The Preservation And Use Of Historic Musical Instruments
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| Author | : Voichita Bucur |
| Publisher | : Springer |
| Total Pages | : 977 |
| Release | : 2016-08-29 |
| Genre | : Technology & Engineering |
| ISBN | : 3319320807 |
This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra
| Author | : Stewart Pollens |
| Publisher | : Cambridge University Press |
| Total Pages | : 829 |
| Release | : 2015-07-09 |
| Genre | : Music |
| ISBN | : 1316299708 |
This is the first book to combine museum-based conservation techniques with practical instructions on the maintenance, repair, adjustment, and tuning of virtually every type of historical musical instrument. As one of the world's leading conservators of musical instruments, Stewart Pollens gives practical advice on the handling, storage, display and use of historic musical instruments in museums and other settings, and provides technical information on such wide-ranging subjects as acoustics, cleaning, climate control, corrosion, disinfestation, conservation ethics, historic stringing practice, measurement and historic metrology, retouching, tuning historic temperaments, varnish and writing reports. There are informative essays on the conservation of each of the major musical instrument groups, the treatment of paper, textiles, wood and metal, as well as historic techniques of wood and metalworking as they apply to musical instrument making and repair. This is a practical guide that includes equations, formulas, tables and step-by-step instructions.
| Author | : Voichita Bucur |
| Publisher | : Springer Nature |
| Total Pages | : 827 |
| Release | : 2019-09-06 |
| Genre | : Science |
| ISBN | : 3030191753 |
This book addresses key questions about the materials used for the wind instruments of classical symphony orchestra such as flutes, clarinets, saxophones, oboes, bassoons and pipe organs. The content of this book is structured into four parts. Part 1- Description of materials for wind instruments deals with wood species and materials for reeds used for making clarinet, oboe and bassoon- and, with metallic materials and alloys for - horn, trumpet, trombone, etc. Auxiliary materials associated with the manufacturing of wind instruments are felt, cork, leather and parchment. Part 2- Basic acoustics of wind instruments, in which are presented succinctly, some pertinent aspects related to the physics of the resonant air column. An important aspect discussed is related to the effect of wall material on the vibration modes of the walls of wind instruments. The methods for measuring the acoustical properties of wind instruments are presented. Part 3- Manufacturing of wind instruments, describes the technology used in manufacturing metallic tubes and pipes made of wood. Part 4 - The durability and degradation of materials addresses data about methods for cleaning wind instruments, studies factors producing degradation of organ pipes, describes methods of conservation and restoration of brass instruments and of historical pipe organs. Finally, the properties of marble are described, being the only one nondegradable and sustainable material used for pipes for organs.
| Author | : William Carter |
| Publisher | : A&C Black |
| Total Pages | : 334 |
| Release | : 1999-07-22 |
| Genre | : Music |
| ISBN | : 9780304705177 |
Carter tells the story of the hall itself, the personalities who ran it, and above all, the music and musicians of New Orleans.
| Author | : Jeanice Brooks |
| Publisher | : Routledge |
| Total Pages | : 384 |
| Release | : 2021-12-31 |
| Genre | : Music |
| ISBN | : 1000473562 |
Sound Heritage is the first study of music in the historic house museum, featuring contributions from both music and heritage scholars and professionals in a richly interdisciplinary approach to central issues. It examines how music materials can be used to create narratives about past inhabitants and their surroundings - including aspects of social and cultural life beyond the activity of music making itself - and explores how music as sound, material, and practice can be more consistently and engagingly integrated into the curation and interpretation of historic houses. The volume is structured around a selection of thematic chapters and a series of shorter case studies, each focusing on a specific house, object or project. Key themes include: Different types of historic house, including the case of the composer or musician house; what can be learned from museums and galleries about the use of sound and music and what may not transfer to the historic house setting Musical instruments as part of a wider collection; questions of restoration and public use; and the demands of particular collection types such as sheet music Musical objects and pieces of music as storytelling components, and the use of music to affectively colour narratives or experiences. This is a pioneering study that will appeal to all those interested in the intersection between Music and Museum and Heritage Studies. It will also be of interest to scholars and researchers of Music History, Popular Music, Performance Studies and Material Culture.
