The Post-pre-Raphaelite Print
Author | : Allen Staley |
Publisher | : University of Washington Press |
Total Pages | : 176 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
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Author | : Allen Staley |
Publisher | : University of Washington Press |
Total Pages | : 176 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
Author | : Rodney K. Engen |
Publisher | : Ben Uri Gallery & Museum |
Total Pages | : 136 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
When faced initially with the hostility of the art world, the primary Pre-Raphaelite artists Rossetti, Millais and Holman Hunt used the populist medium of the print as a means of gaining mass appeal for their paintings, and of spreading the Pre-Raphaelite message to a wider audience.
Author | : Elizabeth Prettejohn |
Publisher | : Manchester University Press |
Total Pages | : 292 |
Release | : 1999 |
Genre | : Aesthetic movement (Art) |
ISBN | : 9780719054068 |
What happened in Victorian painting and sculpture after the pre-Raphaelites? Aestheticism has been called the next avant-garde movement but attention has centred on literary figures such as Algernon Charles Swinburn, Walter Peter and Oscar Wilde. This volume overviews parallel trends in the visual arts, including the work of Dante Gabriel Rossetti, James McNeil Whistler, Edward Burne-Jones, Simeon Solomon and Albert Moore among others.
Author | : G. Beegan |
Publisher | : Springer |
Total Pages | : 316 |
Release | : 2008-01-09 |
Genre | : Science |
ISBN | : 0230589928 |
The Mass Image situates the creation of the first photographically illustrated magazines within the social relations of the emerging popular culture of late Victorian London. It demonstrates how photomechanical reproduction allowed the illustrated press to envisage modern life on a much more intense scale than ever before.
Author | : Fiona MacCarthy |
Publisher | : Harvard University Press |
Total Pages | : 696 |
Release | : 2012-03-05 |
Genre | : Architecture |
ISBN | : 0674065565 |
In Fiona MacCarthy’s riveting account, Burne-Jones’s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.
Author | : Marty Noble |
Publisher | : Courier Corporation |
Total Pages | : 36 |
Release | : 2007-03-29 |
Genre | : Juvenile Nonfiction |
ISBN | : 0486435911 |
Add your own color to 30 pre-Raphaelite masterpieces! A progressive group of mid-19th-century artists, the Pre-Raphaelites chose to create their work in the style of medieval and Renaissance painters before the time of Raphael. The other-worldly essence and idealistic spirituality of their art is showcased in this heady collection of Pre-Raphaelite renderings from the masters of the period: John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, Evelyn de Morgan, Sir Edward Burne-Jones, and more. Each illustration awaits your colors from paintbrush, pencil, marker, or crayon.
Author | : Gregory R. Suriano |
Publisher | : |
Total Pages | : 344 |
Release | : 2000 |
Genre | : Illustration of books |
ISBN | : |
Pre-Raphaelite images are among the most popular in Western art. This comprehensive volume consists of biographical essays on 42 artists and their work, with a catalogue of the complete illustrative output of each artist, arranged by book/periodical title and artwork title.
Author | : Tim Barringer |
Publisher | : Yale University Press |
Total Pages | : 182 |
Release | : 1999-01-01 |
Genre | : Art |
ISBN | : 9780300077872 |
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
Author | : Robert Verhoogt |
Publisher | : Amsterdam University Press |
Total Pages | : 718 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9053569138 |
This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work.