The Politics of Identity in Irish Drama

The Politics of Identity in Irish Drama
Author: George Cusack
Publisher: Routledge
Total Pages: 374
Release: 2009-06-26
Genre: Literary Criticism
ISBN: 1135855978

This study examines the early dramatic works of Yeats, Synge, and Gregory in the context of late colonial Ireland’s unique socio-political landscape. By contextualizing each author’s work within the artistic and political discourses of their time, Cusack demonstrates the complex negotiation of nationalism, class, and gender identities undertaken by these three authors in the years leading up to Ireland’s revolution against England. Furthermore, by focusing on plays written by each author in the context of the ongoing debates over Irish national identity that were taking place throughout Irish public life in this period, Cusack examines in more depth than previous studies the ways Yeats, Gregory, and Synge adapted conventional dramatic and linguistic forms to accommodate the conflicting claims of Irish nationalism. In so doing, he demonstrates the contribution these authors made not only to the development of Irish nationalism but also to modern and postcolonial literature as we understand them today.

Frames and Fictions on Television

Frames and Fictions on Television
Author: Bruce Carson
Publisher: Intellect (UK)
Total Pages: 168
Release: 2000
Genre: Fiction television programs
ISBN:

British media scholars examine a range of issues of identity in relation to the shifting historical context while considering social class, ethnicity, race, gender, sexuality, and national/diaspora identity as manifested in television over the past 35 years. They generally find that in the 1990s, identity is becoming more subject to change and innovation and more individual. Distributed in the US by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR

Gender and Modern Irish Drama

Gender and Modern Irish Drama
Author: Susan Cannon Harris
Publisher: Indiana University Press
Total Pages: 332
Release: 2002-09-06
Genre: Literary Criticism
ISBN: 9780253109736

Gender and Modern Irish Drama argues that the representations of sacrificial violence central to the work of the Abbey playwrights are intimately linked with constructions of gender and sexuality. Susan Cannon Harris goes beyond an examination of the relationship between Irish national drama and Irish nationalist politics to the larger question of the way national identity and gender identity are constructed through each other. Radically redefining the context in which the Abbey plays were performed, Harris documents the material and discursive forces that produced Irish conceptions of gender. She looks at cultural constructions of the human body and their influence on nationalist rhetoric, linking the production and reception of the plays to conversations about public health, popular culture, economic policy, and racial identity that were taking place inside and outside the nationalist community. The book is both a crucial intervention in Irish studies and an important contribution to the ongoing feminist project of theorizing the production of gender and the body.

Twentieth-Century Irish Drama

Twentieth-Century Irish Drama
Author: Christopher Murray
Publisher: Syracuse University Press
Total Pages: 292
Release: 2000-05-01
Genre: Literary Criticism
ISBN: 9780815606437

This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.

Theatre and National Identity

Theatre and National Identity
Author: Nadine Holdsworth
Publisher: Routledge
Total Pages: 242
Release: 2014-06-27
Genre: Performing Arts
ISBN: 1134102275

This book explores the ways that pre-existing ‘national’ works or ‘national theatre’ sites can offer a rich source of material for speaking to the contemporary moment because of the resonances or associations they offer of a different time, place, politics, or culture. Featuring a broad international scope, it offers a series of thought-provoking essays that explore how playwrights, directors, theatre-makers, and performance artists have re-staged or re-worked a classic national play, performance, theatrical form, or theatre space in order to engage with conceptions of and questions around the nation, nationalism, and national identity in the contemporary moment, opening up new ways of thinking about or problematizing questions around the nation and national identity. Chapters ask how productions engage with a particular moment in the national psyche in the context of internationalism and globalization, for example, as well as how productions explore the interconnectivity of nations, intercultural agendas, or cosmopolitanism. They also explore questions relating to the presence of migrants, exiles, or refugees, and the legacy of colonial histories and post-colonial subjectivities. The volume highlights how theatre and performance has the ability to contest and unsettle ideas of the nation and national identity through the use of various sites, stagings, and performance strategies, and how contemporary theatres have portrayed national agendas and characters at a time of intense cultural flux and repositioning.

