The Post Racial Mystique
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| Author | : Catherine Squires |
| Publisher | : NYU Press |
| Total Pages | : 244 |
| Release | : 2014-04-04 |
| Genre | : Law |
| ISBN | : 0814762891 |
Despite claims from pundits and politicians that we now live in a post-racial America, people seem to keep finding ways to talk about race—from celebrations of the inauguration of the first Black president to resurgent debates about police profiling, race and racism remain salient features of our world. When faced with fervent anti-immigration sentiments, record incarceration rates of Blacks and Latinos, and deepening socio-economic disparities, a new question has erupted in the last decade: What does being post-racial mean? The Post-Racial Mystique explores how a variety of media—the news, network television, and online, independent media—debate, define and deploy the term “post-racial” in their representations of American politics and society. Using examples from both mainstream and niche media—from prime-time television series to specialty Christian media and audience interactions on social media—Catherine Squires draws upon a variety of disciplines including communication studies, sociology, political science, and cultural studies in order to understand emergent strategies for framing post-racial America. She reveals the ways in which media texts cast U.S. history, re-imagine interpersonal relationships, employ statistics, and inventively redeploy other identity categories in a quest to formulate different ways of responding to race.
| Author | : Catherine Squires |
| Publisher | : NYU Press |
| Total Pages | : 244 |
| Release | : 2014-04-04 |
| Genre | : Law |
| ISBN | : 0814764606 |
Despite claims from pundits and politicians that we now live in a post-racial America, people seem to keep finding ways to talk about race—from celebrations of the inauguration of the first Black president to resurgent debates about police profiling, race and racism remain salient features of our world. When faced with fervent anti-immigration sentiments, record incarceration rates of Blacks and Latinos, and deepening socio-economic disparities, a new question has erupted in the last decade: What does being post-racial mean? The Post-Racial Mystique explores how a variety of media—the news, network television, and online, independent media—debate, define and deploy the term “post-racial” in their representations of American politics and society. Using examples from both mainstream and niche media—from prime-time television series to specialty Christian media and audience interactions on social media—Catherine Squires draws upon a variety of disciplines including communication studies, sociology, political science, and cultural studies in order to understand emergent strategies for framing post-racial America. She reveals the ways in which media texts cast U.S. history, re-imagine interpersonal relationships, employ statistics, and inventively redeploy other identity categories in a quest to formulate different ways of responding to race.
| Author | : Thomas J. Sugrue |
| Publisher | : Princeton University Press |
| Total Pages | : 177 |
| Release | : 2010-04-12 |
| Genre | : Social Science |
| ISBN | : 1400834198 |
The paradox of racial inequality in Barack Obama's America Barack Obama, in his acclaimed campaign speech discussing the troubling complexities of race in America today, quoted William Faulkner's famous remark "The past isn't dead and buried. In fact, it isn't even past." In Not Even Past, award-winning historian Thomas Sugrue examines the paradox of race in Obama's America and how President Obama intends to deal with it. Obama's journey to the White House undoubtedly marks a watershed in the history of race in America. Yet even in what is being hailed as the post-civil rights era, racial divisions—particularly between blacks and whites—remain deeply entrenched in American life. Sugrue traces Obama's evolving understanding of race and racial inequality throughout his career, from his early days as a community organizer in Chicago, to his time as an attorney and scholar, to his spectacular rise to power as a charismatic and savvy politician, to his dramatic presidential campaign. Sugrue looks at Obama's place in the contested history of the civil rights struggle; his views about the root causes of black poverty in America; and the incredible challenges confronting his historic presidency. Does Obama's presidency signal the end of race in American life? In Not Even Past, a leading historian of civil rights, race, and urban America offers a revealing and unflinchingly honest assessment of the culture and politics of race in the age of Obama, and of our prospects for a postracial America.
| Author | : Betty Friedan |
| Publisher | : |
| Total Pages | : 366 |
| Release | : 1992 |
| Genre | : Feminism |
| ISBN | : 9780140136555 |
This novel was the major inspiration for the Women's Movement and continues to be a powerful and illuminating analysis of the position of women in Western society___
| Author | : Kennetta Hammond Perry |
| Publisher | : Oxford University Press |
| Total Pages | : 337 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 0190240202 |
In London Is The Place for Me, Kennetta Hammond Perry explores how Afro-Caribbean migrants navigated the politics of race and citizenship in Britain and reconfigured the boundaries of what it meant to be both Black and British at a critical juncture in the history of Empire and twentieth century transnational race politics.
