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| Author | : M. Paryz |
| Publisher | : Springer |
| Total Pages | : 271 |
| Release | : 2015-06-10 |
| Genre | : Performing Arts |
| ISBN | : 1137531282 |
This collection explores the post-2000 film Western. With examples ranging from major American films, through acclaimed international productions, to works such as experimental films and television commercials, the contributors seek to account for the appeal and currency of the film Western today.
| Author | : M. Paryz |
| Publisher | : Springer |
| Total Pages | : 367 |
| Release | : 2015-06-10 |
| Genre | : Performing Arts |
| ISBN | : 1137531282 |
This collection explores the post-2000 film Western. With examples ranging from major American films, through acclaimed international productions, to works such as experimental films and television commercials, the contributors seek to account for the appeal and currency of the film Western today.
| Author | : Hervé Mayer |
| Publisher | : Indiana University Press |
| Total Pages | : 323 |
| Release | : 2022-04-05 |
| Genre | : Performing Arts |
| ISBN | : 0253060761 |
While Western films can be seen as a mode of American exceptionalism, they have also become a global genre. Around the world, Westerns exemplify colonial cinema, driven by the exploration of racial and gender hierarchies and the progress and violence shaped by imperialism. Transnationalism and Imperialism: Endurance of the Global Western Film traces the Western from the silent era to present day as the genre has circulated the world. Contributors examine the reception and production of American Westerns outside the US alongside the transnational aspects of American productions, and they consider the work of minority directors who use the genre to interrogate a visual history of oppression. By viewing Western films through a transnational lens and focusing on the reinterpretations, appropriations, and parallel developments of the genre outside the US, editors Hervé Mayer and David Roche contribute to a growing body of literature that debunks the pervasive correlation between the genre and American identity. Perfect for media studies and political science, Transnationalism and Imperialism reveals that Western films are more than cowboys; they are a critical intersection where issues of power and coloniality are negotiated.
| Author | : Neil Campbell |
| Publisher | : University of Nevada Press |
| Total Pages | : 324 |
| Release | : 2022-09-13 |
| Genre | : Literary Criticism |
| ISBN | : 1647790565 |
Worlding the Western views the fiction of the Western United States as a focal point for a reexamination of the consequences of the exceptionalism and closed borders of the Trump Era. At a time of bounded individualism, new nativism, climate emergency, and migration crises, author Neil Campbell argues that fiction offers opportunities to challenge the dark side of globalization. He proposes worlding as a different and more open form of politics. Diversity, disparity, and opposition are central to the dynamic frictional fiction considered in this book. The American West provides a powerful test case in which these features are present and yet, historically, have often been masked or denied in the rush toward unanimity and nation building. Worlding is, therefore, a positive, critical concept through which to view the notion of a single world under pressure.
| Author | : Neil Campbell |
| Publisher | : U of Nebraska Press |
| Total Pages | : 479 |
| Release | : 2020-04-01 |
| Genre | : Performing Arts |
| ISBN | : 1496209621 |
During the post-World War II period, the Western, like America's other great film genres, appeared to collapse as a result of revisionism and the emergence of new forms. Perhaps, however, as theorists like Gilles Deleuze suggest, it remains, simply "maintaining its empty frame." Yet this frame is far from empty, as Post-Westerns shows us: rather than collapse, the Western instead found a new form through which to scrutinize and question the very assumptions on which the genre was based. Employing the ideas of critics such as Deleuze, Jacques Derrida, and Jacques Rancière, Neil Campbell examines the haunted inheritance of the Western in contemporary U.S. culture. His book reveals how close examination of certain postwar films--including Bad Day at Black Rock, The Misfits, Lone Star, Easy Rider, Gas Food Lodging, Down in the Valley, and No Country for Old Men--reconfigures our notions of region and nation, the Western, and indeed the West itself. Campbell suggests that post-Westerns are in fact "ghost-Westerns," haunted by the earlier form's devices and styles in ways that at once acknowledge and call into question the West, both as such and in its persistent ideological framing of the national identity and values.
