The Pocket Guide To Victorian Artists And Their Models
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| Author | : Russell James |
| Publisher | : Pen and Sword |
| Total Pages | : 323 |
| Release | : 2011-06-13 |
| Genre | : Art |
| ISBN | : 1844687309 |
The Victorian era produced many famous artists and styles. John Everett Millais and Dante Gabriel Rossetti were part of the famous pre-Raphaelite Brotherhood whose willowy models were often seen in the works of several of the artists. One of the most famous was Elizabeth Siddall, an artist in her own right, who posed for Millais Ophelia, married to Rossetti, and posed for him, Holman Hunt and Walter Deverell. This fascinating book is a must for everyone interested in art and the Victorian era, and in the genres, styles and relationships between art and the events of the day. There are biographies of the artists and models, glimpses of their most famous pieces new insights into the vibrant Victorian art-world - the lives and loves, and the artists dealings with their patrons.Did you know?Rossetti tucked a book of his own poetry into Siddalls hair in her coffin and, later, arranged for her exhumation to reclaim it. After several years, the coffin had preserved her ethereal red hair.
| Author | : Russell James |
| Publisher | : Pen and Sword |
| Total Pages | : 344 |
| Release | : 2010-08-19 |
| Genre | : Literary Criticism |
| ISBN | : 1783405244 |
A fact-filled reference for discovering, and learning more about, the literary greats of the nineteenth century. The Victorian era produced many famous writers and poets, including Dickens, Thackeray, H.G. Wells, and Tennyson. Magazines like The Strand launched famous creations such as Conan Doyle’s Sherlock Holmes, whose cliffhanger stories were told in part-works to add to the excitement. And the poetry was epic—Tennyson’s Morte d’Arthur and The Lady of Shalott tapped into the Pre-Raphaelite style so popular in the art of the day. In this guide, Russell James has explored the role of the Victorian writer and their genres, from Dickens’s desire to correct social wrongs and expose poverty to H.G. Wells’s desire to escape the modern world. The responsibility of the Victorian poet is also revealed from romantic declaration and escapism to heroism and historical commemorations—would modern generations know about the Charge of the Light Brigade if Tennyson hadn’t immortalized it? Together with A–Zs of writers and poets, this is a must-read book for everyone who loves good writing and wants to discover more.
| Author | : Leah Price |
| Publisher | : Princeton University Press |
| Total Pages | : 361 |
| Release | : 2012-04-09 |
| Genre | : Literary Criticism |
| ISBN | : 1400842182 |
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
| Author | : Kristina Harris |
| Publisher | : Courier Corporation |
| Total Pages | : 146 |
| Release | : 2013-04-22 |
| Genre | : Antiques & Collectibles |
| ISBN | : 0486320170 |
Vintage guide offered turn-of-the-century seamstresses clear instructions for altering patterns and creating shirt-blouses, skirts, wedding gowns, coats, maternity wear, children's clothing, and other apparel.
| Author | : Jo Devereux |
| Publisher | : McFarland |
| Total Pages | : 265 |
| Release | : 2016-08-02 |
| Genre | : Art |
| ISBN | : 1476626049 |
When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.
| Author | : Lucy Merello Peterson |
| Publisher | : Pen and Sword |
| Total Pages | : 238 |
| Release | : 2018-10-30 |
| Genre | : History |
| ISBN | : 1526725266 |
This is the story of women caught up in thetumultuous art scene of the early twentiethcentury, some famous and others lost totime.By 1910 the patina of the belle poquewas wearing thin in London. Artists wereon the hunt for modern women who couldhold them in thrall. A chance encounter onthe street could turn an artless child intoan artists model, and a model into a muse.Most were accidental beauties, plucked fromobscurity to pose in the great art schoolsand studios. Many returned home to livesthat were desperately challenging almostall were anonymous.Meet them now. Sit with them in theCaf Royal amid the wives and mistressesof Londons most provocative artists. Peekbehind the brushstrokes and chisel cuts atwomen whose identities are some of arthistorys most enduring secrets. Drawing ona rich mlange of historical and anecdotalrecords and a primary source, this isstorytelling that sweeps up the reader inthe cultural tides that raced across Londonin the Edwardian, Great War and interwarperiods.A highlight of the book is a reveal of theAvico siblings, a family of models whosefaces can be found in paint and bronze andstone today. Their lives and contributionshave been cloaked in a century of silence.Now, illuminated by family photos and oralhistories from the daughter of one of themodels, the Avico story is finally told.
| Author | : |
| Publisher | : |
| Total Pages | : 690 |
| Release | : 2013 |
| Genre | : Authors, American |
| ISBN | : |
| Author | : William Powell Frith |
| Publisher | : Yale University Press |
| Total Pages | : 204 |
| Release | : 2006-01-01 |
| Genre | : Photography |
| ISBN | : 0300121903 |
William Powell Frith (1819-1909) was the greatest British painter of the social scene since Hogarth. His panoramas of nineteenth-century life broke new ground in their depiction of the diverse London crowd, and they are now icons of their age. Frith’s popularity in his lifetime was unprecedented; on six separate occasions special railings had to be built at the Royal Academy to protect his paintings from an admiring public. Derby Day and The Railway Station are nearly as well known today as a century ago, yet the artist who painted them is now neglected. This book explores Frith's place in the development of Victorian painting: the impact of his unconventional private life on his work, his relationships with Hogarth and Dickens, his influence on popular illustration, the place of costume in his paintings, his female models, his painting materials and practice, and much more. The book makes an important contribution to the literature on art in the Victorian era and to our understanding of the nineteenth century.
| Author | : Christopher Wood |
| Publisher | : |
| Total Pages | : 435 |
| Release | : 1971 |
| Genre | : |
| ISBN | : |
| Author | : Elise Hooper |
| Publisher | : HarperCollins |
| Total Pages | : 277 |
| Release | : 2017-09-05 |
| Genre | : Fiction |
| ISBN | : 006264534X |
A People Magazine and POPSUGAR pick! “[May's] adventures illuminate the world of intrepid female artists in the late 1800s […] The Other Alcott comes alive in its development of the relationship between Louisa and May.” --The New York Times Elise Hooper’s debut novel conjures the fascinating, untold story of May Alcott—Louisa’s youngest sister and an artist in her own right. We all know the story of the March sisters, heroines of Louisa May Alcott’s Little Women. But while everyone cheers on Jo March, based on Louisa herself, Amy March is often the least favorite sister. Now, it’s time to learn the truth about the real “Amy”, Louisa’s sister, May. Stylish, outgoing, creative, May Alcott grows up longing to experience the wide world beyond Concord, Massachusetts. While her sister Louisa crafts stories, May herself is a talented and dedicated artist, taking lessons in Boston, turning down a marriage proposal from a well-off suitor, and facing scorn for entering what is very much a man’s profession. Life for the Alcott family has never been easy, so when Louisa’s Little Women is published, its success eases the financial burdens they’d faced for so many years. Everyone agrees the novel is charming, but May is struck to the core by the portrayal of selfish, spoiled “Amy March.” Is this what her beloved sister really thinks of her? So May embarks on a quest to discover her own true identity, as an artist and a woman. From Boston to Rome, London, and Paris, this brave, talented, and determined woman forges an amazing life of her own, making her so much more than merely “The Other Alcott.” “Elise Hooper’s thoroughly modern debut gives a fresh take on one of literature’s most beloved families. To read this book is to understand why the women behind Little Women continue to cast a long shadow on our imaginations and dreams. Hooper is a writer to watch!”—Elisabeth Egan, author of A Window Opens
