The Procession of Masks
Author | : Herbert Sherman Gorman |
Publisher | : |
Total Pages | : 280 |
Release | : 1923 |
Genre | : Literature, Modern |
ISBN | : |
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Author | : Herbert Sherman Gorman |
Publisher | : |
Total Pages | : 280 |
Release | : 1923 |
Genre | : Literature, Modern |
ISBN | : |
Author | : Inge Morath |
Publisher | : Viking Pr |
Total Pages | : 82 |
Release | : 2000-10-26 |
Genre | : Art |
ISBN | : |
Highlighting the photographer's unique collection of "paper bag" images from the 1950s and 1960s, this series of individual and group portraits recaptures the whimsy and humor of this period in photography. 17,500 first printing.
Author | : Herbert Sherman Gorman |
Publisher | : Literary Licensing, LLC |
Total Pages | : 268 |
Release | : 2012-04-01 |
Genre | : |
ISBN | : 9781258284909 |
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author | : Nigel Pennick |
Publisher | : Simon and Schuster |
Total Pages | : 483 |
Release | : 2022-04-19 |
Genre | : Social Science |
ISBN | : 1644114054 |
• Reveals how mask rituals are akin to shamanic journeying and allow the mask wearer to personify an ancestral presence, spirit, deity, or power • Examines animal guising and shows how mask customs are tied to creation myths and the ancestral founders of a people, tribe, city, or nation • Looks at morris dancers and mummers in the UK, Krampuslauf and Perchtenlauf in Germanic areas, the Gorgon myths of Greece, Norse Berserker rituals, and the annual Black Forest rite to awaken ensouled masks every spring There is a spiritual power in masks that transports one into realms unseen and gives voice to things unspoken. Within the context of ritual, putting on a mask places the wearer at the intersection between the present and the past, the living and the dead, this world and the Otherworld. Masks make it possible to activate ancient archetypes, with the mask wearer reanimating or personifying an ancestral presence or spirit, a deity or power, an animal or a being of the eldritch world. In this illustrated study, Nigel Pennick explores the magical and spiritual aspects of mask wearing from ancient times to the present. He examines the many mask traditions around Europe and shows how mask rituals are similar to shamanic journeying and near-death experiences and can induce ecstatic states that allow the power signified by the mask to take possession of the individual wearing it. He also looks at the practice of dressing up as sacred animals and mask wearing as it relates to ostenta, events that occur suddenly and without warning that are considered a token or sign from the Otherworld. Unveiling the sacred power of masks, the author shows how masks allow us to transport into realms unseen, embody ancestors and otherworldly entities, and connect with traditions that stretch back to time immemorial.
Author | : Donald Bush Cordry |
Publisher | : Austin : University of Texas Press |
Total Pages | : 312 |
Release | : 1980 |
Genre | : Art |
ISBN | : |
Author | : Harriet I. Flower |
Publisher | : Oxford University Press |
Total Pages | : 448 |
Release | : 1996 |
Genre | : Elite (Social sciences) |
ISBN | : 9780199240241 |
In the first comprehensive study of Roman ancestor masks in English, Harriet Flower explains the reasons behind the use of wax masks in the commemoration of politically prominent family members by the elite society of Rome. Flower traces the functional evolution of ancestor masks, from theirfirst attested appearance in the third century BC to their last mention in the sixth century AD, through the examination of literary sources in both prose and verse, legal texts, epigraphy, archaeology, numismatics, and art. It is by putting these masks, which were worn by actors at the funerals ofthe deceased, into their legal, social, and political context that Flower is able to elucidate their central position in the media of the time and their special meaning as symbols of power and prestige.
Author | : Robin D. Tribhuwan |
Publisher | : Discovery Publishing House |
Total Pages | : 118 |
Release | : 2003 |
Genre | : Ethnic costume |
ISBN | : 9788171416363 |
Man has made use of masks in dance rituals, dramas, folk songs, temples and different Socio-Cultural contexts. In South India Masks are Worn by Kathakali Dancers, to depict good and evil characters from Hindu epics. Masks find an important place in Hindu festival celebration such as Dasera, Durga Puja and Ram Navami. Tribal societies in India too use have Mask characters. Some of the tribes using masks are Bhils, Garasia, Bison Horn Madia, Santhals, Oraons etc. However, there is only one tribal town in India, that depicts 54 tribal mask characters. This town is known as Jawhar, from Thane district, in the state of Maharashtra. These 54 characters are taken in a Procession during a Mask Festival called Bohada . The festival of Bohata is popular among the Koknas, Thakars, Mahadev Kolis, Malhar Kolis, Dhor Kolis, Katkaris, Warlis and few caste groups of Thane and Nasik District. Contents: Concept and Definitions of Masks, Research Methodology, Tribal Village, People and Mask Makers, Bohada: The Mask Festival of Bharsatmet, Bohada: The Mask Festival of Bharsatmet, Bohada: As Interpreted by the Non-tribals, Summary and Conclusions.
Author | : Christiane Sourvinou-Inwood |
Publisher | : Lexington Books |
Total Pages | : 580 |
Release | : 2003 |
Genre | : Drama |
ISBN | : 9780739104002 |
Stemming from Harvard University's Carl Newell Jackson Lectures, Christiane Sourvinou-Inwood's Tragedy and Athenian Religion sets out a radical reexamination of the relationship between Greek tragedy and religion. Based on a reconstruction of the context in which tragedy was generated as a ritual performance during the festival of the City Dionysia, Sourvinou-Inwood shows that religious exploration had been crucial in the emergence of what developed into fifth-century Greek tragedy. A contextual analysis of the perceptions of fifth-century Athenians suggests that the ritual elements clustered in the tragedies of Euripides, Aeschylus, and Sophocles provided a framework for the exploration of religious issues, in a context perceived to be part of a polis ritual. This reassessment of Athenian tragedy is based both on a reconstruction of the Dionysia and the various stages of its development and on a deep textual analysis of fifth-century tragedians. By examining the relationship between fifth-century tragedies and performative context, Tragedy and Athenian Religion presents a groundbreaking view of tragedy as a discourse that explored (among other topics) the problematic religious issues of the time and so ultimately strengthened Athenian religion even at a time of crisis in very complex ways-- rather than, as some simpler modern readings argue, challenging and attacking religion and the gods.