The Plays And Books Of The Little Theatre
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Author | : Dorothy Chansky |
Publisher | : SIU Press |
Total Pages | : 324 |
Release | : 2005 |
Genre | : Performing Arts |
ISBN | : 9780809326495 |
When movies replaced theater in the early twentieth century, live drama was wide open to reform. A rebellion against commercialism, called the Little Theatre movement, promoted the notion that theatre is a valuable form of self-expression. Composing Ourselves argues that the movement was a national phenomenon that resulted in lasting ideas for serious theatre that are now ordinary parts of the American cultural landscape.
Author | : Marion Muller-Colard |
Publisher | : Diaphanes |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Political ethics |
ISBN | : 9783037345900 |
"Hannah Arendt is not at all keen to build an edifice of ideas or to develop abstract concepts. Rather, she gets on to the stage herself! To enter the scene of her little theater means to take matters into her own hands, take responsibility, to act. In short: Thinking is acting! Whereas the bureaucrats can conceive of only one thing: to build a world out of paper"--Back cover.
Author | : Susan Belasco |
Publisher | : John Wiley & Sons |
Total Pages | : 4743 |
Release | : 2020-04-02 |
Genre | : Literary Criticism |
ISBN | : 1119653347 |
A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.
Author | : Юрий Карлович Олеша |
Publisher | : Psychology Press |
Total Pages | : 136 |
Release | : 2002 |
Genre | : Drama |
ISBN | : 9780415275040 |
Two outstanding examples of socialist-themed plays are combined in this remarkable volume. The Conspiracy of Feelings by Yurii Olesha (1899-1960) is based on his highly respected short novel Envy about the struggle between the old and new in Soviet society. The play, called The Conspiracy of Feelings, is not a simple adaptation, but an original work that reconceived the novel. The play explores the precarious position of the intelligentsia in the new collective state. The Little Theatre of The Green Goose was written by Konstanty Ildefons Galczynski (1905-53) who was one of Poland's most beloved poets. After World War II, he began work as a playwright, inventing a colorful theatre troupe of performers (animal and human) and contributing a new instalment of The Little Theatre of the Green Goose each week to Przekroj, the Cracow literary magazine. Intended for reading only, The Green Goose went unperformed in Galczynski's life and was finally staged in 1955 and gained a permanent place in the theatre and became a force for the creation of the new Polish drama that flourished in the 1960s.
Author | : Rosanna Ley |
Publisher | : Hachette UK |
Total Pages | : 465 |
Release | : 2017-03-09 |
Genre | : Fiction |
ISBN | : 1784292095 |
A gorgeous and evocative read about love and starting over from the bestselling author of THE VILLA 'The perfect holiday companion' Heat 'It will make you want to jump on the first flight out to Sardinia' Hello 'Sun-soaked escapism' Best ********** Faye has just completed her degree in interior design when she finds herself jobless and boyfriend-less. While debating what to do next she receives a surprise phone call from her old college friend Charlotte who now lives in Sardinia and is married to Italian hotelier, Fabio. When Charlotte suggests that Faye relocate for a month to house-sit, Faye wonders if a summer break in sunny Sardinia might be the perfect way to recharge her batteries and think about her future. But then Charlotte tells Faye that there's something more behind the sudden invitation: her friends Marisa and Alessandro are looking for a designer to renovate a crumbling old theatre they own in the scenic village of Deriu. The idea certainly sounds appealing to Faye, but little does she know what she's letting herself in for if she accepts this once-in-a-lifetime opportunity . . . ******** SEE WHAT EVERYONE IS SAYING ABOUT ROSANNA LEY: 'An impeccably researched and deftly written narrative that kept me hooked until the end' - Kathryn Hughes, bestselling author of The Letter 'Such a wealth of fascinating characters set in a glorious village in Sardinia' - Amazon reviewer 'The ultimate feel-good read, perfect for fans of Santa Montefiore, Victoria Hislop and Leah Fleming' - Candis 'On so many levels a fantastic read' - Amazon reviewer 'A fascinating story with engaging themes' - Dinah Jefferies, bestselling author of Before The Rains 'Warm, enthralling, one of my favourite authors' - Amazon reviewer
Author | : Stewart F. Lane |
Publisher | : Hal Leonard Corporation |
Total Pages | : 180 |
Release | : 2009-04-01 |
Genre | : Performing Arts |
ISBN | : 9781557837592 |
For novice and first-time theatre producers at all levels, but especially in community and regional theatre. Offers how-tos on the fundamentals of every aspect of production.
Author | : Frank Shay |
Publisher | : |
Total Pages | : 80 |
Release | : 1919 |
Genre | : Drama |
ISBN | : |
Author | : Louis Botto |
Publisher | : Hal Leonard Corporation |
Total Pages | : 388 |
Release | : 2002 |
Genre | : Performing Arts |
ISBN | : 9781557835666 |
"Contains the informal history of forty theatres that were built, as either legitimate houses or movie palaces and that are currently operating as legitimate theatres"--p. xiii.
Author | : Dr. William Adams |
Publisher | : |
Total Pages | : 400 |
Release | : 2003 |
Genre | : Juvenile Nonfiction |
ISBN | : |
The book is a compendium of the Institute's basic findings presented in a format intended to be a maximum hands-on use to the wide range of readers who wish to apply presentational theater to their individual needs.
Author | : Jordan Tannahill |
Publisher | : Coach House Books |
Total Pages | : 161 |
Release | : 2015-05-11 |
Genre | : Social Science |
ISBN | : 177056411X |
How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)