane Murray |
Publisher | : |
Total Pages | : 786 |
Release | : 1878 |
Genre | : English literature |
ISBN | : |
Author | : Seamus Heaney |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 227 |
Release | : 2014-01-13 |
Genre | : Literary Collections |
ISBN | : 1466855754 |
Nobel laureate Seamus Heaney's first collection of prose, Preoccupations, begins with a vivid account of his early years on his father's farm in Northern Ireland and his coming of age as a student and teacher in Belfast. Subsequent essays include critical work on Gerard Manley Hopkins, William Wordsworth, John Keats, Robert Lowell, William Butler Yeats, John Montague, Patrick Kavanagh, Ted Hughes, Geoffrey Hill, and Philip Larkin.
Author | : Matthew Maguire |
Publisher | : Everyman's Library POCKET POETS |
Total Pages | : 240 |
Release | : 2011 |
Genre | : POETRY |
ISBN | : 9781841597867 |
With its roots in the devotional verse of the early Christian church and the long lyric poems of the Irish bards, Irish poetry has a rich and robust tradition both of engagement and self-reflection. It has grappled long with politics and has provided the most eloquent response to Ireland's turbulent history, mediating and mitigating histories of loyalty and loss; it has soaked itself in the Irish landscape and Celtic myth; it has encompassed religion, so much a part of Ireland's cultural heritage. At the same time Irish poets have given their own original slant to everyday experience and affairs of the heart.Thematically organized and spanning many centuries, this selection also features a section of Gaelic poetry in translation, notably excerpts from the 18th-century epic masterpiece, Brian Merriman's The Midnight Court.
Author | : Maureen O'Rourke Murphy |
Publisher | : Syracuse University Press |
Total Pages | : 579 |
Release | : 2015-02-01 |
Genre | : Literary Collections |
ISBN | : 0815630387 |
In a volume that has become a standard text in Irish studies and serves as a course-friendly alternative to the Field Day anthology, editors Maureen O’Rourke Murphy and James MacKillop survey thirteen centuries of Irish literature, including Old Irish epic and lyric poetry, Irish folksongs, and drama. For each author the editors provide a biographical sketch, a brief discussion of how his or her selections relate to a larger body of work, and a selected bibliography. In addition, this new volume includes a larger sampling of women writers.
Author | : HardPress |
Publisher | : Hardpress Publishing |
Total Pages | : 814 |
Release | : 2013-06 |
Genre | : |
ISBN | : 9781314281712 |
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author | : Alexandra Berlina |
Publisher | : GRIN Verlag |
Total Pages | : 21 |
Release | : 2004-06-11 |
Genre | : Literary Criticism |
ISBN | : 3638282333 |
Essay from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1, University of Dusseldorf "Heinrich Heine" (Anglistics), course: Seminar "Irish Literature and Sean O' Faolain", language: English, abstract: It was simple to define poetry hundred years ago: a poem had to contain a measure, rhythm and rhymes. Nowadays, none of them is indispensable any more. So, what is poetry? In my opinion, poetry is primarily qualified by a concentrated language. I feel certain that there is a relationship between the German words “Dichte” (concentration, denseness) and “Dichter” (poet, writer). In a poem, every single word should be essential, no word random, nothing to delete or to add. There is only one literary genre where this tightness of language is almost as important – the short story. Sean O’Faolain wrote poems in his youth, and then he switched to short stories. It seems to me that he did not consider himself talented enough as a poet to publish his verses (maybe partly because of the experience he describes in his autobiography “Vive moi!” – as a student, he was laughed at for his naïve poem about Mother Ireland’s teeming navel), but still felt a desire to write poetry. Interestingly, the twenty-four years old hero of “How to write a short story” with whom the author seems to identify, had rested from writing poetry and was trying to write short stories. The short story is a genre that has a long tradition in Ireland and many Irish masters, but that is surely not the only reason why O’Faolain wrote mainly short stories. He must have felt the close relationship between them and verses. He wrote prose, but smuggled poetry into it. O’Faolain either placed his own poems into his stories (a few times, for example, in “Hymenial”), or quoted other poets there (far more frequently), or he made whole passages of his prose sound remarkably poetic – and this he did in almost every story. To analyze this phenomenon, I have chosen O’Faolain’s later stories (from 1970 on, the collections “The Talking Trees and Other Stories”, “Foreign Affairs and Other Stories” and the last stories published only after the author’s death). By the time he wrote them, he was not so susceptible for outer influences as in his youth. These works are more mature and original; they contain less romantic (and other) clichés than his early experiments. Therefore, these compositions are more interesting to study and to decompose into single metaphors, similes, alliterations etc – especially if there are many of them at once, as it often occurs in his stories. I did not use any secondary literature, because I wanted to study O’Faolain’s way of writing by myself.
Author | : C. Fabricant |
Publisher | : Springer |
Total Pages | : 284 |
Release | : 2010-06-21 |
Genre | : Literary Criticism |
ISBN | : 0230106897 |
This edition presents Jonathan Swift's most important Irish writings in both prose and verse, together with an introduction, head notes and annotations that shed new light on the full context and significance of each piece. Familiar works such as "Gulliver's Travels" and "A Tale of a Tub" acquire new and deeper meanings when considered within the Irish frameworks presented in the edition. Differing in noteworthy ways from the more traditional, canonical, Anglocentric picture conveyed by other published volumes, the Swift that emerges from these pages is a brilliant polemicist, popular satirist, political agitator, playful versifier, tormented Jeremiah, and Irish patriot.
Author | : Richard Nagle |
Publisher | : Forgotten Books |
Total Pages | : 832 |
Release | : 2017-11-28 |
Genre | : Poetry |
ISBN | : 9780332120737 |
Excerpt from The Popular Poets and Poetry of Ireland: And Choice Selections in Prose From the Works of Famous Irish Writers and Orators MID such splendid wealth as is contained in the treasure-house of Irish poetry, it is a difficult task to make selections which shall do justice at once to the richness and varietv of material. Each new exactment made upon it only brightens the sense of pride and joy which the children of the land have ever felt in contemplating its riches; and the day is yet far distant which shall exhaust its resources. Development only makes more apparent the range of its possibilities. But where so much is valuable, individual taste and preference must in the end become the standard of choice, - and individual taste may sometimes clash with popular preference. In the present collection, decision has been reached only after careful study, and much thought has been given to details. The book, as a whole, will be found to contain as judicious a selection. And to cover a wider field than any that has so far been presented to the public, while in the important points of letterpress and finish it. Is plainly beyond criticism. The short biographical notice which appears as an introduction to the work of each Author has been restricted to the, smallest limit, and made to contain only the most important facts connected with the life and labors of the subject. In most cases the writers are too well known to need any more formal presentation to their countrymen: but even under different conditions, limitations of space Would necessitate similar treatment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.