Assessment in Music Education
Author | : Timothy S. Brophy |
Publisher | : GIA Publications |
Total Pages | : 396 |
Release | : 2008 |
Genre | : Music |
ISBN | : 9781579997144 |
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Author | : Timothy S. Brophy |
Publisher | : GIA Publications |
Total Pages | : 396 |
Release | : 2008 |
Genre | : Music |
ISBN | : 9781579997144 |
Author | : Frank Abrahams |
Publisher | : GIA Publications |
Total Pages | : 560 |
Release | : 2010 |
Genre | : Music |
ISBN | : 9781579997960 |
Author | : Martin Fautley |
Publisher | : OUP Oxford |
Total Pages | : 240 |
Release | : 2010-01-14 |
Genre | : Music |
ISBN | : 9780193362895 |
This book discusses assessment and its role in teaching and learning music in the classroom. For improving learning and raising standards, it puts the case for formative assessment, day-by-day, rather than summative assessment at the end of key stages. The advice is relevant to classroom and instrumental teachers, and the academic community.
Author | : Paul Kimpton |
Publisher | : GIA Publications |
Total Pages | : 200 |
Release | : 2008 |
Genre | : Education |
ISBN | : 9781579996369 |
Author | : Kelly A. Parkes |
Publisher | : Routledge |
Total Pages | : 0 |
Release | : 2020-04-13 |
Genre | : Music |
ISBN | : 0429514352 |
Developing and Applying Assessments in the Music Classroom addresses the challenges faced by today’s K-12 educators and future music educators who are expected to utilize and incorporate assessment data as a hallmark of student learning and reflection of effective teaching. Highlighting best practices while presenting current scholarship and literature, this practical workbook-style text provides future music teachers with a framework for integrating assessment processes in the face of a certain lack of understanding and possible dissatisfaction with assessment tools and tasks. Each chapter is prefaced by an overview outlining learning expectations and essential questions, and supplemented throughout by an array of pedagogical features: Discussion prompts Activities and worksheets Learning experiences Expanded reference lists Citing examples across a range of musical settings—e.g. band, chorus, orchestra, jazz, and piano and guitar labs—Developing and Applying Assessments in the Music Classroom builds from the classroom assessment paradigm, encouraging teachers to create assessment tasks most appropriate to their curricula goals and planned student outcomes. Joined by fellow experts in the field Brian C. Wesolowski and Phillip Payne, the authors invite readers to explore and apply the material in authentic ways to inspire student learning through a comprehensive approach to educative assessment.
Author | : Cara Faith Bernard |
Publisher | : Oxford University Press |
Total Pages | : 326 |
Release | : 2019-01-04 |
Genre | : Music |
ISBN | : 0190867124 |
Teacher Evaluation in Music: A Guide for Music Teachers in the U. S. aims to help music teachers navigate the controversial terrain of teacher evaluation. Rather than entering the debate on policy divorced from practice, this book is intended as a pragmatic approach to help music teachers to thrive within teacher evaluation systems and as a way to improve practice. Using Shulman's concept of content knowledge, general pedagogical knowledge, and pedagogical content knowledge, this book strives to help music teachers find a balance between advocating for themselves and their programs and for using teacher evaluation to improve their teaching. The book covers history of policy and law of teacher evaluation and the competing uses of teacher evaluation to rate teachers or as a professional development tool. The descriptions of policies, laws, and competing uses are approached in a way to help music teachers use teacher evaluation for their benefit to grow as professionals. This book has chapters devoted to giving detailed and specific strategies in key areas that research has suggested music teachers struggle to implement: questioning, literacy, differentiated instruction, and assessment. Complimenting these key areas are sample lesson plans which apply the strategies of questioning, differentiation, literacy, and assessment discussed in each chapter. These lessons serve as a resource and guide for teachers to develop their own lessons and improve their practice. The final chapter gives guidance on how music teachers may talk to administrators and evaluators to make teacher evaluation productive. Through these detailed descriptions of understanding teacher evaluation, talking to evaluators, and improving practice, music teachers may not just survive but thrive in these systems of accountability.
Author | : Jay Dorfman |
Publisher | : Oxford University Press |
Total Pages | : 217 |
Release | : 2022-01-28 |
Genre | : Educational technology |
ISBN | : 0197558984 |
Technology is an increasingly popular part of music education in schools that attracts students to school music who might not otherwise be involved. In many teacher preparation programs, music technology is an afterthought that does not receive the same extensive treatment as do traditional areas of music teaching such as band, orchestra, choir, and general music. This book helps to establish a theoretical and practical foundation for how to teach students to use technology as the major means for developing their musicianship. Including discussions of lesson planning, lesson delivery, and assessment, readers will learn how to gain comfort in the music technology lab. Theory and Practice of Technology-Based Music Instruction also includes "profiles of practice" that dive into the experiences of real teachers in music technology classes, their struggles, their successes, and lessons we can learn from both. In this second edition, new profiles feature Teachers of Color who use technology extensively in their varied types of music teaching. This edition encourages readers to think about issues of inequity of social justice in music education technology and how teachers might begin to address those concerns. Also updated are sections about new standards that may guide music education technology practice, about distance and technology-enhanced learning during the global pandemic, and about ways to integrate technology in emerging contexts.
Author | : Harold F. Abeles |
Publisher | : Cengage Learning |
Total Pages | : 432 |
Release | : 1994 |
Genre | : Education |
ISBN | : |
Preface. Introduction: Why Study Foundations of Music Education? 1. History of Music Education. 2. Philosopbical Foundations of Music Education. 3. The Musical and Aesthetic Foundations of Music Education. 4. The Role and Purpose of Music in American Education. 5. Sociological Foundations of Music Education. 6. Social Psychological Foundations of Music Education. 7. Psychological Foundations of Music Education. 8. Application of Psychology to Music Teaching. 9. Curriculum. 10. Assessing Musical Behaviors. 11. Research and Music Education. 12. Teacher Education and Future Directions. Index.
Author | : Timothy S. Brophy |
Publisher | : |
Total Pages | : 425 |
Release | : 2013 |
Genre | : Music |
ISBN | : 9781579999360 |
139 assessment scholars, researchers, music administrators, students, and practicing music educators representing six continents and seventeen nations convened on March 8-11, 2011 on the campus of the University of Bremen in Bremen, Germany. The 34 papers published in this volume address assessment in national, state, and regional contexts as well as in district, school and classroom contexts. There is also a wealth of information about assessment in higher education and music teacher education.
Author | : Don Lebler |
Publisher | : Springer |
Total Pages | : 303 |
Release | : 2014-11-03 |
Genre | : Education |
ISBN | : 3319102745 |
The contributions to this volume aim to stimulate discussion about the role of assessment in the learning experiences of students in music and other creative and performing arts settings. The articles offer insights on how assessment can be employed in the learning setting to enhance outcomes for students both during their studies at higher education institutions and after graduation. An international group of leading researchers offers an exciting array of papers that focus on the practice of assessment in music, particularly in higher education settings. Contributions reflect on self-, peer- and alternative assessment practices in this environment. There is a particular emphasis on the alignment between assessment, curriculum structure and pedagogy.