The Poetry Of Pop
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Author | : Adam Bradley |
Publisher | : Yale University Press |
Total Pages | : 425 |
Release | : 2017-03-28 |
Genre | : Music |
ISBN | : 0300165722 |
A trailblazing exploration of the poetic power of popular songs, from Tin Pan Alley to the Beatles to Beyoncé and beyond. Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n’ roll to today’s hits. George and Ira Gershwin’s “Fascinating Rhythm.” The Rolling Stones’ “(I Can’t Get No) Satisfaction.” Rihanna’s “Diamonds.” These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it.
Author | : X X |
Publisher | : Independently Published |
Total Pages | : 54 |
Release | : 2020-08-21 |
Genre | : |
ISBN | : |
I remember when W was president and many people were worried about his intellectual ability. This was much later than Reagan and worries about his Alzheimers. I only heard about this because I was too young to really remember much about Reagan while he was in office. But, this is all overshadowed these days with the fragments and short bursts of Trump and the ramblings of Biden. The time is right to present the poetry of Biden. All of these poems are taken straight from the speeches of Biden through out the years. No wording was changed. Only line breaks were added to turn his words into free verse poetry.
Author | : Tom C. Hunley |
Publisher | : McFarland |
Total Pages | : 311 |
Release | : 2019-11-05 |
Genre | : Language Arts & Disciplines |
ISBN | : 1476675821 |
This expanded edition adds sixteen new exercises designed to inspire creativity and help poets hone their skills. Each exercise includes a clearly-stated learning objective, historical background matter on the particular subgenre being explored, and an example written by undergraduates at Western Kentucky University. The text also analyzes work by leading American poets including Billy Collins, Denise Duhamel and Dean Young. The book's five chapters correspond with the five canons of classical rhetoric: invention, arrangement, style, memory, and delivery.
Author | : Ryan Hibbett |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 273 |
Release | : 2022-08-11 |
Genre | : Music |
ISBN | : 150135471X |
Just as soon as it had got rolling, rock music had a problem: it wanted to be art. A mere four years separate the Beatles as mere kiddy culture from the artful geniuses of Sergeant Pepper's, meaning the very same band who represents the mass-consumed, "mindless" music of adolescents simultaneously enjoys status as among the best that Western culture has to offer. The story of rock music, it turns out, is less that of a contagious popular form situated in opposition to high art, but, rather, a story of high and low in dialogue--messy and contentious, to be sure, but also mutually obligated to account for, if not appropriate, one another. The chapters in this book track the uses of literature, specifically, within this relation, helping to showcase collectively its fundamental role in the emergence of the "pop omnivore."
Author | : Juan A. Suárez |
Publisher | : University of Illinois Press |
Total Pages | : 338 |
Release | : 2022-08-15 |
Genre | : Performing Arts |
ISBN | : 0252054237 |
Pop Modernism examines the popular roots of modernism in the United States. Drawing on a wide range of materials, including experimental movies, pop songs, photographs, and well-known poems and paintings, Juan A. Suárez reveals that experimental art in the early twentieth century was centrally concerned with the reinvention of everyday life. Suárez demonstrates how modernist writers and artists reworked pop images and sounds, old-fashioned and factory-made objects, city spaces, and the languages and styles of queer and ethnic “others.” Along the way, he reinterprets many of modernism’s major figures and argues for the centrality of relatively marginal ones, such as Vachel Lindsay, Charles Henri Ford, Helen Levitt, and James Agee. As Suárez shows, what’s at stake is not just an antiquarian impulse to rescue forgotten past moments and works, but a desire to establish an archaeology of our present art, culture, and activism.
Author | : Max Evans |
Publisher | : UNM Press |
Total Pages | : 692 |
Release | : 2007-06-15 |
Genre | : Fiction |
ISBN | : 0826342612 |
Born in New Mexico at the end of World War I, Bluefeather Fellini is half-Pueblo Indian and half-Italian. Throughout his life, Bluefeather enjoys roaming and seeking his fortunes elsewhere, but he is always drawn back to Taos, the home of his Indian mother. During times of danger, he is visited by Dancing Bear, his spirit guide, who interjects ageless humor into situations when needed. And his Aunt Tulip Everhaven usually has a brew made from sagebrush that helps Bluefeather put his troubles into perspective. "[Max Evans is] a sage voice of the West."--The New York Times The narrative tone changes dramatically to describe Bluefeather's participation in D-Day and the subsequent push into Germany in harrowing, unsentimental detail; these nearly surreal passages are war writing at its best. . . . a highly engaging epic."--Publishers Weekly "A strong sense of place permeates the text; the high-desert world of northern New Mexico provides realistic and spiritual elements that add mythic quality to a leisurely-told tale wi
Author | : Herbert Charles O'Neill |
Publisher | : |
Total Pages | : 1644 |
Release | : 1914 |
Genre | : Encyclopedias |
ISBN | : |
Author | : William Isaac Fletcher |
Publisher | : |
Total Pages | : 872 |
Release | : 1901 |
Genre | : Humanities |
ISBN | : |
Author | : Paul Kengor |
Publisher | : Simon and Schuster |
Total Pages | : 505 |
Release | : 2012-07-17 |
Genre | : Political Science |
ISBN | : 1451698151 |
“I admire Russia for wiping out an economic system which permitted a handful of rich to exploit and beat gold from the millions of plain people… As one who believes in freedom and democracy for all, I honor the Red nation.” —FRANK MARSHALL DAVIS, 1947 In his memoir, Barack Obama omits the full name of his mentor, simply calling him “Frank.” Now, the truth is out: Never has a figure as deeply troubling and controversial as Frank Marshall Davis had such an impact on the development of an American president. Although other radical influences on Obama, from Jeremiah Wright to Bill Ayers, have been scrutinized, the public knows little about Davis, a card-carrying member of the Communist Party USA, cited by the Associated Press as an “important influence” on Obama, one whom he “looked to” not merely for “advice on living” but as a “father” figure. Aided by access to explosive declassified FBI files, Soviet archives, and Davis’s original newspaper columns, Paul Kengor explores how Obama sought out Davis and how Davis found in Obama an impressionable young man, one susceptible to Davis’s worldview that opposed American policy and traditional values while praising communist regimes. Kengor sees remnants of this worldview in Obama’s early life and even, ultimately, his presidency. Is Obama working to fulfill the dreams of Frank Marshall Davis? That question has been impossible to answer, since Davis’s writings and relationship with Obama have either been deliberately obscured or dismissed as irrelevant. With Paul Kengor’s The Communist, Americans can finally weigh the evidence and decide for themselves.
Author | : Michael Gamer |
Publisher | : Cambridge University Press |
Total Pages | : 331 |
Release | : 2017-02-17 |
Genre | : History |
ISBN | : 1107158850 |
Michael Gamer explodes the myth of the unworldly Romantic poet, showing writers' interest in public presence, and profit and loss.