The Poetry Of The Early Tang
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| Author | : James Bryant Conant University Professor Stephen Owen |
| Publisher | : |
| Total Pages | : 446 |
| Release | : 2012 |
| Genre | : Chinese poetry |
| ISBN | : 9781922169020 |
Originally published to great acclaim by Yale University Press, this volume offers the full original text with the following features: Older Wade-Giles transliteration fully updated and revised to the current Pinyin standard, fully re-typeset and proofed for typographical errors and inconsistencies, and a new expanded Index.
| Author | : Stephen Owen |
| Publisher | : New Haven : Yale University Press |
| Total Pages | : 512 |
| Release | : 1977 |
| Genre | : Chinese poetry |
| ISBN | : |
| Author | : |
| Publisher | : New York Review of Books |
| Total Pages | : 180 |
| Release | : 2008-01-22 |
| Genre | : Poetry |
| ISBN | : 9781590172575 |
Classical Chinese poetry reached its pinnacle during the T'ang Dynasty (618-907 A.D.), and the poets of the late T'ang-a period of growing political turmoil and violence-are especially notable for combining strking formal inovation with raw emotional intensity. A. C. Graham’s slim but indispensable anthology of late T’ang poetry begins with Tu Fu, commonly recognized as the greatest Chinese poet of all, whose final poems and sequences lament the pains of exile in images of crystalline strangeness. It continues with the work of six other masters, including the “cold poet” Meng Chiao, who wrote of retreat from civilization to the remoteness of the high mountains; the troubled and haunting Li Ho, who, as Graham writes, cultivated a “wholly personal imagery of ghosts, blood, dying animals, weeping statues, whirlwinds, the will-o'-the-wisp”; and the shimmeringly strange poems of illicit love and Taoist initiation of the enigmatic Li Shang-yin. Offering the largest selection of these poets’ work available in English in a translation that is a classic in its own right, Poems of the Late T’ang also includes Graham’s searching essay “The Translation of Chinese Poetry” as well as helpful notes on each of the poets and on many of the individual poems.
| Author | : Stephen Owen |
| Publisher | : |
| Total Pages | : 652 |
| Release | : 2013 |
| Genre | : Literary Criticism |
| ISBN | : 9781922169068 |
Hailed as the most important and most comprehensive single study of Tang poetry to have appeared in English when originally published by Yale University Press in 1981, this Quirin Press Revised Edition brings back into print this much sought after title and offers the full original text with the following features: Older Wade-Giles transliteration fully updated and revised to the current Pinyin standard; Fully re-typeset and proofed for typographical errors and inconsistencies. New expanded index including Chinese characters; Also available in a fully searchable E-book format including Chinese unicode characters ISBN: 978-1-922169-07-5 (pdf) Following Owen's analysis in "The Poetry of Early Tang" (also available from Quirin Press) of poetry as an art of social gesture and occasion this title explores the poetry of the High Tang which has often been referred to as "apogee of all Chinese poetry." Rather than merely defining the poetic art of eighth century China through Wang Wei, Li Bai, and Du Fu, Owen delves into the norms of the age to become acquainted with the symbiotic relationship that existed both between the major and lesser talents of the age, and the overall literary tradition. In these pages the poetry of the High Tang comes to life as a self-conscious art form, which, combined with a rekindling of China's poetic past, lead to a more personal mode of expression and individual voice that culminated in the unprecedented and dazzling efflorescence of the art. Extracts available on www.quirinpress.com Keywords: Chinese Poetry - Tang Dynasty 618-907 - Poetics - History & Criticism. Owen's companion volume on the Early Tang is also available from Quirin Press ISBN: 978-1-922169-02-0 (paperback) ISBN: 978-1-922169-03-7 (pdf). For further information and extracts visit www.quirinpress.com
| Author | : Stephen Owen |
| Publisher | : BRILL |
| Total Pages | : 608 |
| Release | : 2020-03-17 |
| Genre | : Literary Criticism |
| ISBN | : 1684174317 |
" The poetry of the Late Tang often looked backward, and many poets of the period distinguished themselves through the intensity of their retrospective gaze. Chinese poets had always looked backward to some degree, but for many Late Tang poets the echoes and the traces of the past had a singular aura. In this work, Stephen Owen resumes telling the literary history of the Tang that he began in his works on the Early and High Tang. Focusing in particular on Du Mu, Li Shangyin, and Wen Tingyun, he analyzes the redirection of poetry that followed the deaths of the major poets of the High and Mid-Tang and the rejection of their poetic styles. The Late Tang, Owen argues, forces us to change our very notion of the history of poetry. Poets had always drawn on past poetry, but in the Late Tang, the poetic past was beginning to assume the form it would have for the next millennium; it was becoming a repertoire of available choices--styles, genres, the voices of past poets. It was this repertoire that would endure. "