| Author | : Flavia Brizio-Skov |
| Publisher | : McFarland |
| Total Pages | : 253 |
| Release | : 2021-01-28 |
| Genre | : Performing Arts |
| ISBN | : 1476641919 |
With fresh appraisals of popular Westerns, this book examines the history of the genre with a focus on definitional aspects of canon, adaptation and hybridity. The author covers a range of largely unexplored topics, including the role of "heroines" in a (supposedly) male-oriented system of film production, the function of the celluloid Indians, the transcultural and transnational history of the first spaghetti Western, the construction of femininity and masculinity in the hybrid Westerns of the 1950s, and the new paths of the Western in the 21st century.
| Author | : Lee Broughton |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 250 |
| Release | : 2016-09-19 |
| Genre | : Performing Arts |
| ISBN | : 1442272430 |
For decades, the Western film has been considered a dying breed of cinema, yet filmmakers from Quentin Tarantino to Ethan and Joel Coen find new ways to reinvigorate the genre. As Westerns continue to be produced for contemporary audiences, scholars have taken a renewed interest in the relevance of this enduring genre. In Critical Perspectives on the Western: From A Fistful of Dollars to Django Unchained, Lee Broughton has compiled a wide-ranging collection of essays that look at various forms of the genre, on both the large and small screen. Contributors to this volume consider themes and subgenres, celebrities and authors, recent idiosyncratic engagements with the genre, and the international Western. These essays also explore issues of race and gender in the various films discussed as well as within the film genre as a whole. Among the films and television programs discussed in this volume are The Assassination of Jesse James by the Coward, Robert Ford; Django Kill; Justified; Meek’s Cutoff; Tears of the Black Tiger; Appaloosa; The Frozen Limits; and Red Harvest.Featuring a diverse selection of chapters that represent current thinking on the Western. Critical Perspectives on the Western will appeal to fans of the genre, film students, and scholars alike.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 371 |
| Release | : 2022-11-21 |
| Genre | : Social Science |
| ISBN | : 9004525300 |
This groundbreaking collection of essays shows how the American Western has been reimagined in different national contexts, producing fictions that interrogate, reframe, and remix the genre in unexpectedly critical ways.
| Author | : Matthew Carter |
| Publisher | : Edinburgh University Press |
| Total Pages | : 343 |
| Release | : 2016-05-25 |
| Genre | : Performing Arts |
| ISBN | : 1474413706 |
From Destination Tokyo (1943) to The Battle of the Villa Fiorita (1965), Delmer Daves was responsible for a unique body of work, but few filmmakers have been as critically overlooked in existing scholarly literature. Often regarded as an embodiment of the self-effacing craftsmanship of classical and post-War Hollywood, films such as Broken Arrow (1950) and 3:10 to Yuma (1957) reveal a filmmaker concerned with style as much as sociocultural significance. As the first comprehensive study of Daves's career, this collection of essays seeks to deepen our understanding of his work, and also to problematize existing conceptions of him as a competent, conventional and even naAve studio man.
| Author | : Zhen Zhang |
| Publisher | : Taylor & Francis |
| Total Pages | : 723 |
| Release | : 2024-07-04 |
| Genre | : Social Science |
| ISBN | : 1040038077 |
Balancing leading scholars with emerging trendsetters, this Companion offers fresh perspectives on Asian cinemas and charts new constellations in the field with significance far beyond Asian cinema studies. Asian cinema studies – at the intersection of film/media studies and area studies – has rapidly transformed under the impact of globalization, compounded by the resurgence of a variety of nationalist discourses as well as counter-discourses, new socio-political movements, and the possibilities afforded by digital media. Differentiated experiences of climate change and the COVID-19 pandemic have further heightened interest in the digital everyday and the renewed geopolitical divide between East and West, and between North and South. Thematized into six sections, the 46 chapters in this anthology address established paradigms of scholarship and viewership in Asian cinemas like extreme genres, cinephilia, festivals, and national cinema, while also highlighting political and archival concerns that firmly situate Asian cinemas within local and translocal milieus. Underrepresented cinemas of North Korea, Bangladesh, Laos, Indonesia, Malaysia, Taiwan, Thailand, and Cambodia, appear here amidst a broader cross-regional, comparative approach. An ideal resource for film, media, cultural and Asian studies researchers, students, and scholars, as well as informed readers with an interest in Asian cinemas.
