In My Studio

In My Studio
Author: Mary Panzer
Publisher: Hudson River Museum
Total Pages: 116
Release: 1986
Genre: Photography
ISBN:

Rudolf Eickemeyer, Jr. began his work as a photographer in 1884, for his father's engineering firm. His interest piqued, he rapidly advanced to portraiture and landscape photography. Eickemeyer spent twenty years as a commercial success in his role as fashionable Fifth Avenue portraitist. Working with Eastman Kodak, he demystified photography, attracting thousands of amateurs. Eickemeyer excelled at both artistic photography and professional photography, as this exhibition attests. A lifelong resident of Yonkers, New York, Eickemeyer played a key role in the creation of the Yonkers Museum of Science and Art, the institutional forerunner of the Hudson River Museum, an entirely appropriate venue for this comprehensive exhibition and catalog.

The Reader

The Reader
Author:
Publisher:
Total Pages: 500
Release: 1893
Genre: Bibliographies
ISBN:

Bulletin

Bulletin
Author: Salem Public Library
Publisher:
Total Pages: 210
Release: 1895
Genre:
ISBN:

The Man Who Made Movies

The Man Who Made Movies
Author: Paul Spehr
Publisher: Indiana University Press
Total Pages: 713
Release: 2008-11-17
Genre: Biography & Autobiography
ISBN: 0861969367

The story of W.K.L. Dickson—assistant to Edison, inventor, and key figure in early cinematography: “Valuable and comprehensive.” —Communication Booknotes Quarterly W.K.L. Dickson was Thomas Edison’s assistant in charge of the experimentation that led to the Kinetoscope and Kinetograph—the first commercially successful moving image machines. In 1891–1892, he established what we know today as the 35mm format. Dickson also designed the Black Maria film studio and facilities to develop and print film, and supervised production of more than one hundred films for Edison. After leaving Edison, he became a founding member of the American Mutoscope Company, which later became the American Mutoscope & Biograph, then Biograph. In 1897, he went to England to set up the European branch of the company. Over the course of his career, Dickson made between five hundred and seven hundred films, which are studied today by scholars of the early cinema. This well-illustrated book offers a window onto early film history from the perspective of Dickson’s own oeuvre.