The Pictorial Press

The Pictorial Press
Author: Mason Jackson
Publisher: London : Hurst and Blackett
Total Pages: 388
Release: 1885
Genre: Illustrated periodicals
ISBN:

This work examines the history and evolution of pictorial press.

The Pictorial Press

The Pictorial Press
Author: Mason Jackson
Publisher: BoD – Books on Demand
Total Pages: 350
Release: 2018-05-23
Genre: Fiction
ISBN: 3732699323

Reproduction of the original: The Pictorial Press by Mason Jackson

The Pictorial Press: Its Origin and Progress

The Pictorial Press: Its Origin and Progress
Author: Mason Jackson
Publisher: Good Press
Total Pages: 256
Release: 2019-12-12
Genre: Fiction
ISBN:

"The Pictorial Press: Its Origin and Progress" is a treatise on the use of pictorial form in newspapers. It gives a history on the subject, discussing various events as captured in the newspapers, from Sir Francis Drake's explorations, to various storms and natural disasters of the seventeenth century and the English Civil War. The author emphasizes the fact of universal understanding of pictorial form by even the most illiterate of men.

Indians Illustrated

Indians Illustrated
Author: John M Coward
Publisher: University of Illinois Press
Total Pages: 241
Release: 2016-06-30
Genre: Social Science
ISBN: 0252098528

After 1850, Americans swarmed to take in a raft of new illustrated journals and papers. Engravings and drawings of "buckskinned braves" and "Indian princesses" proved an immensely popular attraction for consumers of publications like Frank Leslie's Illustrated Newspaper and Harper's Weekly . In Indians Illustrated , John M. Coward charts a social and cultural history of Native American illustrations--romantic, violent, racist, peaceful, and otherwise--in the heyday of the American pictorial press. These woodblock engravings and ink drawings placed Native Americans into categories that drew from venerable "good" Indian and "bad" Indian stereotypes already threaded through the culture. Coward's examples show how the genre cemented white ideas about how Indians should look and behave--ideas that diminished Native Americans' cultural values and political influence. His powerful analysis of themes and visual tropes unlocks the racial codes and visual cues that whites used to represent--and marginalize--native cultures already engaged in a twilight struggle against inexorable westward expansion.

Making Pictorial Print

Making Pictorial Print
Author: Alison Hedley
Publisher: University of Toronto Press
Total Pages: 246
Release: 2021
Genre: Literary Criticism
ISBN: 1487506732

Applying media theory to late-Victorian print, Making Pictorial Print shows how popular illustrated magazines developed a new design interface that encouraged dynamic engagement and media literacy in the British public.

The Pictorial Arts of the West, 800-1200

The Pictorial Arts of the West, 800-1200
Author: Charles Reginald Dodwell
Publisher: Yale University Press
Total Pages: 484
Release: 1993-01-01
Genre: Art
ISBN: 9780300064933

Between the ninth and thirteenth centuries the Western world witnessed a glorious flowering of the pictorial arts. In this lavishly illustrated book, C.R. Dodwell provides a comprehensive guide to all forms of this art--from wall and panel paintings to stained glass windows, mosaics, and embroidery--and sets them against the historical and theological influences of the age. Dodwell describes the rise and development of some of the great styles of the Middle Ages: Carolingian art, which ranged from the splendid illuminations appropriate to an emperor's court to drawings of great delicacy; Anglo-Saxon art, which had a rare vitality and finesse; Ottonian art with its political and spiritual messages; the colorful Mozarabic art of Spain, which had added vigor through its interaction with the barbaric Visigoths; and the art of Italy, influenced by the styles of Byzantium and the West. Dodwell concludes with an examination of the universal Romanesque style of the twelfth century that extended from the Scandinavian countries in the north to Jerusalem in the south. His book--which includes the first exhaustive discussion of the painters and craftsmen of the time, incorporates the latest research, and is filled with new ideas about the relations among the arts, history, and theology of the period--will be an invaluable resource for both art historians and students of the Middle Ages.

Winslow Homer and the Pictorial Press

Winslow Homer and the Pictorial Press
Author: David Tatham
Publisher: Syracuse University Press
Total Pages: 296
Release: 2003-04-01
Genre: Art
ISBN: 9780815629740

Winslow Homer (1836-1910), arguably the best-known American artist of the nineteenth century, created three distinctly different bodies of work in the course of his long career: paintings, book illustrations, and illustrations for the pictorial press, the magazine-like illustrated journals of his day. A number of books and exhibition catalogues have dealt with his career as a painter, and historian David Tatham treated all of Homer's work as an illustrator of literature in his Winslow Homer and the Illustrated Book. Now, ten years later, Tatham has completed a full, scholarly account of Homer's work for pictorial magazines such as Harper's Weekly, Appleton's Monthly, and Every Saturday. Homer's work for pictorial magazines is substantial, to say the least. It amounts to some 250 wood-engraved images published between 1857 and 1875. These wood engravings are collected assiduously and are exhibited frequently in museums. They differ from Homer's book illustrations in that they are independent from the texts; Homer chose and treated the great majority of his magazine subjects much as he did his paintings. They are, in essence, original works of graphic art. The illustrations reproduced here cover a remarkable range. They constitute the first substantial body of American art about the life of the city streets, the Thanksgiving and Christmas holidays, abolition, and the New Woman. They include compelling treatments of the Civil War, rural childhood, and wilderness. They also comprise an essential contribution to the study of one of the masters of American art.

Looking Into Pictures

Looking Into Pictures
Author: Heiko Hecht
Publisher: MIT Press
Total Pages: 446
Release: 2003
Genre: Art
ISBN: 9780262083102

In this text, philosophers, psychologists and art historians explore the implications of theories of vision for our understanding of the nature of pictorial representation and picture perception.

Picture Theory

Picture Theory
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
Total Pages: 466
Release: 1995-09
Genre: Art
ISBN: 9780226532325

What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.

Picturing America

Picturing America
Author: Stephen J. Hornsby
Publisher: University of Chicago Press
Total Pages: 302
Release: 2017-03-23
Genre: History
ISBN: 022638618X

Instructive, amusing, colorful—pictorial maps have been used and admired since the first medieval cartographer put pen to paper depicting mountains and trees across countries, people and objects around margins, and sea monsters in oceans. More recent generations of pictorial map artists have continued that traditional mixture of whimsy and fact, combining cartographic elements with text and images and featuring bold and arresting designs, bright and cheerful colors, and lively detail. In the United States, the art form flourished from the 1920s through the 1970s, when thousands of innovative maps were mass-produced for use as advertisements and decorative objects—the golden age of American pictorial maps. Picturing America is the first book to showcase this vivid and popular genre of maps. Geographer Stephen J. Hornsby gathers together 158 delightful pictorial jewels, most drawn from the extensive collections of the Library of Congress. In his informative introduction, Hornsby outlines the development of the cartographic form, identifies several representative artists, describes the process of creating a pictorial map, and considers the significance of the form in the history of Western cartography. Organized into six thematic sections, Picturing America covers a vast swath of the pictorial map tradition during its golden age, ranging from “Maps to Amuse” to “Maps for War.” Hornsby has unearthed the most fascinating and visually striking maps the United States has to offer: Disney cartoon maps, college campus maps, kooky state tourism ads, World War II promotional posters, and many more. This remarkable, charming volume’s glorious full-color pictorial maps will be irresistible to any map lover or armchair traveler.