Excerpt from The Problem of the Ohio Mounds No other ancient works of the United States have become so widely known or have excited so much interest as those of Ohio. This is due in part to their remarkable character but in a much greater degree to the "Ancient Monuments of the Mississippi Valley," by Messrs. Squier and Davis, in which these monuments are described and figured. The constantly recurring question, "Who constructed these works?" has brought before the public a number of widely different theories, though the one which has been most generally accepted is that they originated with a people long since extinct or driven from the country, who had attained a culture status much in advance of that reached by the aborigines inhabiting the country at the time of its discovery by Europeans. The opinion advanced in this paper, in support of which evidence will be presented, is that the ancient works of the State are due to Indians of several different tribes, and that some at least of the typical works, were built by the ancestors of the modern Cherokees. The discussion will be limited chiefly to the latter proposition, as the limits of the paper will not permit a full presentation of all the data which might be brought forward in support of the theory, and the line of argument will be substantially as follows: First. A brief statement of the reasons for believing that the Indians were the authors of all the ancient monuments of the Mississippi Valley and Gulf States; consequently the Ohio mounds must have been built Indians. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.