The Present Tense In Modern Hindi Fiction
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| Author | : Theo Damsteegt |
| Publisher | : BRILL |
| Total Pages | : 251 |
| Release | : 2021-10-01 |
| Genre | : History |
| ISBN | : 9004486100 |
The Present Tense in Modern Hindi Fiction contributes to the interpretation of Hindi prose by analysing the use of the present tense in over 250 texts. While sketching the history of the present tense in Hindi fiction, the book focuses primarily on the narrative techniques that invite its use, such as interior monologue, free indirect discourse, consonant psycho-narration, and camera eye. Moreover, it offers a fresh interpretation of the two types of present tense found in Hindi. The indexes of authors, titles, and analytical concepts provide easy access to the analyses. The book will also be of interest to scholars studying the use of the present tense in modern fiction worldwide. The present tense is used more widely in Hindi than in languages such as English, and some trends that are also found in the literatures of other languages (such as the occurrence of the present tense in internal sensory focalisation) are more clearly visible in Hindi fiction. More importantly, a new explanation of present-tense passages is proposed which can also be applied elsewhere. Insight into this technique, referred to as Internal Focalisation of Awareness, leads to a better understanding of present-tense texts.
| Author | : Th Damsteegt |
| Publisher | : Gonda Indological Studies |
| Total Pages | : 262 |
| Release | : 2004 |
| Genre | : Foreign Language Study |
| ISBN | : |
This volume contributes to the interpretation of Hindi prose by analysing the use of the present tense in over 250 texts. While sketching the history of the present tense in Hindi fiction, the book focuses primarily on the narrative techniques that invite its use.
| Author | : Reiko Ikeo |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 291 |
| Release | : 2024-09-15 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027246831 |
Focusing on the growing trend of employing the present tense in storytelling, this book explores present-tense narrative in contemporary fiction. Using a corpus approach, speech, writing, and thought presentation in 21st-century present-tense narrative is compared with 20th-century past-tense narrative. An in-depth comparative analysis reveals previously undiscovered innovative features specific to how character discourse is presented in modern narratives. Notably, narrative tenses have an impact on thought presentation; in present-tense narrative, Free Direct Thought (FDT) emerges as frequently as Free Indirect Thought (FIT), a departure from the dominance of FIT in modern past-tense narrative. This book will be of interest to stylisticians, narratologists, corpus linguists, and those who have found themselves absorbed in a 21st-century work of present-tense fiction.
| Author | : Carolin Gebauer |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 395 |
| Release | : 2021-04-19 |
| Genre | : Literary Criticism |
| ISBN | : 3110708132 |
Responding to the current surge in present-tense novels, Making Time is an innovative contribution to narratological research on present-tense usage in narrative fiction. Breaking with the tradition of conceptualizing the present tense purely as a deictic category denoting synchronicity between a narrative event and its presentation, the study redefines present-tense narration as a fully-fledged narrative strategy whose functional potential far exceeds temporal relations between story and discourse. The first part of the volume presents numerous analytical categories that systematically describe the formal, structural, functional, and syntactic dimensions of present-tense usage in narrative fiction. These categories are then deployed to investigate the uses and functions of present-tense narration in selected twenty-first century novels, including Hilary Mantel’s Wolf Hall, Margaret Atwood’s Oryx and Crake, Ian McEwan’s Nutshell, and Irvine Welsh’s Skagboys. The seven case studies serve to illustrate the ubiquity of present-tense narration in contemporary fiction, ranging from the historical novel to the thriller, and to investigate the various ways in which the present tense contributes to narrative worldmaking.
| Author | : Orientální Ústav |
| Publisher | : |
| Total Pages | : 476 |
| Release | : 2009 |
| Genre | : Africa |
| ISBN | : |
Vols. 3- include Bulletin of the Czechoslovak Oriental Institut, no. 1-
| Author | : Natalia Igl |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 195 |
| Release | : 2016-03-10 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027267448 |
The book offers a novel approach to the question of how to model narrativity against the background of perspectivization. By bringing together contributions from neuro- and cognitive linguistics, literary studies, and picture theory, the volume uncovers basic mechanisms of perspectivization that are common to the different levels of linguistic structure, literary novels, and narrative pictures. As such, it is also a book on narrative perspectivization since its contributions examine in detail the perspectival principles in medieval, romantic and postmodern literature, in the micro-linguistic structure of language, narrative pictures, literary novels, dramatic texts, and everyday stories. In doing so, it contributes both to the theoretical debate on the core definition of narrativity and offers new empirical investigations on perspectival principles in specific historical, medial, and genre constellations. This volume will be of interest to scholars and students of cognitive linguistics, narrative research and (transmedial) narratology, cognitive poetics, and stylistics.
| Author | : Diana Dimitrova |
| Publisher | : Springer |
| Total Pages | : 232 |
| Release | : 2010-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 0230105521 |
This innovative, interdisciplinary collection of essays by scholars based in Europe and the United States offers stimulating approaches to the role played by religion in present-day South Asia.
| Author | : Nikhil Govind |
| Publisher | : Routledge |
| Total Pages | : 200 |
| Release | : 2014-08-07 |
| Genre | : Literary Criticism |
| ISBN | : 1317559762 |
Between Love and Freedom interprets the figure of the revolutionary in the Hindi novel by establishing its lineage in representative Bengali novels, as well as in the contending moralities of Mahatma Gandhi and Bhagat Singh on the idea of violence. It reveals how conventional social realism and emergent modernist modes were brought together in the novelistic tradition by extending the political ideal of anti-colonial revolution into domains of sexual desire and subjective expression, especially in the works of Agyeya, Jainendra, and Yashpal. This work will deeply interest scholars and students of literature, modern Indian history, Hindi, and political science.
| Author | : Gordon C. Roadarmel |
| Publisher | : Univ of California Press |
| Total Pages | : 224 |
| Release | : 2024-03-29 |
| Genre | : Social Science |
| ISBN | : 0520315030 |
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.
| Author | : Stefano Cotrozzi |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 309 |
| Release | : 2010-04-29 |
| Genre | : Religion |
| ISBN | : 0567574814 |
This monograph on biblical linguistics is a highly specialized, pragmatic investigation of the controversial question of "foregrounding"-the deviation from some norm or convention-in Old Testament narratives. The author presents and examines the two main sources of pragmatic foregrounding: events or states deviating from well-established schemata, structures of reader expectation that can be manipulated by the narrator to highlight specific "chunks" of discourse; and evaluative devices, which are used by the narrator to indicate to the reader the point of the story and direct its interpretation. Cotrozzi critiques the particular evaluative device known as the "historic present", a narrative strategy that employs the present tense to describe past event. He tests two main theories that support this device by using a cross-linguistic model of the historical present drawing upon a variety of languages. Cotrozzi ultimately refutes these theories with a thorough examination and detailed refutation. He concludes with a study of a particular Hebraic verb as a particular marker of represented perception, a technique whereby the character's perceptions are expressed directly from its point of view.
