The Poetics Of Ruins In Renaissance Literature
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Author | : Andrew Hui |
Publisher | : Fordham Univ Press |
Total Pages | : 360 |
Release | : 2017-01-02 |
Genre | : Art |
ISBN | : 0823273369 |
The Renaissance was the Ruin-naissance, the birth of the ruin as a distinct category of cultural discourse, one that inspired voluminous poetic production. For humanists, the ruin became the material sign that marked the rupture between themselves and classical antiquity. In the first full-length book to document this cultural phenomenon, Andrew Hui explains how the invention of the ruin propelled poets into creating works that were self-aware of their absorption of the past as well as their own survival in the future.
Author | : Rachel Eisendrath |
Publisher | : University of Chicago Press |
Total Pages | : 202 |
Release | : 2018-04-06 |
Genre | : Literary Criticism |
ISBN | : 022651675X |
We have become used to looking at art from a stance of detachment. In order to be objective, we create a “mental space” between ourselves and the objects of our investigation, separating internal and external worlds. This detachment dates back to the early modern period, when researchers in a wide variety of fields tried to describe material objects as “things in themselves”—things, that is, without the admixture of imagination. Generations of scholars have heralded this shift as the Renaissance “discovery” of the observable world. In Poetry in a World of Things, Rachel Eisendrath explores how poetry responded to this new detachment by becoming a repository for a more complex experience of the world. The book focuses on ekphrasis, the elaborate literary description of a thing, as a mode of resistance to this new empirical objectivity. Poets like Petrarch, Spenser, Marlowe, and Shakespeare crafted highly artful descriptions that recovered the threatened subjective experience of the material world. In so doing, these poets reflected on the emergence of objectivity itself as a process that was often darker and more painful than otherwise acknowledged. This highly original book reclaims subjectivity as a decidedly poetic and human way of experiencing the material world and, at the same time, makes a case for understanding art objects as fundamentally unlike any other kind of objects.
Author | : Susan Stewart |
Publisher | : University of Chicago Press |
Total Pages | : 401 |
Release | : 2021-06-02 |
Genre | : Architecture |
ISBN | : 022679220X |
"In 'The Ruins Lesson,' the National Book Critics Circle Award-winning poet-critic Susan Stewart explores the West's fascination with ruins in literature, visual art, and architecture, covering a vast chronological and geographical range from the ancient Egyptians to T. S. Eliot. In the multiplication of images of ruins, artists, and writers she surveys, Stewart shows how these thinkers struggled to recover lessons out of the fragility or our cultural remains. She tries to understand the appeal in the West of ruins and ruination, particularly Roman ruins, in the work and thought of Goethe, Piranesi, Blake, and Wordsworth, whom she returns to throughout the book. Her sweeping, deeply felt study encompasses the founding legends of broken covenants and original sin; Christian transformations of the classical past; the myths and rituals of human fertility; images of ruins in Renaissance allegory, eighteenth-century melancholy, and nineteenth-century cataloguing; and new gardens that eventually emerged from ancient sites of disaster"--
Author | : John M. Hunt |
Publisher | : BRILL |
Total Pages | : 311 |
Release | : 2016-03-11 |
Genre | : Religion |
ISBN | : 9004313788 |
In The Vacant See in Early Modern Rome John M. Hunt offers a social history of the papal interregnum from 1559 to 1655. The study concentrates on the Roman people’s relationship with their sacred ruler. Using criminal sources from the Archivio di Stato di Roma and Vatican sources, Hunt emphasizes the violent and tumultuous nature of the lapse in papal authority that followed the pope’s death. The vacant see was a time in which Romans of modest social backgrounds claimed unprecedented power. From personal acts of revenge to collective protests staged at the Capitol Hill and citywide discussions of the papal election the vacant see provided Romans with a unique opportunity for political involvement in an age of omnipresent hierarchy.
Author | : Stewart Mottram |
Publisher | : Oxford University Press |
Total Pages | : 403 |
Release | : 2019-01-31 |
Genre | : Literary Criticism |
ISBN | : 0192573438 |
Ruin and Reformation in Spenser, Shakespeare, and Marvell explores writerly responses to the religious violence of the long reformation in England and Wales, spanning over a century of literature and history, from the establishment of the national church under Henry VIII (1534), to its disestablishment under Oliver Cromwell (1653). It focuses on representations of ruined churches, monasteries, and cathedrals in the works of a range of English Protestant writers, including Spenser, Shakespeare, Jonson, Herbert, Denham, and Marvell, reading literature alongside episodes in English reformation history: from the dissolution of the monasteries and the destruction of church icons and images, to the puritan reforms of the 1640s. The study departs from previous responses to literature's 'bare ruined choirs', which tend to read writerly ambivalence towards the dissolution of the monasteries as evidence of traditionalist, catholic, or Laudian nostalgia for the pre-reformation church. Instead, Ruin and Reformation shows how English protestants of all varieties—from Laudians to Presbyterians—could, and did, feel ambivalence towards, and anxiety about, the violence that accompanied the dissolution of the monasteries and other acts of protestant reform. The study therefore demonstrates that writerly misgivings about ruin and reformation need not necessarily signal an author's opposition to England's reformation project. In so doing, Ruin and Reformation makes an important contribution to cross-disciplinary debates about the character of English Protestantism in its formative century, revealing that doubts about religious destruction were as much a part of the experience of English protestantism as expressions of popular support for iconoclasm in the sixteenth and seventeenth centuries.
