The Poems Of Ms Junius 11
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Author | : R. M. Liuzza |
Publisher | : Routledge |
Total Pages | : 351 |
Release | : 2013-01-11 |
Genre | : Literary Criticism |
ISBN | : 113482985X |
Taken from the same manuscript as Cynewulf, the Junius 11 poems-Genesis, Exodus, Daniel, and Christ and Satan-comprise a series of redacted Old English works that have been traditionally presented as the work of Bede's Caedmon. Medieval scholars have concluded that the four poems were composed by more than one author and later edited by Junius in 1655. All of the poems are notable for their Christian content. Apart from its focus on the Junius 11 manuscript, this collection of essays is also important as a study of how to read, edit, and define any medieval literary text.
Author | : Caedmon |
Publisher | : Columbia University Press |
Total Pages | : 308 |
Release | : 1941-01-22 |
Genre | : Literary Criticism |
ISBN | : 9780231515955 |
Author | : Janet Schrunk Ericksen |
Publisher | : University of Toronto Press |
Total Pages | : 235 |
Release | : 2020-11-19 |
Genre | : Literary Criticism |
ISBN | : 1487507461 |
Reading Old English Biblical Poetry considers the Junius 11 manuscript, the only surviving illustrated book of Old English poetry, in terms of its earliest readers and their multiple strategies of reading and making meaning. Junius 11 begins with the creation story and ends with the final vanquishing of Satan by Jesus. The manuscript is both a continuous whole and a collection with discontinuities and functionally independent pieces. The chapters of Reading Old English Biblical Poetry propose multiple models for reader engagement with the texts in this manuscript, including selective and sequential reading, reading in juxtaposition, and reading in contexts within and outside of the pages of Junius 11. The study is framed by particular attention to the materiality of the manuscript and how that might have informed its early reception, and it broadens considerations of reading beyond those of the manuscript's compiler and possible patron. As a book, Junius 11 reflects a rich and varied culture of reading that existed in and beyond houses of God in England in the tenth and eleventh centuries, and it points to readers who had enough experience to select and find wisdom, narrative pleasure, and a diversity of other things within this or any book's contents.
Author | : Carl Kears |
Publisher | : Boydell & Brewer |
Total Pages | : 239 |
Release | : 2023-02-21 |
Genre | : |
ISBN | : 1914049136 |
A fresh close reading of the texts of one of the four surviving major manuscripts of Old English poetry, reappraising Oxford, Bodleian Library, MS Junius 11 to discover some of the preoccupations of its compliers. Oxford, Bodleian Library MS Junius 11 is one of the four major manuscripts of Old English poetry to survive and the only one of these to have had a planned sequence of illuminations. Junius 11 is made up of different poems - Genesis A, Genesis B, Exodus, Daniel and Christ and Satan - compiled to resemble a long narrative that represents salvation history from its violent origins to its Last Days. While the poems draw inspiration from biblical, apocryphal and commentary traditions, they combine in the manuscript to create powerful effects that can also be understood through an appreciation of the distinctive craft and complexity of early medieval vernacular verse. But can the language of the poetry within the manuscript tell us anything about the aims of the Junius 11 project, or the preoccupations of its compilers? This book approaches Junius 11 as an ambitious poetic endeavour that was designed to offer counsel through the medium of Old English verbal art. Tracing thematic language across and between the poems, and offering close readings of them in their manuscript context, MS Junius 11 and its Poetry argues that it is early medieval political ideas represented by the Old English words ræd (good counsel) and unræd (ill counsel) that emerge as the key components underlying the central conflicts of the history of humankind the makers of this manuscript sought to create. The poems themselves, by giving us many examples of rulers and leaders falling to ruin, have the potential to offer their own ræd to those who may have found themselves in relatable positions. But Junius 11 demands work for such gifts. Its poems generate impressions cumulatively and collectively, offering instruction to those who might build connections across pages, demanding audiences become attentive and active readers so that they might find solace and advice in a world that moves towards destruction.
