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| Author | : Valeria Finucci |
| Publisher | : Harvard University Press |
| Total Pages | : 284 |
| Release | : 2015-02-10 |
| Genre | : Biography & Autobiography |
| ISBN | : 067472545X |
Using four notorious moments in the life of Duke Vincenzo Gonzaga of Mantua, Valeria Finucci explores changing early modern concepts of sexuality, reproduction, beauty, and aging. She deftly marries salacious tales with historical analysis to tell a broader story of Italian Renaissance cultural adjustments and obsessions.
| Author | : Valeria Finucci |
| Publisher | : Harvard University Press |
| Total Pages | : 284 |
| Release | : 2015-02-10 |
| Genre | : History |
| ISBN | : 0674967062 |
Defining the proper female body, seeking elective surgery for beauty, enjoying lavish spa treatments, and combating impotence might seem like today’s celebrity infatuations. However, these preoccupations were very much alive in the early modern period. Valeria Finucci recounts the story of a well-known patron of arts and music in Renaissance Italy, Duke Vincenzo Gonzaga of Mantua (1562–1612), to examine the culture, fears, and captivations of his times. Using four notorious moments in Vincenzo’s life, Finucci explores changing concepts of sexuality, reproduction, beauty, and aging. The first was Vincenzo’s inability to consummate his earliest marriage and subsequent medical inquiry, which elucidates new concepts of female anatomy. Second, Vincenzo’s interactions with Bolognese doctor Gaspare Tagliacozzi, the “father of plastic surgery,” illuminate contemporary fascinations with elective procedures. Vincenzo’s use of thermal spas explores the proliferation of holistic, noninvasive therapies to manage pain, detoxify, and rehabilitate what the medicine of the time could not address. And finally, Vincenzo’s search for a cure for impotence later in life analyzes masculinity and aging. By examining letters, doctors’ advice, reports, receipts, and travelogues, together with (and against) medical, herbal, theological, even legal publications of the period, Finucci describes an early modern cultural history of the pathology of human reproduction, the physiology of aging, and the science of rejuvenation as they affected a prince with a large ego and an even larger purse. In doing so, she deftly marries salacious tales with historical analysis to tell a broader story of Italian Renaissance cultural adjustments and obsessions.
| Author | : Afshin Shahidi |
| Publisher | : St. Martin's Press |
| Total Pages | : 270 |
| Release | : 2017-10-24 |
| Genre | : Photography |
| ISBN | : 1250134447 |
Featuring a foreword by Beyoncé Knowles-Carter. When Prince wanted to document his One Nite Alone tour in 2002, he turned to Afshin Shahidi. Again in 2004, he went along on Prince’s record breaking Musicology Tour. Afshin met Prince in 1989 and became his cinematographer and later his photographer. He was the photographer closest to Prince for the last fifteen years of Prince’s life. Afshin is the only photographer to shoot the legendary 3121 private parties in Los Angeles that became the most sought after invitations in Hollywood. Prince: A Private View compiles his work into a journey through Prince's extraordinary life. With many never-before-seen photos, this is the ultimate collection of – some intimate, some candid, some in concert – shots of Prince, but all are carefully directed in the artist-as-art style that we associate with him. Deep photo captions are brief, but complete stories about Prince's life at that moment - some are incisive, others are personal and even funny.
| Author | : David L. Thompson |
| Publisher | : FriesenPress |
| Total Pages | : 193 |
| Release | : 2024-02-26 |
| Genre | : Philosophy |
| ISBN | : 1039189946 |
What makes us persons? Is it our bodies, our minds, or our consciousness? For centuries, philosophers have sought to answer these questions. While some believe humans are physical or biological in both mind and body, others claim we have an immaterial soul. Author and philosopher David L. Thompson proposes a new alternative. Based on evolutionary biology and philosophy, Becoming a Self: The Past, Present, and Future of Selfhood explores the development of the human “self.” Thompson theorizes that our selves formed through connections and commitments to others when early hominins lived in tribal groups and developed languages. As humans learned to fulfill these commitments, they not only cultivated relationships but also created their personal identities. Their habits of responsibility established their characters and therefore their reputations within their communities. This naturalistic approach proposes that a self is defined by the history of its commitments to cultural and personal norms. While brain processes are required, the self is not some internal, private mind but primarily a role within its community. As technology advances, selfhood could in the future be enabled by electronic, quantum, or other non-biological means. So if a self is formed through norms, could artificial intelligence evolve to have self-identity? Thought-provoking and timely, Becoming a Self shows how investigating the past can help us understand our present status and illuminate our future.