Author | : Felipe Valencia (1983- author) |
Publisher | : U of Nebraska Press |
Total Pages | : 354 |
Release | : 2021-07 |
Genre | : Literary Criticism |
ISBN | : 1496227697 |
At the turn of the seventeenth century, Spanish lyric underwent a notable development. Several Spanish poets reinvented lyric as a melancholy and masculinist discourse that sang of and perpetrated symbolic violence against the female beloved. This shift emerged in response to the rising prestige and commercial success of the epic and was enabled by the rich discourse on the link between melancholy and creativity in men. In The Melancholy Void Felipe Valencia examines this reconstruction of the lyric in key texts of Spanish poetry from 1580 to 1620. Through a study of canonical and influential texts, such as the major poems by Luis de Góngora and the epic of Alonso de Ercilla, but also lesser-known texts, such as the lyrics by Miguel de Cervantes, The Melancholy Void addresses four understudied problems in the scholarship of early modern Spanish poetry: the use of gender violence in love poetry as a way to construct the masculinity of the poetic speaker; the exploration in Spanish poetry of the link between melancholy and male creativity; the impact of epic on Spanish lyric; and the Spanish contribution to the fledgling theory of the lyric. The Melancholy Void brings poetry and lyric theory to the conversation in full force and develops a distinct argument about the integral role of gender violence in a prominent strand of early modern Spanish lyric that ran from Garcilaso to Góngora and beyond.
Author | : William E. Engel |
Publisher | : Cambridge University Press |
Total Pages | : 311 |
Release | : 2022-10-13 |
Genre | : Literary Criticism |
ISBN | : 1108910424 |
Drawing together leading scholars of early modern memory studies and death studies, Memory and Mortality in Renaissance England explores and illuminates the interrelationships of these categories of Renaissance knowing and doing, theory and praxis. The collection features an extended Introduction that establishes the rich vein connecting these two fields of study and investigation. Thereafter, the collection is arranged into three subsections, 'The Arts of Remembering Death', 'Grounding the Remembrance of the Dead', and 'The Ends of Commemoration', where contributors analyse how memory and mortality intersected in writings, devotional practice, and visual culture. The book will appeal to scholars of early modern literature and culture, book history, art history, and the history of mnemonics and thanatology, and will prove an indispensable guide for researchers, instructors, and students alike.
Author | : James Uden |
Publisher | : Oxford University Press, USA |
Total Pages | : 285 |
Release | : 2020 |
Genre | : Literary Criticism |
ISBN | : 0190910275 |
Spectres of Antiquity is the first full-length study of the relationship between Greco-Roman culture and the eighteenth-century Gothic. In fascinating and compelling detail, James Uden's book rewrites the history of the Gothic genre, demonstrating that the genre was haunted by a deeper sense of history than has previously been assumed.
Author | : Du Bellay |
Publisher | : Oxford University Press |
Total Pages | : 273 |
Release | : 2023-07-11 |
Genre | : Poetry |
ISBN | : 019266378X |
'Live now and listen, do not wait in vain Until tomorrow; pluck life's rose today.' Joachim du Bellay and Pierre de Ronsard are two of the major sixteenth-century French poets and leaders of the extraordinary group known as 'La Pl?iade'. Determined to create a national vernacular literature, the Pl?iade poets profited from an intense study of Greek and Roman models and from a creative use of classical mythology to produce a body of verse that reflects the vigour and variety of European Renaissance culture. Du Bellay broke new ground with the gritty realism and resentment of the Regrets and with his meditation in the Antiquities on the rise and fall of the Roman Empire. In a series of sonnet sequences (Cassandre, Marie, Astr?e, H?l?ne) Ronsard developed the Petrarchan tradition of love poetry with a wider range of situations, a richer imagery, and more robust sensuality. His reputation as France's greatest love-poet should not, however, obscure his excellence in an astonishing variety of forms and genres such as elegies, odes, philosophical hymns, and religious controversy. Anthony Mortimer's verse translations cover this many-faceted achievement in a version that functions as English poetry in its own right without departing from the letter and spirit of the original. The French text is given on facing pages and a useful appendix contains extracts from seminal manifestos by the two poets. A critical introduction, a glossary of names and places, and abundant notes encourage the reader to place the poems in their social and cultural context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author | : Anna Reynolds |
Publisher | : Oxford University Press |
Total Pages | : 241 |
Release | : 2024-02-27 |
Genre | : Literary Criticism |
ISBN | : 0198882726 |
The ubiquity of waste paper in early modern England has long been misunderstood. Though insults and modesty tropes that refer to waste paper are widespread, these have often been dismissed as nothing more than rhetorical flourishes. Paired with the common misconception that paper would have been too valuable to 'waste' in the sixteenth and seventeenth centuries, these tropes have been read as scatological flights of fancy. Waste Paper in Early Modern England argues that such commonplaces are in fact indicative of everyday, material experience - of an author's, reader's, housewife's, or city-dweller's immersion in an environment brimming with repurposed scraps and sheets. It demonstrates that waste paper makes visible a radically different understanding of waste matter in the early modern period than in our own. More than a rhetorical aside, repurposed pages were both materially and figuratively useful. Drawing on a range of literary, pictorial, and bibliographical sources, Waste Paper in Early Modern England reveals how layers of meaning accreted around paper fragments in the sixteenth and seventeenth centuries, and how, because of the widespread sensitivity to the life cycle of paper and books, wasted pages prompted meaningful imaginative work. The book's five chapters recount how, in this period, the biography of waste paper provided a thing to think with concerning matter and temporality - a potent and flexible emblem for the troublesome passage of books and all other sorts of bodies through time.