Masculinities and Manhood in Contemporary Irish Drama

Masculinities and Manhood in Contemporary Irish Drama
Author: Cormac O'Brien
Publisher: Springer Nature
Total Pages: 295
Release: 2021-12-10
Genre: Performing Arts
ISBN: 3030840751

This book charts the journey, in terms of both stasis and change, that masculinities and manhood have made in Irish drama, and by extension in the broader culture and society, from the 1960s to the present. Examining a diverse corpus of drama and theatre events, both mainstream and on the fringe, this study critically elaborates a seismic shift in Irish masculinities. This book argues, then, that Irish manhood has shifted from embodying and enacting post-colonial concerns of nationalism and national identity, to performing models of masculinity that are driven and moulded by the political and cultural practices of neoliberal capitalism. Masculinities and Manhood in Contemporary Irish Drama charts this shift through chapters on performing masculinity in plays set in both the Irish Republic and Northern Ireland, and through several chapters that focus on Women’s and Queer drama. It thus takes its readers on a journey: a journey that begins with an overtly patriarchal, nationalist manhood that often made direct comment on the state of the nation, and ultimately arrives at several arguably regressive forms of globalised masculinity, which are couched in misaligned notions of individualism and free-choice and that frequently perceive themselves as being in crisis.

A Concise Companion to Contemporary British and Irish Drama

A Concise Companion to Contemporary British and Irish Drama
Author: Nadine Holdsworth
Publisher: John Wiley & Sons
Total Pages: 326
Release: 2013-05-28
Genre: Literary Criticism
ISBN: 1118492137

Focusing on major and emerging playwrights, institutions, and various theatre practices this Concise Companion examines the key issues in British and Irish theatre since 1979. Written by leading international scholars in the field, this collection offers new ways of thinking about the social, political, and cultural contexts within which specific aspects of British and Irish theatre have emerged and explores the relationship between these contexts and the works produced. It investigates why particular issues and practices have emerged as significant in the theatre of this period.

Culture and Identity Politics in Northern Ireland

Culture and Identity Politics in Northern Ireland
Author: Máiréad Nic Craith
Publisher: Springer
Total Pages: 242
Release: 2003-05-02
Genre: Political Science
ISBN: 1403948119

Civilization and culture have traditionally been regarded as mutually exclusive concepts. In this comparative case-study of Northern Ireland, Máiréad Nic Craith explores the commitment of unionists to a civic, 'culture-blind' British state; contrasting this with nationalist demands for official recognition of Irish culture. The 'cultural turn' in Northern Irish politics and the development of a bicultural infrastructure is examined here in the context of differing interpretations of equality and increasing demands for intercultural communication within, as well as between, communities.

My Father Left Me Ireland

My Father Left Me Ireland
Author: Michael Brendan Dougherty
Publisher: Penguin
Total Pages: 242
Release: 2019-04-30
Genre: Biography & Autobiography
ISBN: 0525538674

The perfect gift for parents this Father’s Day: a beautiful, gut-wrenching memoir of Irish identity, fatherhood, and what we owe to the past. “A heartbreaking and redemptive book, written with courage and grace.” –J.D. Vance, author of Hillbilly Elegy “…a lovely little book.” –Ross Douthat, The New York Times The child of an Irish man and an Irish-American woman who split up before he was born, Michael Brendan Dougherty grew up with an acute sense of absence. He was raised in New Jersey by his hard-working single mother, who gave him a passion for Ireland, the land of her roots and the home of Michael's father. She put him to bed using little phrases in the Irish language, sang traditional songs, and filled their home with a romantic vision of a homeland over the horizon. Every few years, his father returned from Dublin for a visit, but those encounters were never long enough. Devastated by his father's departures, Michael eventually consoled himself by believing that fatherhood was best understood as a check in the mail. Wearied by the Irish kitsch of the 1990s, he began to reject his mother's Irish nationalism as a romantic myth. Years later, when Michael found out that he would soon be a father himself, he could no longer afford to be jaded; he would need to tell his daughter who she is and where she comes from. He immediately re-immersed himself in the biographies of firebrands like Patrick Pearse and studied the Irish language. And he decided to reconnect with the man who had left him behind, and the nation just over the horizon. He began writing letters to his father about what he remembered, missed, and longed for. Those letters would become this book. Along the way, Michael realized that his longings were shared by many Americans of every ethnicity and background. So many of us these days lack a clear sense of our cultural origins or even a vocabulary for expressing this lack--so we avoid talking about our roots altogether. As a result, the traditional sense of pride has started to feel foreign and dangerous; we've become great consumers of cultural kitsch, but useless conservators of our true history. In these deeply felt and fascinating letters, Dougherty goes beyond his family's story to share a fascinating meditation on the meaning of identity in America.