| Author | : Stephen Owen |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 2741 |
| Release | : 2015-11-13 |
| Genre | : Literary Collections |
| ISBN | : 150150195X |
The Complete Poetry of Du Fu presents a complete scholarly translation of Chinese literature alongside the original text in a critical edition. The English translation is more scholarly than vernacular Chinese translations, and it is compelled to address problems that even the best traditional commentaries overlook. The main body of the text is a facing page translation and critical edition of the earliest Song editions and other sources. For convenience the translations are arranged following the sequence in Qiu Zhao’an’s Du shi xiangzhu (although Qiu’s text is not followed). Basic footnotes are included when the translation needs clarification or supplement. Endnotes provide sources, textual notes, and a limited discussion of problem passages. A supplement references commonly used allusions, their sources, and where they can be found in the translation. Scholars know that there is scarcely a Du Fu poem whose interpretation is uncontested. The scholar may use this as a baseline to agree or disagree. Other readers can feel confident that this is a credible reading of the text within the tradition. A reader with a basic understanding of the language of Chinese poetry can use this to facilitate reading Du Fu, which can present problems for even the most learned reader.
| Author | : Stephen Owen |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Chinese poetry |
| ISBN | : 9780674033283 |
Owen analyzes the redirection of poetry following the deaths of the major poets of the High and Mid-Tang and the rejection of their poetic styles. In the Late Tang, the poetic past was beginning to assume the form it would have for the next millennium--a repertoire of styles, genres, and the voices of past poets.
| Author | : Stephen Owen |
| Publisher | : Harvard University Press |
| Total Pages | : 392 |
| Release | : 2006 |
| Genre | : Literary Criticism |
| ISBN | : |
This study of poetry composed between the end of the first century B.C.E. and the third century C.E. examines extant material synchronically, as if it were not historically arranged. It also considers how scholars of the late fifth and early sixth centuries selected this material and reshaped it to produce the standard account of classical poetry.
| Author | : Michael Fuller |
| Publisher | : BRILL |
| Total Pages | : 496 |
| Release | : 2020-10-26 |
| Genre | : History |
| ISBN | : 1684175836 |
"This innovative textbook for learning classical Chinese poetry moves beyond the traditional anthology of poems translated into English and instead brings readers—including those with no knowledge of Chinese—as close as possible to the texture of the poems in their original language. The first two chapters introduce the features of classical Chinese that are important for poetry and then survey the formal and rhetorical conventions of classical poetry. The core chapters present the major poets and poems of the Chinese poetic tradition from earliest times to the lyrics of the Song Dynasty (960–1279).Each chapter begins with an overview of the historical context for the poetry of a particular period and provides a brief biography for each poet. Each of the poems appears in the original Chinese with a word-by-word translation, followed by Michael A. Fuller’s unadorned translation, and a more polished version by modern translators. A question-based study guide highlights the important issues in reading and understanding each particular text.Designed for classroom use and for self-study, the textbook’s goal is to help the reader appreciate both the distinctive voices of the major writers in the Chinese poetic tradition and the grand contours of the development of that tradition."
| Author | : |
| Publisher | : Penguin UK |
| Total Pages | : 61 |
| Release | : 2015-02-26 |
| Genre | : Poetry |
| ISBN | : 0141398213 |
'Can I bear to leave these blue hills?' A generous selection from three of the greatest and most enjoyable of Chinese poets Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Wang Wei (roughly 699-761). Wang Wei's Poems is available in Penguin Classics. Li Po (701-762). Tu Fu (712-770). Li Po and Tu Fu is available in Penguin Classics.
