The Popular Front Novel In Britain 1934 1940
Download The Popular Front Novel In Britain 1934 1940 full books in PDF, epub, and Kindle. Read online free The Popular Front Novel In Britain 1934 1940 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Elinor Taylor |
| Publisher | : BRILL |
| Total Pages | : 232 |
| Release | : 2017-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 9004356355 |
In The Popular Front Novel in Britain, 1934-1940, Elinor Taylor provides the first study of the relationship between the British novel and the anti-fascist Popular Front strategy endorsed by the Comintern in 1935. Through readings of novels by British Communists including Jack Lindsay, John Sommerfield, Lewis Jones and James Barke, Taylor shows that the realist novel of the left was a key site in which the politics of anti-fascist alliance were rehearsed. Maintaining a dialogue with theories of populism and with Georg Lukács’s vision of a revived literary realism ensuing from the Popular Front, this book at once illuminates the cultural formation of the Popular Front in Britain and proposes a new framework for reading British fiction of this period.
| Author | : E. M. Taylor |
| Publisher | : |
| Total Pages | : |
| Release | : 2014 |
| Genre | : |
| ISBN | : |
| Author | : Rebecca Beasley |
| Publisher | : Oxford University Press |
| Total Pages | : 576 |
| Release | : 2020-03-31 |
| Genre | : Literary Criticism |
| ISBN | : 0192522485 |
Russomania: Russian Culture and the Creation of British Modernism provides a new account of modernist literature's emergence in Britain. British writers played a central role in the dissemination of Russian literature and culture during the early twentieth century, and their writing was transformed by the encounter. This study restores the thick history of that moment, by analyzing networks of dissemination and reception to recover the role of neglected as well as canonical figures, and institutions as well as individuals. The dominant account of British modernism privileges a Francophile genealogy, but the turn-of-the century debate about the future of British writing was a triangular debate, a debate not only between French and English models, but between French, English, and Russian models. Francophile modernists associated Russian literature, especially the Tolstoyan novel, with an uncritical immersion in 'life' at the expense of a mastery of style, and while individual works might be admired, Russian literature as a whole was represented as a dangerous model for British writing. This supposed danger was closely bound up with the politics of the period, and this book investigates how Russian culture was deployed in the close relationships between writers, editors, and politicians who made up the early twentieth-century intellectual class—the British intelligentsia. Russomania argues that the most significant impact of Russian culture is not to be found in stylistic borrowings between canonical authors, but in the shaping of the major intellectual questions of the period: the relation between language and action, writer and audience, and the work of art and lived experience. The resulting account brings an occluded genealogy of early modernism to the fore, with a different arrangement of protagonists, different critical values, and stronger lines of connection to the realist experiments of the Victorian past, and the anti-formalism and revived romanticism of the 1930s and 1940s future.
| Author | : Robin Harriott |
| Publisher | : Springer Nature |
| Total Pages | : 300 |
| Release | : 2022-10-14 |
| Genre | : Literary Criticism |
| ISBN | : 3031143833 |
The focus of this study is the collective of writers known variously as the Birmingham Group, the Birmingham School or the Birmingham Proletarian Writers who were active in the City of Birmingham in the decade prior to the Second World War. Their narratives chronicle the lived-experience of their fellow citizens in the urban manufacturing centre which had by this time become Britain’s second city. Presumed ‘guilty by association’ with a working-class literature considered overtly propagandistic, formally conservative, or merely the naive emulation of bourgeois realism, their narratives have in consequence suffered undue critical neglect. This book repudiates such assertions by arguing that their works not only contrast markedly with other examples of working-class writing produced in the 1930s but also prove themselves responsive to recent critical assessments seeking a more holistic and intersectional approach to issues of working-class identity.
| Author | : Matthew Taunton |
| Publisher | : Oxford University Press |
| Total Pages | : 304 |
| Release | : 2019-04-04 |
| Genre | : Literary Criticism |
| ISBN | : 0192549936 |
Red Britain sets out a provocative rethinking of the cultural politics of mid-century Britain by drawing attention to the extent, diversity, and longevity of the cultural effects of the Russian Revolution. Drawing on new archival research and historical scholarship, this book explores the conceptual, discursive, and formal reverberations of the Bolshevik Revolution in British literature and culture. It provides new insight into canonical writers including Doris Lessing, George Orwell, Dorothy Richardson, H.G Wells, and Raymond Williams, as well bringing to attention a cast of less-studied writers, intellectuals, journalists, and visitors to the Soviet Union. Red Britain shows that the cultural resonances of the Russian Revolution are more far-reaching and various than has previously been acknowledged. Each of the five chapters takes as its subject one particular problem or debate, and investigates the ways in which it was politicised as a result of the Russian Revolution and the subsequent development of the Soviet state. The chapters focus on the idea of the future; numbers and arithmetic; law and justice; debates around agriculture and landowning; and finally orality, literacy, and religion. In all of these spheres, Red Britain shows how the medievalist, romantic, oral, pastoral, anarchic, and ethical emphases of English socialism clashed with, and were sometimes overwritten by, futurist, utilitarian, literate, urban, statist, and economistic ideas associated with the Bolshevik Revolution.
| Author | : Joseph Darlington |
| Publisher | : Springer |
| Total Pages | : 154 |
| Release | : 2018-04-19 |
| Genre | : Literary Criticism |
| ISBN | : 331977896X |
This book discusses British novels published during the 1970s which feature terrorists either as main characters or a major plot points. The focus on terrorism’s literary depiction provides insight into the politics of the decade. The book analyses texts from Gerald Seymour, Anthony Burgess, V.S. Naipaul, Graham Greene, Doris Lessing, B.S. Johnson, Tom Sharpe, and Eric Ambler, among others, in order to engage with the IRA, the end of Empire, counterculture and environmentalism. The book provides a brief history of terrorism as a concept and tactic before discussing British literature’s relationship with terrorism. It presents a “standard terrorist morphology” by which to analyse terrorist narratives along with other insights into the British post-war imagination, writing and extremism.
