The Problem Of Trieste And The Italo Yugoslav Border
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Author | : Glenda Sluga |
Publisher | : SUNY Press |
Total Pages | : 286 |
Release | : 2001-01-11 |
Genre | : Social Science |
ISBN | : 9780791448236 |
Uses the history of Trieste and the Italo-Yugoslav border to examine how representations of difference have affected the politics of sovereignty during the twentieth century.
Author | : Glenda Sluga |
Publisher | : SUNY Press |
Total Pages | : 284 |
Release | : 2001-01-11 |
Genre | : Social Science |
ISBN | : 9780791448243 |
Uses the history of Trieste and the Italo-Yugoslav border to examine how representations of difference have affected the politics of sovereignty during the twentieth century.
Author | : Anthony Di Iorio |
Publisher | : BRILL |
Total Pages | : 372 |
Release | : 2023-11-13 |
Genre | : History |
ISBN | : 9004681159 |
This is a study of the early writings of Virginio Gayda (1885-1944), a talented but amoral Italian journalist whose career spanned two world wars. A keen observer, prolific writer and propagandist during his stint as the newspaper La Stampa’s special correspondent in Habsburg Vienna, Gayda lent his considerable skills to promote an aggressive foreign policy. No one did more than he to poison relations between the Italian and Yugoslav peoples. His is the story of a respected journalist who chose an ultranationalist path to fascism and international fame. Not uninfluenced by rank careerism and material reward he forsook his roots to embrace the antisemitic “race” laws of 1938 and Italy’s disastrous partnership with Nazi Germany.
Author | : Nadav G. Shelef |
Publisher | : Cornell University Press |
Total Pages | : 415 |
Release | : 2020-07-15 |
Genre | : Political Science |
ISBN | : 1501709720 |
Why are some territorial partitions accepted as the appropriate borders of a nation's homeland, whereas in other places conflict continues despite or even because of division of territory? In Homelands, Nadav G. Shelef develops a theory of what homelands are that acknowledges both their importance in domestic and international politics and their change over time. These changes, he argues, driven by domestic political competition and help explain the variation in whether partitions resolve conflict. Homelands also provides systematic, comparable data about the homeland status of lost territory over time that allow it to bridge the persistent gap between constructivist theories of nationalism and positivist empirical analyses of international relations.
Author | : Robert Edward Niebuhr |
Publisher | : BRILL |
Total Pages | : 268 |
Release | : 2018-01-03 |
Genre | : History |
ISBN | : 9004358994 |
Titoist Yugoslavia is a particularly interesting setting to examine the integrity of the modern nation-state, especially the viability of distinctly multi-ethnic nation-building projects. Scholarly literature on the brutal civil wars that destroyed Yugoslavia during the 1990s emphasizes divisive nationalism and dysfunctional politics to explain why the state disintegrated. But the larger question remains unanswered—just how did Tito’s state function so successfully for the preceding forty-six years. In an attempt to understand better what united the stable, multi-ethnic, and globally important Yugoslavia that existed before 1991 Robert Niebuhr argues that we should pay special attention to the dynamic and robust foreign policy that helped shape the Cold War.
Author | : R. Robinson |
Publisher | : Springer |
Total Pages | : 207 |
Release | : 2007-10-23 |
Genre | : Literary Criticism |
ISBN | : 0230287867 |
Richard Robinson examines the representation of shifting European borders in twentieth-century narrative, drawing together an unusual grouping of texts from different national canons and comparing the various ways that fictional settings transmute European placelessness into narrative.
