The Poetic Aesthetics Of African Poetry
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Author | : Evie Shockley |
Publisher | : University of Iowa Press |
Total Pages | : 277 |
Release | : 2011-10 |
Genre | : Literary Criticism |
ISBN | : 1609380584 |
"Beginning with a deceptively simple question--what do we mean when we designate behaviors, values, or forms of expression as "black"?--Evie Shockley's Renegade poetics teases out the more complex and nuanced possibilities the concept has long encompassed. She redefines black aesthetics descriptively, resituating innovative poetry that has been marginalized becuase it was not "recognizably black" and avant-garde poetry dismissed because it was"--Back cover.
Author | : Mark A. Sanders |
Publisher | : University of Georgia Press |
Total Pages | : 244 |
Release | : 1999 |
Genre | : Literary Criticism |
ISBN | : 9780820320502 |
Sterling A. Brown’s poetry and aesthetics are central to a proper understanding of African American art and politics of the early twentieth century. This study redefines the relationship between modernism and the New Negro era in light of Brown’s uniquely hybrid poetry and vision of a heterodox, pluralist modernism. Brown, also a folklorist and critic, saw the Harlem Renaissance and modernism as interactive rather than mutually exclusive and perceived the New Negro era as the dawning of African American modernity. Reading Brown’s three collections of poetry in light of their respective historical contexts, Sanders examines the ways in which Brown reconfigured black being and created alternative conceptual space for African Americans amid the prevailing racial discourses of American culture. Brown’s poetics call for revised conceptions of the Harlem Renaissance, black identity, artistic expression, and modernity that recognize the range, depth, and complexity of African American life.
Author | : Jürgen E. Grandt |
Publisher | : Ohio State University Press |
Total Pages | : 180 |
Release | : 2004 |
Genre | : Language Arts & Disciplines |
ISBN | : 0814209807 |
Author | : PH D April C E Langley |
Publisher | : |
Total Pages | : 226 |
Release | : 2021-01-29 |
Genre | : |
ISBN | : 9780814256602 |
During the era of the slave trade, more than 12 million Africans were brought as slaves to the Americas. Their memories, ideas, beliefs, and practices would forever reshape its history and cultures. April C. E. Langley's The Black Aesthetic Unbound exposes the dilemma of the literal, metaphorical, and rhetorical question, "What is African in African American literature?" Confronting the undeniable imprints of West African culture and consciousness in early black writing such as Olaudah Equiano's The Interesting Narrative or Phillis Wheatley's poetry, the author conceives eighteenth-century Black Experience to be literally and figuratively encompassing and inextricably linked to Africa, Europe, and America. Consequently, this book has three aims: to locate the eighteenth century as the genesis of the cultural and historical movements which mark twentieth-century black aestheticism--known as the Black Aesthetic; to analyze problematic associations of African identity as manifested in an essentialized Afro-America; and to study the relationship between specific West African modes of thought and expression and the emergence of a black aesthetic in eighteenth-century North America. By exploring how Senegalese, Igbo, and other West African traditions provide striking new lenses for reading poetry and prose by six significant writers, Langley offers a fresh perspective on this important era in our literary history. Ultimately, the author confronts the difficult dilemma of how to use diasporic, syncretic, and vernacular theories of Black culture to think through the massive cultural transformations wrought by the Middle Passage.
Author | : Ta-Nehisi Coates |
Publisher | : Marvel Entertainment |
Total Pages | : 153 |
Release | : 2017-01-11 |
Genre | : Comics & Graphic Novels |
ISBN | : 1302495658 |
Collects Black Panther (2016) #5-8, Jungle Action #6-7. Counting down the final days of the kingdom of Wakanda! As Zenzi and The People poison Wakandas citizens against the Black Panther, a cabal of nation-breakers is assembled. And Ayo and Aneka, the Midnight Angels, are courted to raise their land to new glory! His allies dwindling, TChalla must rely on his elite secret police, the Hatut Zeraze, and fellow Avenger Eden Fesi, a.k.a. Manifold! And with TChallas back truly against the wall, some old friends lend a hand: Luke Cage, Misty Knight and Storm! But Wakanda may be too far gone for this all-new, all-different crew and theres one job the Panther must handle alone. Only he can voyage into the Djalia! Getting there is hard enough, but can he even find his sister Shuri inside Wakandas collective memory?
Author | : David Olusegun Agbaje, Ph.D |
Publisher | : Austin Macauley Publishers |
Total Pages | : 168 |
Release | : 2024-03-01 |
Genre | : Education |
ISBN | : 1398428728 |
What is literature? What is poetry? How do poets committed to the idea of using poetry as a weapon of socio-cultural and political struggle manage to impress their works in the minds and memories of men long after the struggle has been fought and won or lost? What will a new generation of poets write about after the explosive social contradictions that inspired older poets have been resolved? Why do the themes and styles of poets in transitional societies change along with human fortunes and circumstances? This book provides answers to these questions and more... using the poetic heritage of South Africa. It is a compelling pedagogic work, a must-read for every student, researcher and teacher of African poetry, and a collector’s item for the general public.
