The Poetic World Of Jorge Carrera Andrade
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Author | : Jorge Carrera Andrade |
Publisher | : |
Total Pages | : 186 |
Release | : 2002 |
Genre | : Spanish language materials |
ISBN | : |
By the close of the twentieth century, the brilliant poets that had emerged from the Americas included Ruben Dario, Pablo Neruda, Cesar Vallejo, Vicente Huidobro, and Octavio Paz. To this list must be added Jorge Carrera Andrade, an Ecuadorian, who spent his entire adult life traveling as a diplomat, politician, and poet. Despite a brief flurry of attention generated in the United States by his book, Secret Country (New York: MacMillan, 1946), published just after he served as Ecuadorian Consul General to the United States in San Francisco, Andrade has since been forgotten by American anthologists and literary critics. But in fact the late Andrade was a leading figure in Latin American letters. This volume of his poetry was selected and translated by Steven Ford Brown and is presented in both Spanish and English. Its publication coincides with a UNESCO event remembering Andrade.
Author | : Jorge Andrade |
Publisher | : Wave Books |
Total Pages | : 98 |
Release | : 2011-11-01 |
Genre | : Poetry |
ISBN | : 1933517557 |
Deliberately anachronistic and delightfully extractable, the microgram is a metaphor itself for that which is well worth the digging.
Author | : Jorge C. Andrade |
Publisher | : State University of New York Press |
Total Pages | : 294 |
Release | : 1972-06-30 |
Genre | : Biography & Autobiography |
ISBN | : 0791494918 |
While Latin American poets such as Pablo Neruda, Jorge Luis Borges, and Octacio Paz have been receiving most of the attention of critics, the Ecuadorian poet Jorge Carrera Andrade had quietly continued writing his "transparent" poetry. Nevertheless, Carrera Andrade's poems are undoubtedly some of the best ever written in the Spanish language, and he has often been mentioned as a likely candidate for the Nobel Prize. In his poetic exploration of what he calls "the secret country of human existence," Carrera Andrade marvels at the beauty of the world. And this wonder is conveyed by means of dazzling, descriptive metaphors. Perhaps it could be said that the Ecuadorian poet always interprets the world visually, but his visual images constitute merely a metaphorical technique, around which he constructs his poems. In his verbal structures he expresses the transitory nature of life as well as the loneliness of man in the universe. He describes life in his native Ecuador, contemplates with compassion the plight of the Indians of his country, and denounces social injustices. More recently Carrera Andrade, concerned about the destiny of mankind, manifests his indomitable faith in humanity in the book Hombre planetario (1959), imagining a social utopia. Carrera Andrade has stated that his poetry is the result of "the intimate union of the senses and the intellect." And yet his poems remain "transparent." He rejects obscurity and complexity and chooses simplicity and clarity. He considers that "one of the essential goals of poetry is communion with other men" and that if his poetry cannot communicate "its emotive and sensorial content, it fails to accomplish its mission, which is the interpretation of the world." As to the universal meaning of his poetic work, Carrera Andrade would recall Goethe's phrase: "All my works are fragments of a great confession." He would characterize his own work as a confession of love both for humanity and for the wonders of this world. Carrera Andrade must be counted among the four or five best contemporary poets of Latin America. Whether he is awarded a Nobel Prize still remains to be seen, but there can be no doubt that in his poems one can detect the same literary excellence as in the work of Neruda, Paz, or Borges. Hopefully the work of this great Ecuadorian poet will soon be universally appreciated. In some of his works he can be compared to T. S. Eliot, Hölderlin, or Saint-Jean Perse. The publication of H. R. Hayes' translations will, for the first time, make available to English-speaking readers all of the significant verse of Carrera Andrade, beginning with some of his first pieces from La guirnalda del silencio (1926) and ending with translations from Posía última (1957 –1966).
Author | : Harris Feinsod |
Publisher | : Oxford University Press |
Total Pages | : 441 |
Release | : 2017 |
Genre | : History |
ISBN | : 0190682000 |
The Poetry of the Americas provides an expansive history of relations between poets in the US and Latin America over three decades, from the Good Neighbor diplomacy of World War II to 1960s Cold War cultural policy.
