The Picture of London, for 1803
Author | : John Feltham |
Publisher | : |
Total Pages | : 466 |
Release | : 1802 |
Genre | : London (England) |
ISBN | : |
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Author | : John Feltham |
Publisher | : |
Total Pages | : 466 |
Release | : 1802 |
Genre | : London (England) |
ISBN | : |
Author | : John] [Feltham |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : |
ISBN | : 9781020488375 |
First published in 1804, this book provides an excellent overview of London at the turn of the nineteenth century. It describes the city's streets, buildings, parks, and people, and includes over 100 beautiful engravings of places of interest. The book is a fascinating glimpse into the past and an important historical document. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : John Parker Anderson |
Publisher | : |
Total Pages | : 500 |
Release | : 1881 |
Genre | : Great Britain |
ISBN | : |
Author | : Christina Fuhrmann |
Publisher | : Liverpool University Press |
Total Pages | : 392 |
Release | : 2023-02-16 |
Genre | : Music |
ISBN | : 1638040435 |
Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.
Author | : Heidi A. Strobel |
Publisher | : Bloomsbury Publishing |
Total Pages | : 400 |
Release | : 2023-11-30 |
Genre | : Art |
ISBN | : 1350428108 |
The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today's currency. As someone who made, but did not sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 that featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery's focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. It also includes the first and only catalogue of Linwood's extant and destroyed works. By examining Linwood's replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 842 |
Release | : 1887 |
Genre | : English literature |
ISBN | : |
Author | : ohne Autor |
Publisher | : BoD – Books on Demand |
Total Pages | : 1034 |
Release | : 2020-04-12 |
Genre | : Art |
ISBN | : 3846048305 |
Reprint of the original, first published in 1870.
Author | : National Art Library (Great Britain) |
Publisher | : |
Total Pages | : 1046 |
Release | : 1870 |
Genre | : Art |
ISBN | : |
Author | : Library of Congress |
Publisher | : |
Total Pages | : 712 |
Release | : 1968 |
Genre | : Catalogs, Union |
ISBN | : |