| Author | : Catherine Squires |
| Publisher | : Polity |
| Total Pages | : 321 |
| Release | : 2009-10-12 |
| Genre | : Social Science |
| ISBN | : 0745640346 |
From pamphlets denouncing slavery to boycotts of Hollywood, African Americans have fought for adequate representations of themselves in the mass media industries of the United States. This book provides readers with an interdisciplinary overview of the past, present, and future of African Americans in U.S. media and the ongoing project of gaining racial equality in media: a process which spans generations. Catherine Squires introduces the reader to the varied ways in which Black Americans have navigated cultural, political, and economic obstacles both to make their own media and to critique mainstream media. Synthesizing the work of social scientists, historians, cultural critics, as well as comments from audience members and media producers, African Americans and the Media gives readers a lively entry point to classic and contemporary studies of Black Americans and mass media. Across the chapters, readers follow African Americans’ struggles to harness the power of print, broadcasting, film, and digital media, through five main themes which are woven through the book: representation, circulation, innovation, audience and responsibility. Taking in examples as diverse as Blaxploitation films, the work of 20th Century black activist journalists such as Ida B. Wells and A. Philip Randolph, and popular television such as The Cosby Show, this book will be essential reading for all students and scholars of media and communications and African American studies.
| Author | : Simone C. Drake |
| Publisher | : Duke University Press |
| Total Pages | : 204 |
| Release | : 2020-02-28 |
| Genre | : Social Science |
| ISBN | : 1478009004 |
The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship. Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
| Author | : Isabel Molina-Guzmán |
| Publisher | : University of Arizona Press |
| Total Pages | : 153 |
| Release | : 2018-03-27 |
| Genre | : Performing Arts |
| ISBN | : 0816537240 |
Critically looking at how Latinos/as have been represented in network sitcoms and what so-called colorblind humor really means--Provided by publisher.
| Author | : Cameron Leader-Picone |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 216 |
| Release | : 2019-08-23 |
| Genre | : Social Science |
| ISBN | : 1496824539 |
CHOICE Outstanding Academic Title for 2020 Post-Blackness. Post-Soul. Post-Black Art. New Blackness. How has the meaning of blackness changed in the twenty-first century? Cameron Leader-Picone suggests that this proliferation of terms, along with the renewed focus on questioning the relationship between individual black artists and the larger black community, indicates the arrival of novel forms of black identity and black art. Leader-Picone defines these terms as significant facets of a larger post era, linking them with the social and political context of Barack Obama’s presidency. Analyzing claims of progress associated with Obama’s election and post-era thinking, he examines the contours of black aesthetics in the new century. To do so, he sifts through post-era African American fiction, considering both celebrations and rejections of an early twenty-first-century rhetoric of progress. In addition, he maps the subsequent implications of these concepts for rearticulating racial identities. Through the works of Colson Whitehead, Alice Randall, Chimamanda Ngozi Adichie, Paul Beatty, Kiese Laymon, and Jesmyn Ward, Leader-Picone tracks how recent fiction manifests the tension between the embrace of post–civil rights era gains and the recognition of persistent structural racism. Ultimately far less triumphal than the prefix post would imply, these authors address the Black Arts Movement and revise double consciousness and other key themes from the African American literary tradition. They interrogate their relevance in an era encompassing not only the election of the nation’s first black president, but also the government’s failed response to Hurricane Katrina, the expansion of class divisions within the black community, mass incarceration, and ongoing police violence.
| Author | : Byron B Craig |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 179 |
| Release | : 2024-06-20 |
| Genre | : Social Science |
| ISBN | : 1496852311 |
Contributions by Maksim Bugrov, Byron B Craig, Patricia G. Davis, Peter Ehrenhaus, Whitney Gent, Christopher Gilbert, Oscar Giner, J. Scott Jordan, Euni Kim, Melanie Loehwing, Jaclyn S. Olson, A. Susan Owen, Stephen E. Rahko, Nick J. Sciullo, Arthur D. Soto-Vásquez, and Erika M. Thomas The events surrounding the 2014 killing of Michael Brown in Ferguson, Missouri, marked a watershed moment in US history. Though this instance of police brutality represented only the latest amid decades of similar unjust patterns, it came to symbolize state complicity in the deployment of violence to maintain racial order. Rupturing Rhetoric: The Politics of Race and Popular Culture since Ferguson responds to the racial rhetoric of American popular culture in the years since Brown's death. Through close readings of popular media produced during the late Obama and Trump eras, this volume details the influence of historical and contemporary representations of race on public discourse in America. Using Brown’s death and the ensuing protests as a focal point, contributors argue that Ferguson marks the rupture of America’s postracial fantasy. An ideology premised on colorblindness, the notion of the “postracial” suggests that the United States has largely achieved racial equality and that race is no longer a central organizing category in American society. Postracialism is partly responsible for ahistorical, romanticized narratives of slavery, Jim Crow segregation, and American exceptionalism. The legitimacy of this fantasy, the editors contend, was the first casualty of the tanks, tear gas, and rubber bullets wielded against protesters during the summer of 2014. From these protests emerged a new political narrative organized around #BlackLivesMatter, which directly challenged the fantasy of a postracial American society. Essays in Rupturing Rhetoric cover such texts as Fresh Off the Boat; Hamilton; Green Book; NPR’s American Anthem; Lovecraft Country; Disney remakes of Dumbo, The Lion King, and Lady and the Tramp; BlacKkKlansman; Crazy Rich Asians; The Hateful Eight; and Fences. As a unified body of work, the collection interrogates the ways contemporary media in American popular culture respond to and subvert the postracial fantasy underlying the politics of our time.