| Author | : Angela Falco Howard |
| Publisher | : BRILL |
| Total Pages | : 271 |
| Release | : 2023-08-14 |
| Genre | : Social Science |
| ISBN | : 9004646558 |
| Author | : Prince |
| Publisher | : Random House |
| Total Pages | : 298 |
| Release | : 2019-10-29 |
| Genre | : Biography & Autobiography |
| ISBN | : 1473561019 |
THE #1 NEW YORK TIMES BESTSELLER A Times, Sunday Times and Telegraph Book of the Year ______________________________________________ 'A triumph ... a masterclass in the bottling of its subject's seductive essence. His presence in this book is so strong that it's hard to believe he has really left the building' MOJO 'Handsomely presented, visually sumptuous' THE TIMES ______________________________________________ From Prince himself comes the brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time-featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic death. Prince was a musical genius, one of the most talented, beloved, accomplished, popular, and acclaimed musicians in pop history. But he wasn't only a musician-he was also a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of his early records to the mythical landscape of Purple Rain to the psychedelia of Paisley Park. But his greatest creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, the greatest pop star of his era. The Beautiful Ones is the story of how Prince became Prince-a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is composed of the memoir he was writing before his tragic death, pages that brings us into Prince's childhood world through his own lyrical prose. The second part takes us into Prince's early years as a musician, before his first album released, through a scrapbook of Prince's writing and photos. The third section shows us Prince's evolution through candid images that take us up to the cusp of his greatest achievement, which we see in the book's fourth section: his original handwritten treatment for Purple Rain-the final stage in Prince's self-creation, as he retells the autobiography we've seen in the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring's riveting and moving introduction about his short but profound collaboration with Prince in his final days-a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he'd so carefully cultivated-and annotations that provide context to each of the book's images. This work is not just a tribute to Prince, but an original and energizing literary work, full of Prince's ideas and vision, his voice and image, his undying gift to the world. ______________________________________________ 'Prince's voice comes through loud and clear; his personality, joie de vivre and single-mindedness jumping off the page throughout.' CLASSIC POP MAGAZINE 'The Beautiful Ones is for everyone. It's not a read, but an experience, an immersion inside the mind of a musical genius. You are steeped in Prince's images, his words, his essence... The book can be a starting point for a Prince fascination, or a continuation of long-standing admiration. Either way, it will deepen the connection of any reader with the musical icon." USA TODAY 'An affirmation of Prince's Blackness and humanity... Prince writes about his childhood with clarity and poetic flair, effortlessly combining humorous anecdotes with deep self-reflection and musical analysis... Prince is one of us - he just worked to manifest dreams that took him from the North Side of Minneapolis to the Super Bowl.' HUFFPOST 'A compelling curiosity that finds its author orbiting around a few touchingly intimate encounters with his sphinx-like subject ... with passages, lyric sheets and photographs from the Purple One himself' TELEGRAPH, Books of the Year 'Both a pleasure and a surprise ... Prince took the project very seriously, and it shows in the work he delivered. ... It shines an intimate and revealing light on the least-known period of his life' VARIETY 'The Beautiful Ones is a book in pieces, fragments of the ground-breaking autobiography Prince had planned. Pieced together after his death in 2016, it collects his handwritten childhood memoires, superb personal photographs and his chosen co-writer Dan Piepenbring's vivid account of their brief collaboration. Yet remarkably despite the central absence, it still catches something of Prince between the gaps - a trace of perfume, a glance to camera, a first kiss' SUNDAY TIMES, Book of the Year 'This is a beautiful book and a must-have for Prince completists' DAILY EXPRESS 'A ghostly memoir of a pop legend' THE i
| Author | : Grace M. Jantzen |
| Publisher | : Routledge |
| Total Pages | : 442 |
| Release | : 2008-11-14 |
| Genre | : Religion |
| ISBN | : 1134437188 |
In this volume Grace M. Jantzen continues her groundbreaking analysis of death and beauty in western thought by examining the religious roots of death and violence in the Jewish and Christian tradition, which underlie contemporary values. She shows how man’s fear of the female is often implicated in religious violence and in her critique of the Hebrew Bible and the Christian New Testament she examines a range of themes that show the western preoccupation with necrophilia. She examines the relation of death to the Jewish covenant, the nature of monotheism, Holy War and the Christian covenant and kingdom. However, Jantzen recognises that submerged beneath these themes in Judaism and Christianity are traces of an alternative world of beauty and life. Jantzen’s internationally recognised feminist philosophy of religion puts forward a powerful analysis of patriarchy and violence and reveals the hidden power of natality. Her work is a searching challenge for our times and one that gives hope in a violent world. This work is the first of two posthumous publications to complete her impressive genealogy death and beauty of western thought.
| Author | : Marya Schechtman |
| Publisher | : |
| Total Pages | : 225 |
| Release | : 2014-03 |
| Genre | : Philosophy |
| ISBN | : 0199684871 |
Offers a new way of thinking about the relation between personal identity and practical interests, seeing persons as unified loci of practical interaction and defining the identity of a person in terms of the unity of a characteristic kind of life.
| Author | : |
| Publisher | : Tuttle Publishing |
| Total Pages | : 892 |
| Release | : 2011-07-12 |
| Genre | : History |
| ISBN | : 1462900372 |
Nihongi: Chronicles of Japan from the Earliest Times to A.D. 697, often called the Nihonshoki, is one of Japan's great classics of literature. Regarded as one of the seminal original authorities on the mythology and ancient history of Japan, it remains as fresh today as when it was written in the eighth century. It provides a vivid picture of a nation in formation. In the Nihongi, we see the growth of national awareness following the assimilation of Buddhism and the general Chinese and Indian influence on Japanese culture. Before its history stretch the mysterious archaeological ages of Jomon and Yayoi. From the first chapter, “The Age of the Gods,” the fantastic world of ancient Japan is laid before us. Ritual myth and superstition meet with bare feet and folk custom. Strong emotions and conflict are seen surging in Japan’s antiquity. Few historical documents are as “human” as the Nihongi. For a thousand years, emperors, scholars, courtiers, and imperial historians have found in the Nihongi knowledge and guidance. It remains a key to early Japan, a gateway to the actual old Japan. The translator of the Nihongi, William George Aston, pioneered the translation of Japanese into English.