Author | : Erin McGlothlin |
Publisher | : Northwestern University Press |
Total Pages | : 226 |
Release | : 2024-05-15 |
Genre | : History |
ISBN | : 0810147068 |
The fifteenth volume in the Lessons & Legacies series, featuring multidisciplinary research in the Holocaust and Jewish cultural history on the theme of Global Perspectives and National Narratives. The fourteen chapters included in this volume manifest three broad categories: history, literature, and memory. These chapters continue the recent trend in Holocaust Studies of a focus on local history, integrating specific regional and national narratives into a more global approach to the event. Newer studies have continued to incorporate what was once termed the periphery into a more global examination of the experiences of Jewish refugees in flight to Latin America, Africa, and the Soviet Union. At the same time, very specific local studies deepen our knowledge of the mechanics of genocide, along with the experiences of refugees in flight, and the subsequent dimensions of Holocaust memory and representation. New research on Holocaust literature continues to unearth unexamined texts from the period of the war itself, which can shed light on Jewish responses to persecution and strategies for survival. The study of Holocaust testimonies continues to grapple with the challenge of language: how to convey through the limits of human language the depths of barbarity to an audience that could never fully understand what they had not personally experienced. Likewise, literary studies continue to incorporate texts that were once considered outside the standard canon of Holocaust literature, such as science fiction and children’s literature. The tension between local and global perspectives can also be seen quite clearly in what the volume's editors understand by the term “memory studies,” or new approaches to research on museums and memorials. The very specific nature of collective memory on the national level continues to be the site of the contested “politics of memory.” A number of the chapters in this volume engage with the conflict of monuments and memorials, museums’ attempts to resolve provenance issues, questions around the ethics of Holocaust tourism, and the inclusion of new technologies and digital survivors into the memorial landscape.
Author | : Peter Romijn |
Publisher | : Amsterdam University Press |
Total Pages | : 498 |
Release | : 2012 |
Genre | : Social Science |
ISBN | : 9089644369 |
With its unique focus on how culture contributed to the blurring of ideological boundaries between the East and the West, this important volume offers fascinating insights into the tensions, rivalries and occasional cooperation between the two blocs. Encompassing developments in both the arts and sciences, the authors analyze focal points, aesthetic preferences and cultural phenomena through topics as wide-ranging as the East- and West German interior design; the Soviet stance on genetics; US cultural diplomacy during and after the Cold War; and the role of popular music as a universal cultural ambassador. Well positioned at the cutting edge of Cold War studies, this important work illuminates some of the striking paradoxes involved in the production and reception of culture in East and West.
Author | : Pamela Ballinger |
Publisher | : Princeton University Press |
Total Pages | : 347 |
Release | : 2018-06-05 |
Genre | : Social Science |
ISBN | : 0691187274 |
In the decade after World War II, up to 350,000 ethnic Italians were displaced from the border zone between Italy and Yugoslavia known as the Julian March. History in Exile reveals the subtle yet fascinating contemporary repercussions of this often overlooked yet contentious episode of European history. Pamela Ballinger asks: What happens to historical memory and cultural identity when state borders undergo radical transformation? She explores displacement from both the viewpoints of the exiles and those who stayed behind. Yugoslavia's breakup and Italy's political transformation in the early 1990s, she writes, allowed these people to bring their histories to the public eye after nearly half a century. Examining the political and cultural contexts in which this understanding of historical consciousness has been formed, Ballinger undertakes the most extensive fieldwork ever done on this subject--not only around Trieste, where most of the exiles settled, but on the Istrian Peninsula (Croatia and Slovenia), where those who stayed behind still live. Complementing this with meticulous archival research, she examines two sharply contrasting models of historical identity yielded by the "Istrian exodus": those who left typically envision Istria as a "pure" Italian land stolen by the Slavs, whereas those who remained view it as ethnically and linguistically "hybrid." We learn, for example, how members of the same family, living a short distance apart and speaking the same language, came to develop a radically different understanding of their group identities. Setting her analysis in engaging, jargon-free prose, Ballinger concludes that these ostensibly very different identities in fact share a startling degree of conceptual logic.
Author | : Kimberly Jannarone |
Publisher | : University of Michigan Press |
Total Pages | : 335 |
Release | : 2015-11-06 |
Genre | : Performing Arts |
ISBN | : 0472121391 |
Vanguard Performance Beyond Left and Right challenges assumptions regarding “radical” and “experimental” performance that have long dominated thinking about the avant-garde. The book brings to light vanguard performances rarely discussed: those that support totalitarian regimes, promote conservative values, or have been effectively snapped up by right-wing regimes the performances intended to oppose. In so doing, the volume explores a central paradox: how innovative performances that challenge oppressive power structures can also be deployed in deliberate, passionate support of oppressive power. Essays by leading international scholars pose engaging questions about the historical avant-garde, vanguard acts, and the complex role of artistic innovation and live performance in global politics. Focusing on performances that work against progressive and democratic ideas (including scripted drama, staged suicide, choral dance, terrorism, rallies, and espionage), the book demonstrates how many compelling performance ideals—unification, exaltation, immersion—are, in themselves, neither moral nor immoral; they are only emotional and aesthetic urges that can be powerfully channeled into a variety of social and political outlets.