| Author | : Prénom Nom Auteur principal |
| Publisher | : |
| Total Pages | : 415 |
| Release | : 2018 |
| Genre | : |
| ISBN | : |
| Author | : Emanuele Marconi |
| Publisher | : |
| Total Pages | : 234 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 9788840444574 |
| Author | : Emanuele Marconi |
| Publisher | : Nardini Editore |
| Total Pages | : 237 |
| Release | : 2017-06-04 |
| Genre | : Music |
| ISBN | : |
A musical instrument is a witness of the many human visual and aural sensibilities, beliefs and dreams. It is not just a technical object, but one with its own aesthetic properties, an object that makes a variety of characteristic sounds without necessarily the existence of a connection between its visual and sound aesthetic. Preserving an instrument means therefore preserving our culture, our history, our dreams. The conference, open to all museum professionals, was intended to present and critically discuss the latestresearch about diagnostic techniques applied to musical instruments as well as advanced conservation practices, use of materials, collections management, through the presentation of case studies. Its main objective was to be a forum for the exchange of information, seeking to promote the transfer of knowledge regarding the daily activities of preservation and to facilitate the exchange of scientific information and opportunities for collaboration among researchers from different backgrounds. The proceedings contain a selection of the papers presented in 2010 and 2011. Table of contentsForewordEmanuele Marconi, editor 1. TransformationsRobert L. Barclay – Restoration Consultant, Canada 2. DocumentationRobert L. Barclay – Restoration Consultant, Canada 3. On the field – universal measurementPatricia Lopez Bastos – ANIMUSIC – Associação Nacionalde Instrumentos Musicais 4. Investigating and Preventing the Deteriorationof Historic Brass Instruments in EUCHMIPanagiotis Poulopoulos – Deutsches Museum, Munich,Arnold Myers – The University of Edinburgh 5. Surface cleaning of musical instruments –towards a more conscious approachClaudio Canevari – Civica Scuola di Liuteria di Milano 6. Dendrochronology: Tool of Truth or DeceptionStewart Pollens – Violin Advisor LLC, New York 7. Piano’s forgery revealed by dendrochronologyDavid Houbrechts, Pascale Vandervellen – MusicalIntruments Museum, Bruxelles8. Structural, chemical and mechanical imaging appliedto the conservation of musical instrumentsJean-Philippe Echard, Sandie Le Conte, Stéphane Vaiedelich– Musée de la Musique, Paris9. Digital X-Radiography of Musical InstrumentsAna Sofia Silva – Conservator of Musical Instruments,Portugal10. Synchrotron radiation microtomography: a tool fornon-invasive analysis of historical musical instrumentsFranco Zanini – Sincrotrone Trieste11. Synchrotron radiation microtomography of bowedstringed instruments: the 1753 violinby G.B. GuadagniniNicola Sodini – Sincrotrone Trieste12. Stereomicroscope and SEM microanalysis study ofmusical instruments from Correr museum in VeniceStefania Bruni, Giuseppe Maino et alii, Enea Bologna13. X-ray and neutron imaging as complementarynon-destructive methods for investigations of historicalbrasswind instrumentsDavid Mannes, Adrian. von Steiger, Eberhard Lehmann,Rainer Egger – Neutron Imaging and Activation Group,Spallation neutron source SINQ, Paul Scherrer Institute (PSI),Villigen14. Looking over the Instrument Maker’s shoulders.Methods of material analysis of production technologyfor brasswind instrumentsAdrian von Steiger – Bern University of the Arts15. The emulation of non-linearity of musical instrumentsby means of Volterra seriesLamberto Tronchin – Università di Bologna Authors’ Biographies
| Author | : James Lowen |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 385 |
| Release | : 2021-05-27 |
| Genre | : Nature |
| ISBN | : 1472966996 |
James Lowen narrates a year-long quest to see Britain's rarest and more remarkable moths. Although mostly unseen by us, moths are everywhere. And their capacity to delight astounds. Inspired by a revelatory encounter with a Poplar Hawk-moth – a huge, velvety-winged wonder wrapped in silver – James Lowen embarks on a year-long quest to celebrate the joy of Britain's rarest and most remarkable moths. By hiking up mountains, wading through marshes and roaming by night amid ancient woodlands, James follows the trails of both Victorian collectors and present-day conservationists. Seeking to understand why they and many ordinary folk love what the general public purports to hate, his investigations reveal a heady world of criminality and controversy, derring-do and determination. From Cornwall to the Cairngorms, James explores British landscapes to coax these much-maligned creatures out from the cover of darkness and into the light. Moths are revealed to be attractive, astonishing and approachable; capable of migratory feats and camouflage mastery, moths have much to tell us on the state of the nation's wild and not-so-wild habitats. As a counterweight to his travels, James and his young daughter track the seasons through a kaleidoscope of moth species living innocently yet covertly in their suburban garden. Without even leaving home, they bond over a shared joy in the uncommon beauty of common creatures, for perhaps the greatest virtue of moths, we learn, is their accessibility. Moths may be everywhere, but above all, they are here. Quite unexpectedly, no animals may be better placed to inspire the environmentalists of the future.
| Author | : Norie Guthrie |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 211 |
| Release | : 2018-04-18 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1538102951 |
Here are the stories of how music archives are preserving independent music and saving a part of our cultural heritage. Music Preservation and Archiving Today moves beyond the how-to and assembles the work currently being done to preserve music and "scenes" via essays, case studies, and overviews of work by academic archives as well as communitydriven preservation projects.
