The Printer The Pardoner
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Author | : Marilyn Sutton |
Publisher | : University of Toronto Press |
Total Pages | : 498 |
Release | : 2000-01-01 |
Genre | : Literary Criticism |
ISBN | : 0802047440 |
The Chaucer Bibliography series aims to provide annotated bibliographies for all of Chaucer's work. This book summarizes 20th-century commentaries on Chaucer's "Pardoner's Prologue" and "Tale."
Author | : Anna Dlabačová |
Publisher | : BRILL |
Total Pages | : 432 |
Release | : 2023-09-14 |
Genre | : Literary Criticism |
ISBN | : 9004520155 |
'The Open Access publishing costs of this volume were covered by the Dutch Research Council (NWO), Veni-project “Leaving a Lasting Impression. The Impact of Incunabula on Late Medieval Spirituality, Religious Practice and Visual Culture in the Low Countries” (grant number 275-30-036).' This volume explores various approaches to study vernacular books and reading practices across Europe in the 15th-16th centuries. Through a shared focus on the material book as an interface between producers and users, the contributors investigate how book producers conceived of their target audiences and how these vernacular books were designed and used. Three sections highlight connections between vernacularity and materiality from distinct perspectives: real and imagined readers, mobility of texts and images, and intermediality. The volume brings contributions on different regions, languages, and book types into dialogue. Contributors include Heather Bamford, Tillmann Taape, Stefan Matter, Suzan Folkerts, Karolina Mroziewicz, Martha W. Driver, Alexa Sand, Elisabeth de Bruijn, Katell Lavéant, Margriet Hoogvliet, and Walter S. Melion.
Author | : Peter W. M. Blayney |
Publisher | : Cambridge University Press |
Total Pages | : 1559 |
Release | : 2013-11-21 |
Genre | : Language Arts & Disciplines |
ISBN | : 1107512409 |
This major, revisionist reference work explains for the first time how the Stationers' Company acquired both a charter and a nationwide monopoly of printing. In the most detailed and comprehensive investigation of the London book trade in any period, Peter Blayney systematically documents the story from 1501, when printing first established permanent roots inside the City boundaries, until the Stationers' Company was incorporated by royal charter in 1557. Having exhaustively re-examined original sources and scoured numerous archives unexplored by others in the field, Blayney radically revises accepted beliefs about such matters as the scale of native production versus importation, privileges and patents, and the regulation of printing by the Church, Crown and City. His persistent focus on individuals - most notably the families, rivals and successors of Richard Pynson, John Rastell and Robert Redman - keeps this study firmly grounded in the vivid lives and careers of early Tudor Londoners.
Author | : Alexandra Gillespie |
Publisher | : OUP Oxford |
Total Pages | : 296 |
Release | : 2006-11-30 |
Genre | : Literary Criticism |
ISBN | : 0191514659 |
Print Culture and the Medieval Author is a book about books. Examining hundreds of early printed books and their late medieval analogues, Alexandra Gillespie writes a bibliographical history of the poet Geoffrey Chaucer and his follower John Lydgate in the century after the arrival of printing in England. Her study is an important new contribution to the emerging 'sociology of the text' in English literary and historical studies. At the centre of this study is a familiar question: what is an author? The idea of the vernacular writer was already contested and unstable in medieval England; Gillespie demonstrates that in the late Middle Ages it was also a way for book producers and readers to mediate the risks - commercial, political, religious, and imaginative - involved in the publication of literary texts. Gillespie's discussion focuses on the changes associated with the shift to print, scribal precedents for these changes, and contemporary understanding of them. The treatment of texts associated with Chaucer and Lydgate is an index to the sometimes flexible, sometimes resistant responses of book printers, copyists, decorators, distributors, patrons, censors, owners, and readers to a gradual but profoundly influential bibliographical transition. The research is conducted across somewhat intractable boundaries. Gillespie writes about medieval and modern history; about manuscript and print; about canonical and marginal authors; about literary works and books as objects. In the process, she finds new meanings for some medieval vernacular texts and a new place for some old books in a history of English culture.
Author | : Michael Johnston |
Publisher | : Cambridge University Press |
Total Pages | : 319 |
Release | : 2015-08-10 |
Genre | : History |
ISBN | : 1107066190 |
This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.
Author | : Andrew Pettegree |
Publisher | : Penguin |
Total Pages | : 402 |
Release | : 2016-10-25 |
Genre | : Religion |
ISBN | : 0399563237 |
A revolutionary look at Martin Luther, the Reformation, and the birth of publishing, on the eve of the Reformation’s 500th anniversary When Martin Luther posted his “theses” on the door of the Wittenberg church in 1517, protesting corrupt practices, he was virtually unknown. Within months, his ideas spread across Germany, then all of Europe; within years, their author was not just famous, but infamous, responsible for catalyzing the violent wave of religious reform that would come to be known as the Protestant Reformation and engulfing Europe in decades of bloody war. Luther came of age with the printing press, and the path to glory of neither one was obvious to the casual observer of the time. Printing was, and is, a risky business—the questions were how to know how much to print and how to get there before the competition. Pettegree illustrates Luther's great gifts not simply as a theologian, but as a communicator, indeed, as the world's first mass-media figure, its first brand. He recognized in printing the power of pamphlets, written in the colloquial German of everyday people, to win the battle of ideas. But that wasn't enough—not just words, but the medium itself was the message. Fatefully, Luther had a partner in the form of artist and businessman Lucas Cranach, who together with Wittenberg’s printers created the distinctive look of Luther's pamphlets. Together, Luther and Cranach created a product that spread like wildfire—it was both incredibly successful and widely imitated. Soon Germany was overwhelmed by a blizzard of pamphlets, with Wittenberg at its heart; the Reformation itself would blaze on for more than a hundred years. Publishing in advance of the Reformation’s 500th anniversary, Brand Luther fuses the history of religion, of printing, and of capitalism—the literal marketplace of ideas—into one enthralling story, revolutionizing our understanding of one of the pivotal figures and eras in human history.
Author | : Bodleian Library |
Publisher | : |
Total Pages | : 450 |
Release | : 2005 |
Genre | : Reference |
ISBN | : 9780199519057 |
Author | : Martha W. Driver |
Publisher | : Boydell & Brewer |
Total Pages | : 324 |
Release | : 2020 |
Genre | : Literary Criticism |
ISBN | : 1843845539 |
Essays considering the relationship between Gower's texts and the physical ways in which they were first manifested.
Author | : Flavia Bruni |
Publisher | : BRILL |
Total Pages | : 541 |
Release | : 2016-04-19 |
Genre | : History |
ISBN | : 9004311823 |
Questions of survival and loss bedevil the study of early printed books. Many early publications are not particularly rare, but many have disappeared altogether. Here leading specialists in the field explore different strategies for recovering this lost world of print.
Author | : Carol Poster |
Publisher | : Northwestern University Press |
Total Pages | : 280 |
Release | : 1998 |
Genre | : History |
ISBN | : 9780810116467 |
This is the third volume in a series of studies on the late Middle Ages, covering the period from around 1300 to 1550. Each volume aims to provide exhaustive and diverse treatments of one significant example of late medieval culture. Volume three explores transformation and translation.