| Author | : Nick Hubble |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 320 |
| Release | : 2021-01-14 |
| Genre | : Literary Criticism |
| ISBN | : 1350079154 |
With austerity biting hard and fascism on the march at home and abroad, the Britain of the 1930s grappled with many problems familiar to us today. Moving beyond the traditional focus on 'the Auden generation', this book surveys the literature of the period in all its diversity, from working class, women, queer and postcolonial writers to popular crime and thriller novels. In this way, the book explores the uneven processes of modernization and cultural democratization that characterized the decade. A major critical re-evaluation of the decade, the book covers such writers as Eric Ambler, Mulk Raj Anand, Katharine Burdekin, Agatha Christie, Lewis Grassic Gibbon, Christopher Isherwood, Storm Jameson, Ethel Mannin, Naomi Mitchison, George Orwell, Christina Stead, Evelyn Waugh and many others.
| Author | : Christos Hadjiyiannis |
| Publisher | : Cambridge University Press |
| Total Pages | : 385 |
| Release | : 2022-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 1108888550 |
For a long time, people had been schooled to think of modern literature's relationship to politics as indirect or obscure, and often to find the politics of literature deep within its unconsciously ideological structures and forms. But twentieth-century writers were directly involved in political parties and causes, and many viewed their writing as part of their activism. This Companion tell a story of the rich and diverse ways in which literature and politics over the twentieth century coincided, overlapped – and also clashed. Covering some of the century's most influential political ideas, moments, and movements, nineteen academic experts uncover new ways of thinking about the relationship between literature and politics. Liberalism, communism, fascism, suffragism, pacifism, federalism, different nationalisms, civil rights, women's rights, sexual rights, Indigenous rights, environmentalism, neoliberalism: twentieth-century authors wrote in direct response to political movements, ideas, events, and campaigns.
| Author | : Daryl Leeworthy |
| Publisher | : Parthian Books |
| Total Pages | : 430 |
| Release | : 2023-05-25 |
| Genre | : Biography & Autobiography |
| ISBN | : 1914595203 |
'Leeworthy set out to write a biography which fully reflects the complexity of Thomas' life, especially foregrounding 'the political character of Gwyn's character and creative output' but he does so much more, expanding the reader's knowledge by giving us not just the life but also the times... This punchy portrait of a real Welsh literary heavyweight hits home with the brutal realism of Thomas' jabbing prose and mordant wit.' – Jon Gower, Nation.Cymru 'Fury of Past Time is a model of its kind. An immense amount of research has gone into this biography, which will be the standard work on Gwyn Thomas for many years to come. It deserves to be read by those who already admire the fiction and will be an invaluable introduction for anyone coming to his writing for the first time.' – John Barnie (A review from www.gwales.com, with the permission of the Books Council of Wales) 'Leeworthy knows his subject intimately, sympathises with him entirely, and locates him globally in such a way as to leave the reader with no doubt as to his importance as a writer... Fury of Past Time is destined to be the definitive work on 'the Rhondda Runyon' for many years to come.' – Bethan Jenkins, Wales Arts Review Gwyn Thomas was born, the last of twelve children, into a Rhondda mining family in 1913. After a childhood marked by the strikes of the 1920s, he went off to study Spanish at Oxford University and in Madrid, where he met the poet Federico García Lorca and witnessed the turmoil which would lead to the Spanish Civil War. On his return, amidst the economic mire of the 1930s and his own burgeoning teaching career in Barry in the 1940s, he picked up his pen and began to write. For more than forty years, until his death in 1981, as novelist, screenwriter, master of the short story, and prizewinning playwright, Gwyn Thomas delivered compelling and comedic portraits of his world of South Wales. His creative genius earned enduring fame on both sides of the Atlantic and on both sides of the European Cold War divide. As a provocative and insightful broadcaster, he embraced the possibilities of radio and television, whilst leaving his hosts and guests alike in fits of knowing laughter. This landmark biography, enriched with unrivalled access to private papers and international archives, tells the remarkable story of one of modern Wales's greatest literary voices.
| Author | : John T. Connor |
| Publisher | : Oxford University Press |
| Total Pages | : 257 |
| Release | : 2024-08-06 |
| Genre | : Literary Criticism |
| ISBN | : 0192675885 |
Mid-Century Romance chronicles a revival of the historical novel in the middle decades of the twentieth century in the cultures of British modernism and international communism. Born of a national turn in world politics, these novels met the turbulence of mid-century history with narratives of national becoming, roadmaps to situate their readers in the pattern of social change. Their writers were often mindful of the genre's romantic-era heritage: they saw themselves as following in the footsteps of Sir Walter Scott and they drew on the same rescued remains of primitive poetry and popular antiquities that romanticism first used to construct its versions of national identity, culture, and tradition. This book shows how the impulse to salvage traces of ancestral culture and press them to new purpose links the mid-century national-historical novel to the rise of radical social history and magical realism. Post-war anticommunism shaped a tradition of the novel as a preserve of art and the individual. Mid-Century Romance counters with a different genealogy of the British and world novel, whose object is society and the future of community, the nation and its people. It situates its cast of British writers--including the modernists Hope Mirrlees and Virginia Woolf, the communists Jack Lindsay and Sylvia Townsend Warner, the eccentric modernist and sometime fellow traveller John Cowper Powys, and the New Left luminary Raymond Williams--in a transnational perspective that reaches from Bihar, India to Bahia, Brazil.
