The Piano In Chamber Ensemble
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Author | : Maurice Hinson |
Publisher | : Indiana University Press |
Total Pages | : 853 |
Release | : 2021-07-27 |
Genre | : Music |
ISBN | : 0253056748 |
In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.
Author | : Maurice Hinson |
Publisher | : Indiana University Press |
Total Pages | : 732 |
Release | : 2006-04-04 |
Genre | : Music |
ISBN | : 9780253346964 |
The Piano in Chamber Ensemble describes more than 3,200 compositions, from duos to octets, by more than 1,600 composers. It is divided into sections according to the number of instruments involved, then subdivided according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and their teachers will find a wealth of chamber works from all periods.
Author | : Maurice Hinson |
Publisher | : |
Total Pages | : 0 |
Release | : 1996 |
Genre | : Chamber music |
ISBN | : 9780253210555 |
Describes over 3200 compositions, from duos to octets, by more than 1600 composers. This work is divided into sections according to the number of instruments involved, then subdivided according to the actual scoring. It is useful for keyboard, string, woodwind, brass, and percussion players and their teachers.
Author | : Samuel Applebaum |
Publisher | : Alfred Music Publishing |
Total Pages | : 48 |
Release | : 1985-03 |
Genre | : Music |
ISBN | : 9780769290027 |
Author | : Mark A. Radice |
Publisher | : University of Michigan Press |
Total Pages | : 384 |
Release | : 2012-01-19 |
Genre | : Music |
ISBN | : 0472051652 |
A thorough overview and history of chamber music
Author | : James M. Keller |
Publisher | : Oxford University Press |
Total Pages | : 517 |
Release | : 2011 |
Genre | : Music |
ISBN | : 019020639X |
Chamber Music: A Listener's Guide brings together acclaimed program annotator James Keller's essays on the essential chamber-music repertoire. Written to be meaningful to non-professional music-lovers while also providing enrichment for chamber-music professionals, these notes offer generous historical background for 193 works by 56 composers from the 18th century to the present.
Author | : Robert Schumann |
Publisher | : Courier Corporation |
Total Pages | : 290 |
Release | : 1981-01-01 |
Genre | : Music |
ISBN | : 0486241017 |
"A selection of unabridged works from 'Serie IV. F'ur Streichinstrumente' and 'Serie V. F'ur Pianoforte und andere Instrumente' of the Collected Works Edition (Robert Schumann's Werke. Herausgegeben von Clara Schumann), originally published by Breitkopf & H'artel"--T.p. verso.
Author | : Victor Rangel-Ribeiro |
Publisher | : |
Total Pages | : 271 |
Release | : 1993 |
Genre | : Music |
ISBN | : 9780816022960 |
Few joys equal the pleasure of playing music on the instrument you love, a joy that can be enhanced by joining fellow musicians in a piece of chamber music. Despite the extraordinary growth of interest in chamber music, there has not been a single book or even a combination of books to help a chamber musician or program planner determine what music, if any, exists for a given combination of instruments. This unique book fills that gap. Authors Victor Rangel-Ribeiro and Robert Markel, both musicians themselves, have gathered over 8,000 listings of pieces for three to 20 musicians. Culled from over 100 catalogues of music publishers worldwide plus other sources, Chamber Music covers the last 500 years of music. It includes not only a complete listing of the standard chamber music repertoire but thousands of other, lesser-known pieces written for an array of instrumental combinations - including the voice. More than 5,000 listings are for 20th-century music. Chamber Music is divided into three sections for easy access to information. The first contains music composed up to the time of Haydn and Mozart; the second, music from Beethoven to the present. Each listing contains the composer's name and dates, the title of the piece, the opus or catalogue number, if any, the year composed or published, if known, the key, if any, the duration of the piece, if specified by the composer or publisher, the instrumentation of the piece - including indications for voices and unusual instruments - and finally the name of the publisher. Comments, where appropriate, show when instrumental substitutions can be made, when the composer has not specified particular instruments, what unusual instruments are required, when a conductor might be needed, or any other relevant information of interest to the player. The third section, the "Master Quick-Reference Index," lists a number of instrumental combinations and directs the reader to composers who have written for those particular ensembles. Comprehensive and easy to use, for the amateur or professional musician or anyone with an interest in the subject, Chamber Music is sure to enhance any music lover's reference shelf.
Author | : Maurice Hinson |
Publisher | : Indiana University Press |
Total Pages | : 390 |
Release | : 1993 |
Genre | : Concerto (Piano) |
ISBN | : 9780253339539 |
Suitable for all admirers of the piano, this work brings together more than 3,000 works for piano and orchestra. It comes with a supplement containing over 200 new entries.
Author | : Danuta Mirka PhD |
Publisher | : Oxford University Press |
Total Pages | : 713 |
Release | : 2014-10-16 |
Genre | : Music |
ISBN | : 0199841586 |
Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.