Author | : Jorge Carrera Andrade |
Publisher | : SUNY Press |
Total Pages | : 294 |
Release | : 1972-01-01 |
Genre | : Biography & Autobiography |
ISBN | : 9780873950671 |
While Latin American poets such as Pablo Neruda, Jorge Luis Borges, and Octacio Paz have been receiving most of the attention of critics, the Ecuadorian poet Jorge Carrera Andrade had quietly continued writing his "transparent" poetry. Nevertheless, Carrera Andrade's poems are undoubtedly some of the best ever written in the Spanish language, and he has often been mentioned as a likely candidate for the Nobel Prize. In his poetic exploration of what he calls "the secret country of human existence," Carrera Andrade marvels at the beauty of the world. And this wonder is conveyed by means of dazzling, descriptive metaphors. Perhaps it could be said that the Ecuadorian poet always interprets the world visually, but his visual images constitute merely a metaphorical technique, around which he constructs his poems. In his verbal structures he expresses the transitory nature of life as well as the loneliness of man in the universe. He describes life in his native Ecuador, contemplates with compassion the plight of the Indians of his country, and denounces social injustices. More recently Carrera Andrade, concerned about the destiny of mankind, manifests his indomitable faith in humanity in the book Hombre planetario (1959), imagining a social utopia. Carrera Andrade has stated that his poetry is the result of "the intimate union of the senses and the intellect." And yet his poems remain "transparent." He rejects obscurity and complexity and chooses simplicity and clarity. He considers that "one of the essential goals of poetry is communion with other men" and that if his poetry cannot communicate "its emotive and sensorial content, it fails to accomplish its mission, which is the interpretation of the world." As to the universal meaning of his poetic work, Carrera Andrade would recall Goethe's phrase: "All my works are fragments of a great confession." He would characterize his own work as a confession of love both for humanity and for the wonders of this world. Carrera Andrade must be counted among the four or five best contemporary poets of Latin America. Whether he is awarded a Nobel Prize still remains to be seen, but there can be no doubt that in his poems one can detect the same literary excellence as in the work of Neruda, Paz, or Borges. Hopefully the work of this great Ecuadorian poet will soon be universally appreciated. In some of his works he can be compared to T. S. Eliot, Hölderlin, or Saint-Jean Perse. The publication of H. R. Hayes' translations will, for the first time, make available to English-speaking readers all of the significant verse of Carrera Andrade, beginning with some of his first pieces from La guirnalda del silencio (1926) and ending with translations from Posía última (1957 -1966).
Author | : Ángel González |
Publisher | : |
Total Pages | : 304 |
Release | : 1993 |
Genre | : Poetry |
ISBN | : |
A brilliant bilingual collection of the work of one of Spain's greatest poets of the 20th century, beautifully translated by Steven Ford Brown and Gutierrez Revuelta. Annotation copyright by Book News, Inc., Portland, OR
Author | : Sara Dunn |
Publisher | : Fawcett |
Total Pages | : 290 |
Release | : 1992 |
Genre | : Literary Criticism |
ISBN | : 0449905993 |
While the state of the environment is a very current issue, passion and concern for the world around us is nearly as old as the world itself. Poetry for the Earth brings together a cross-section of some of the most beautiful and haunting poetry ever written in tribute to--or in mourning for--our magnificent landscapes.
Author | : Muna Lee |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 340 |
Release | : 2004 |
Genre | : Biography & Autobiography |
ISBN | : 9780299202347 |
The extraordinary Muna Lee was a brilliant writer, lyric poet, translator, diplomat, feminist and rights activist, and, above all, a Pan-Americanist. During the twentieth century, she helped shape the literary and social landscapes of the Americas. This is the first biography of her remarkable life and a collection of her diverse writings, which embody her vision of Pan America, an old concept that remains new and meaningful today.
Author | : Lorine Niedecker |
Publisher | : Wave Books |
Total Pages | : 106 |
Release | : 2013-04-02 |
Genre | : Literary Collections |
ISBN | : 1933517662 |
A reader-friendly anthology of influence—the geologic, historical, and personal history to supplement Lorine Niedecker’s poem.
Author | : David Rigsbee |
Publisher | : University of Virginia Press |
Total Pages | : 296 |
Release | : 2001 |
Genre | : Poetry |
ISBN | : 9780813920733 |
Mencken's stinging characterization of the American South as "the Sahara of the Bozart" reflects an understandable frustration with the narrow view of the canon of southern literature. With its focus on novelists, it largely ignores the works of all but a few poets—the Fugitives Robert Penn Warren, Allen Tate, and John Crowe Ransom, and the larger-than-life James Dickey among them. Invited Guest is the first anthology that attempts to reach beyond this small coterie to encompass the range and brilliance of twentieth-century southern poetry. Editors David Rigsbee and Steven Ford Brown have compiled the works of a richly diverse collection of poets—all born or raised southerners. Women and African Americans are recognized for their alternative, subversive contributions to southern aesthetics; the myopic, often scathing views of the New Critics or the overly historicist agendas of identity politics are discarded in favor of a middle ground that allows for inclusion on both aesthetic and historical bases. Along with a respectful acknowledgement of the contributions of the most popular figures in southern poetry, Rigsbee and Brown offer long-overdue attention to underrecognized poets such as Anne Spencer, John Beecher, Eleanor Ross Taylor, and Alice Dunbar Nelson. The juxtaposition of the canonical and the little-known makes Invited Guest an intriguing illustration of the abundance and range of poetry in the twentieth-century South.