The Politics of Drama in Augustan England
Author | : John Clyde Loftis |
Publisher | : Oxford, Clarendon P |
Total Pages | : 196 |
Release | : 1963 |
Genre | : English drama |
ISBN | : |
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Author | : John Clyde Loftis |
Publisher | : Oxford, Clarendon P |
Total Pages | : 196 |
Release | : 1963 |
Genre | : English drama |
ISBN | : |
Author | : Thomas McGeary |
Publisher | : Cambridge University Press |
Total Pages | : 423 |
Release | : 2013-04-25 |
Genre | : Music |
ISBN | : 110700988X |
Thomas McGeary's book explores the relationship between Italian opera and British partisan politics in the era of George Frideric Handel.
Author | : Tony Fisher |
Publisher | : Cambridge University Press |
Total Pages | : 293 |
Release | : 2017-06-16 |
Genre | : Drama |
ISBN | : 1316864340 |
This book begins with a simple observation - that just as the theatre resurfaced during the late Renaissance, so too government as we understand it today also began to appear. Their mutually entwining history was to have a profound influence on the development of the modern British stage. This volume proposes a new reading of theatre's relation to the public sphere. Employing a series of historical case studies drawn from the London theatre, Tony Fisher shows why the stage was of such great concern to government by offering close readings of well-known religious, moral, political, economic and legal disputes over the role, purpose and function of the stage in the 'well-ordered society'. In framing these disputes in relation to what Michel Foucault called the emerging 'art of government', this book draws out - for the first time - a full genealogy of the governmental 'discourse on the theatre'.
Author | : John Clyde Loftis |
Publisher | : Oxford, Clarendon P |
Total Pages | : 196 |
Release | : 1963 |
Genre | : English drama |
ISBN | : |
Author | : Barbara J. Shapiro |
Publisher | : Stanford University Press |
Total Pages | : 416 |
Release | : 2012-11-07 |
Genre | : History |
ISBN | : 0804784582 |
This book surveys the channels through which political ideas and knowledge were conveyed to the English people from the beginning of the reign of Elizabeth I to the Revolution of 1688. Shapiro argues that an assessment of English political culture requires an examination of all means by which this culture was expressed and communicated. While the discussion focuses primarily on genres such as the sermon, newsbook, poetry, and drama, it also considers the role of events and institutions. Shapiro is the first to explore and elucidate the entire web of communication in early modern English political life.
Author | : Thomas McGeary |
Publisher | : Boydell & Brewer |
Total Pages | : 445 |
Release | : 2022-07-26 |
Genre | : Great Britain |
ISBN | : 1783277157 |
Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.
Author | : John Clyde Loftis |
Publisher | : Princeton University Press |
Total Pages | : 302 |
Release | : 2019-02-19 |
Genre | : Literary Criticism |
ISBN | : 0691656150 |
Spain alone produced a Renaissance drama comparable to that of England, yet the two nations were enemies, separated by the worldwide conflict of Catholics and Protestants. Major dramatists on both sides addressed the divisive issues: Lope de Vega, Tirso de Molina, and Calderon de la Barca in Spain; Shakespeare, Marlowe, Chapman, Massinger, and Middleton in England. In this comprehensive work, a distinguished authority on drama examines history plays, masques, and spectacles, with close attention to the changing development of the two national dramas, he directs us to the study of their suprrising similarities. The author's lucid exposition makes possible an assessment of the commentary on historical events provided by the dramatists. In the early years of the Thirty Years' War, he points out, dramtaists unknowingly carried on a dialogue now audible to us: Massinger and Middleton warn of Spain's intentions; Lope, Tirso, and Calderon provide assurance that their English coutnerparts were not alarmists. Goruping works chronologically by subject or thematic relevance to phases of Anglo-Spanish relations in broad European context, Professor Loftis examines Lope's plays about the campaigns fought by the Spanish Army of Flanders and Marlowe's and Chapman's plays about French history from 1572 to 1602. John Loftis is Margery Bailey Professor of English Emeritus at Stanford University. He is author of numerous works, including The Spanish Plays of Neoclassical England (Yale) and Sheridan and the Drama of Georgian England (Blackwell/Harvard). Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Albert J. Rivero |
Publisher | : University of Virginia Press |
Total Pages | : 198 |
Release | : 1989 |
Genre | : Drama |
ISBN | : 9780813912288 |
Henry Fielding was one of the most interesting playwrights of his time because of his historical position, similar to that of George Bernard Shaw, and his awareness of what it meant to be a playwright at a time when the native dramatic tradition appeared to have settled down for a long sleep and when the only hope for an awakening lay in such low crowd-pleasers as farces, puppet shows, "laughing" tragedies, and ballad operas. By focusing on the plays themselves, Rivero tells the story of Fielding's dramatic career without burdening the reader with an exhaustive history of contemporary plays and playwrights. He provides us with a clear, critical account of Fielding's dramatic career in terms of trends in contemporary dramatic affairs that help to account for his artistic choices in individual plays.
Author | : Elaine M. McGirr |
Publisher | : Associated University Presse |
Total Pages | : 254 |
Release | : 2009 |
Genre | : History |
ISBN | : 9780874130430 |
This book explores a cultural language, the heroic, that remained consistently powerful through the social, political, and dynastic turbulence of the long eighteenth century. The heroic provided an accessible and vivid shorthand for the ongoing ideological debates over the nature of authority and power, the construction of an ideal masculinity, and the shape of a new. British--rather than English--national identity. An analysis of this cultural language and its different valence over time not only unpacks the overlap between aesthetic and political debate in the late seventeenth and early eighteenth centuries, but also firmly grounds the eighteenth-century's revolution in taste and manners in the ongoing ideological debates about dynastic politics and the foundations of authority. Specifically, the book traces the making and breaking of the Stuart mythology through the development of and attacks on the heroic mode from the Restoration through the aftermath of the 1745 Jacobite uprising. Elaine McGirr is a Senior Lecturer in the departments of drama and English at Royal Holloway, University of London.
Author | : Lisa A. Freeman |
Publisher | : University of Pennsylvania Press |
Total Pages | : 307 |
Release | : 2013-05-07 |
Genre | : Drama |
ISBN | : 0812201949 |
If the whole world acted the player, how did the player act the world? In Character's Theater, Lisa A. Freeman uses this question to test recent critical discussion of eighteenth-century literature and culture. Much current work, she observes, focuses on the concept of theatricality as both the governing metaphor of social life and a primary filter of psychic perception. Hume's "theater of the mind," Adam Smith's "impartial spectator," and Diderot's "tableaux" are all invoked by theorists to describe a process whereby the private individual comes to internalize theatrical logic and apprehend the self as other. To them theatricality is a critical mechanism of modern subjectivity but one that needs to be concealed if the subject's stability is to be maintained. Finding that much of this discussion about the "Age of the Spectator" has been conducted without reference to the play texts or actual theatrical practice, Freeman turns to drama and discovers a dynamic model of identity based on eighteenth-century conceptualizations of character. In contrast to the novel, which cultivated psychological tensions between private interiority and public show, dramatic characters in the eighteenth century experienced no private thoughts. The theater of the eighteenth century was not a theater of absorption but rather a theater of interaction, where what was monitored was not the depth of character, as in the novel, but the arc of a genre over the course of a series of discontinuous acts. In a genre-by-genre analysis of plays about plays, tragedy, comedies of manners, humours, and intrigue, and sentimental comedy, Freeman offers an interpretive account of eighteenth-century drama and its cultural work and demonstrates that by deploying an alternative model of identity, theater marked a site of resistance to the rise of the subject and to the ideological conformity enforced through that identity formation.