Principles of Voice Production
Author | : Ingo R. Titze |
Publisher | : |
Total Pages | : 448 |
Release | : 2000 |
Genre | : Language Arts & Disciplines |
ISBN | : |
FEATURES
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Author | : Ingo R. Titze |
Publisher | : |
Total Pages | : 448 |
Release | : 2000 |
Genre | : Language Arts & Disciplines |
ISBN | : |
FEATURES
Author | : Alexander Melville Bell |
Publisher | : |
Total Pages | : 324 |
Release | : 1900 |
Genre | : English language |
ISBN | : |
Author | : John H. Esling |
Publisher | : Cambridge University Press |
Total Pages | : 327 |
Release | : 2019-06-20 |
Genre | : Language Arts & Disciplines |
ISBN | : 1108498426 |
Offers a new model of vocal tract articulation that explains laryngeal and oral voice quality, both auditorily and visually, through language examples and familiar voices.
Author | : Philip Lieberman |
Publisher | : Cambridge University Press |
Total Pages | : 270 |
Release | : 1988-02-04 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780521313575 |
This analysis of speech ranges from clarifying physiological, biological and neurological bases of speech through defining the principles of electrical and computer models of speech production.
Author | : Wendy D. LeBorgne |
Publisher | : Plural Publishing |
Total Pages | : 553 |
Release | : 2024-06-07 |
Genre | : Music |
ISBN | : 1635504554 |
The Vocal Athlete, Third Edition is written and designed to bridge the gap between the art of contemporary commercial music (CCM) singing and the science behind voice production in this ever-growing popular vocal style. Revised and expanded, this edition is a “must have” for vocal pedagogy courses and speech-language pathologists, singing voice specialists, and voice teachers. Heavily referenced, this text is ripe with current research on singing science as it relates to the CCM voice. Anyone who trains singers will gain insight into the current research and trends regarding commercial music artists. The text distinguishes itself from other academic pedagogy texts by incorporating comprehensive chapters on the physiology of belting, current peer reviewed literature in vocal training for CCM styles, and application in the voice studio. Included is the current information on our understanding of gender affirmation treatments and potential implications for singers. New to the Third Edition: * New comprehensive chapter titled Overview of Black American Music: History, Pedagogy & Practice by Trineice Robinson-Martin and Alison Crockett * Extended and revised sections in several chapters, including: The Singer’s Body Motor Learning Exercise Physiology Laryngeal Physiology Acoustics Phonotrauma Belting Research * Reference grid depicting where specific content areas for both the proposed NATS vocal pedagogy curriculum and the PAVA-RV can be found within the text * Updated references throughout the text
Author | : Northwestern Library Association |
Publisher | : |
Total Pages | : 710 |
Release | : 1899 |
Genre | : Booksellers' catalogs |
ISBN | : |
Author | : Alexander Melville Bell |
Publisher | : |
Total Pages | : 268 |
Release | : 1878 |
Genre | : English language |
ISBN | : |
Author | : American Hearing Society |
Publisher | : |
Total Pages | : 212 |
Release | : 1927 |
Genre | : Deaf |
ISBN | : |
Author | : John A. Seikel |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Language Arts & Disciplines |
ISBN | : 9781285198347 |
"Anatomy & physiology for speech, language, and hearing, fifth edition, provides a sequential tour of the anatomy and physiology associated with speech, language, and hearing. It has been developed keeping today's students in mind and provides ancillary materials that greatly enhance learning. This fifth edition refines the presentation of the anatomy and physiology of the relevant topics under discussion, as well as acknowledges the advances that have occurred in the different fields of study."--Préface.
Author | : Charles Bernstein |
Publisher | : Oxford University Press |
Total Pages | : 401 |
Release | : 1998-04-30 |
Genre | : Literary Criticism |
ISBN | : 0195355075 |
Close Listening brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been surprisingly slight. This volume, featuring work by critics and poets such as Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe, is the first comprehensive introduction to the ways in which twentieth-century poetry has been practiced as a performance art. From the performance styles of individual poets and types of poetry to the relation of sound to meaning, from historical and social approaches to poetry readings to new imaginations of prosody, the entries gathered here investigate a compelling range of topics for anyone interested in poetry. Taken together, these essays encourage new forms of "close listenings"--not only to the printed text of poems but also to tapes, performances, and other expressions of the sounded and visualized word. The time is right for such a volume: with readings, spoken word events, and the Web gaining an increasing audience for poetry, Close Listening opens a number of new avenues for the critical discussion of the sound and performance of poetry.