Author | : Clare A. Lees |
Publisher | : Cambridge University Press |
Total Pages | : 910 |
Release | : 2012-11-29 |
Genre | : Literary Criticism |
ISBN | : 131617509X |
Informed by multicultural, multidisciplinary perspectives, The Cambridge History of Early Medieval English Literature offers a new exploration of the earliest writing in Britain and Ireland, from the end of the Roman Empire to the mid-twelfth century. Beginning with an account of writing itself, as well as of scripts and manuscript art, subsequent chapters examine the earliest texts from England, Ireland, Scotland and Wales, and the tremendous breadth of Anglo-Latin literature. Chapters on English learning and literature in the ninth century and the later formation of English poetry and prose also convey the profound cultural confidence of the period. Providing a discussion of essential texts, including Beowulf and the writings of Bede, this History captures the sheer inventiveness and vitality of early medieval literary culture through topics as diverse as the literature of English law, liturgical and devotional writing, the workings of science and the history of women's writing.
Author | : Robert Finnegan |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 182 |
Release | : 1977 |
Genre | : Language Arts & Disciplines |
ISBN | : 0889200408 |
Christ and Satan is the title of the last of four poems in the eleventh-century Junius XI manuscript of Anglo-Saxon poetry. This critical edition contains text, glossary, textual and explanatory notes, and an essay surveying former criticisms and setting forth the author’s ideas on the poem’s principle of unity. Of particular value to students and scholars of Old English, Christ and Satan makes an important contribution to the understanding of this fine and interesting poem.
Author | : Alger Nicolaus Doane |
Publisher | : |
Total Pages | : 440 |
Release | : 1978 |
Genre | : Literary Criticism |
ISBN | : |
Among Old English poems, Genesis A is second--both in length and importance--only to Beowulf. With this new edition, Alger N. Doane reveals both the full stature of the poem and the significant achievement of the poet. Indeed, Doane's creative and scrupulous work calls for both a rereading and a reassessment of Genesis A among all scholars in the field. In the editing of the text and the commentary--the heart of the work--Doane brings his full learning to bear in the service of illuminating the poem. His detailed commentary touches upon all the points of interest of the poem, and places it in context--both historically and aesthetically--among other works of Old English and Germanic poetry, showing both its limits and achievements.
Author | : E.J. Christie |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 259 |
Release | : 2020-09-21 |
Genre | : Literary Criticism |
ISBN | : 1501513060 |
This interdisciplinary volume collects original essays in literary criticism and literary theory, philology, codicology, metrics, and art history. Composed by prominent scholars in Anglo-Saxon studies, these essays honor the depth and breadth of Patrick W. Conner’s influence in our discipline. As a scholar, teacher, editor, administrator and innovator, Pat has contributed to Anglo-Saxon studies for four decades. It is hard to say which of his legacies is most profound.
Author | : R.M. Liuzza |
Publisher | : Broadview Press |
Total Pages | : 276 |
Release | : 2014-03-26 |
Genre | : Poetry |
ISBN | : 1460404483 |
R.M. Liuzza’s Broadview edition of Beowulf was published at almost exactly the same time as Seamus Heaney’s; in reviewing the two together in July 2000 for The New York Review of Books, Frank Kermode concluded that both translations were superior to their predecessors, and that it was impossible to choose between the two: “the less celebrated translator can be matched with the famous one,” he wrote, and “Liuzza’s book is in some respects more useful than Heaney’s.” Ever since, the Liuzza Beowulf has remained among the top sellers on the Broadview list. With this volume readers will now be able to enjoy a much broader selection of Old English poetry in translations by Liuzza. As the collection demonstrates, the range and diversity of the works that have survived is extraordinary—from heartbreaking sorrow to wide-eyed wonder, from the wisdom of old age to the hot blood of battle, and to the deepest and most poignant loneliness. There is breathless storytelling and ponderous cataloguing; there is fervent religious devotion and playful teasing. The poems translated here are meant to provide a sense of some of this range and diversity; in doing so they also offer significant portions of three of the important manuscripts of Old English poetry—the Vercelli Book, the Junius Manuscript, and the Exeter Book.
Author | : Ruth Wehlau |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 308 |
Release | : 2019-05-20 |
Genre | : History |
ISBN | : 3110661977 |
This collection of essays examines the motifs of darkness, depression, and descent in both literal and figurative manifestations within a variety of Anglo-Saxon texts, including the Old English Consolation of Philosophy, Beowulf, Guthlac, The Junius Manuscript, The Wonders of the East, and The Battle of Maldon. Essays deal with such topics as cosmic emptiness, descent into the grave, and recurrent grief. In their analyses, the essays reveal the breadth of this imagery in Anglo-Saxon literature as it is used to describe thought and emotion, as well as the limits to knowledge and perception. The volume investigates the intersection between the burgeoning interest in trauma studies and darkness and the representation of the mind or of emotional experience within Anglo-Saxon literature.