The Poetical Works Of William Strode 1600 1645
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Broken Idols of the English Reformation
Author | : |
Publisher | : Cambridge University Press |
Total Pages | : 1129 |
Release | : |
Genre | : |
ISBN | : 0521770181 |
The Circulation of Poetry in Manuscript in Early Modern England
Author | : Arthur F. Marotti |
Publisher | : Routledge |
Total Pages | : 335 |
Release | : 2021-05-26 |
Genre | : Literary Criticism |
ISBN | : 1000390683 |
This study examines the transmission and compilation of poetic texts through manuscripts from the late-Elizabethan era through the mid-seventeenth century, paying attention to the distinctive material, social, and literary features of these documents. The study has two main focuses: the first, the particular social environments in which texts were compiled and, second, the presence within this system of a large body of (usually anonymous) rare or unique poems. Manuscripts from aristocratic, academic, and urban professional environments are examined in separate chapters that highlight particular collections. Two chapters consider the social networking within the university and London that facilitated the transmission within these environments and between them. Although the topic is addressed throughout the study, the place of rare or unique poems in manuscript collections is at the center of the final three chapters. The book as a whole argues that scholars need to pay more attention to the social life of texts in the period and to little-known or unknown rare or unique poems that represent a field of writing broader than that defined in a literary history based mainly on the products of print culture.
Broken Idols of the English Reformation
Author | : Margaret Aston |
Publisher | : Cambridge University Press |
Total Pages | : 1994 |
Release | : 2015-11-26 |
Genre | : History |
ISBN | : 1316060470 |
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.