Author | : Tanure Ojaide |
Publisher | : |
Total Pages | : 180 |
Release | : 1996 |
Genre | : History |
ISBN | : |
In this book, Tanure Ojaide explains the uniqueness of modern African poetry, which he sees as a product of African orature and the Western literary tradition. The volume fittingly begins with "African Literature and Cultural Identity," which establishes areas of cultural identity of modern African literature in general. The next chapter strives to define modern African poetic aesthetics. The book then examines both the oral and the rhythmic aspects of modern African poetry. Having established the defining characteristics of modern African poetry, Ojaide takes on the history of the art form. "The Changing Voice of History: Contemporary African Poetry" and "New Trends in Modern African Poetry" contrast the newer poetry to that of the older generation while acknowledging the influence of the old on the new. The book then goes on to highlight African women's poetry and compare African-American poetry with modern African poetry. After the author -- himself a poet -- talks about his background and generation, the collection concludes with "Poetic Imagination in Black Africa." Ojaide brings the intuitive knowledge of a practitioner and scholar to his literary criticism of poetry, examining and interpreting modern African poems with lucidity, passion, and freshness. His knowledge of American and English literatures allows him to make apt comparisons and bring out the uniqueness of modern African poetry. Touching on the themes, techniques, and other areas, Poetic Imagination in Black Africa will help readers achieve a deeper understanding of the complex and diverse world of modern African poetry.
Author | : Russell West-Pavlov |
Publisher | : Oxford University Press |
Total Pages | : 256 |
Release | : 2018-06-04 |
Genre | : Literary Criticism |
ISBN | : 0192559990 |
The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. This volume offers an overview of contemporary Eastern African writing in English since the mid-twentieth century. It takes a fresh look at what has been an under-represented regional literary tradition within what continues to be an under-represented continental literary tradition. In particular, it broadens the scope of such an overview, complementing the extant monographs on well-known Eastern African writers such as Ngũgĩ to include a host of more recent, less-publicized novelists, dramatists, and poets. It extends the geographical range of existing studies from the familiar triad of Kenyan, Ugandan, and Tanzanian traditions of writing in English, to include the lesser-known Somali, Ethiopian, or Sudanese, or Mauritian or Madagascan traditions. Rather than simply addressing national traditions or broad thematic bundles, the volume treats works as literatures of a region: that is, as literatures of place and space. Eastern African Literatures stresses the formative role of space, place and geography in fashioning the fabric of social interaction, whether individual or collective, in generating history, in moulding identities, and as a consequence in defining the shape of the future. The 'spatial' perspectives allow the 'proximate' rather than the 'distant' influence of literary art to come into view. Proximate modes of literary communication, arising out of residual but vibrant traditions of oral communication, blend with contemporary media to produce hybrid genres of proximity specific to Eastern African literary production. In this way, the book also makes a contribution to the ongoing theorization of literary and cultural innovation in the cultures of the Global South.
Author | : Houston A. Baker (Jr.) |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 220 |
Release | : 1988 |
Genre | : Literary Criticism |
ISBN | : 9780299115043 |
Baker envisages the mission of black culture since the 1920s as "Afro-American spirit work." In the blues, the post-modernist "chant poem," the oratory of Malcolm X and the political plays of Amiri Baraka, Baker notes the unfolding creation of a "racial epic" in which black Americans may discover their place in U.S. society and find their ancestral roots. He analyzes Jean Toomer's stream-of-consciousness protest novel Cane, ponders why apolitical poet Countee Cullen became a voice of the people and pays tribute to critic-poet Larry Neal and to Hoyt Fuller, the editor of Negro Digest who allied himself with the Black Arts movement. He also traces his own shift from "guerrilla theater revolutionary" to embattled theoretician. ISBN 0-299-11500-3: $22.50 (For use only in the library).
Author | : Maurice A. Lee |
Publisher | : Universitat de València |
Total Pages | : 157 |
Release | : 2011-11-28 |
Genre | : Literary Criticism |
ISBN | : 8437085446 |
Aquest llibre explora l'estètica de LeRoi Jones / Amiri Baraka des dels seus primers dies com poeta 'beat' fins a l'actualitat. Baraka ha estat considerat com el poeta rebel, el que sempre ataca la política, denuncia l'abús de poder i les errònies polítiques administratives dels Estats Units. Aquest volum examina alguns dels més importants assajos i obres de ficció, amb l'objectiu de clarificar la importància en el desenvolupament de l'obra de Baraka.