The Photographic Invention Of Whiteness
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Author | : Stephanie Polsky |
Publisher | : Taylor & Francis |
Total Pages | : 320 |
Release | : 2023-07-28 |
Genre | : Art |
ISBN | : 1000914704 |
Focusing on the creation of the concept of Whiteness, this study links early photographic imagery to the development and exploitation that were common in the colonial Atlantic World of the mid-to-late nineteenth century. With the advent of the daguerreotype in the mid-nineteenth century, White European settlers could imagine themselves as a supra-national community, where the attainment of wealth was rapidly becoming accessible through colonisation. Their dispersal throughout the colonial territories made possible the advent of a new representative type of Whiteness that eventually merged with the portrayal of modernity itself. Over time, the colonisation of the Atlantic World became synonymous with fascination itself within a European mind fixated upon both a racially subordinated world and the technical media through which it was represented. In the intervening centuries, images have acted as a medium of the imaginary, allowing for ideas around classification and the measurement of value to travel and to situate themselves as universal means. Contemporary societies still grapple with the residues of race, gender, class, and sexuality first established by the contrived mores of this representational medium, and those who were racialised by the camera as objects of fascination, curiosity, or concern have remained so well into the post-digital era. The book will be of interest to scholars working in history of photography, art history, colonialism, and critical race theory.
Author | : Daniel C. Blight |
Publisher | : Spbh Editions |
Total Pages | : 204 |
Release | : 2022-07-05 |
Genre | : Photography |
ISBN | : 9781916041295 |
How contemporary photographers from Hank Willis Thomas to Libita Clayton have subverted the constructions and complicities of whiteness From the advent of early colonial photography in the 19th century to contemporary "white savior" social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the "white race" is not just a political, social and legal phenomenon; it is also a complexly visual one. What does whiteness look like, and how might we begin to trace an antiracist history of artistic resistance that works against it? The Image of Whitenessseeks to introduce its reader to some important extracts from the troubling story of whiteness, to describe its falsehoods, its paradoxes and its oppressive nature, and to highlight some of the crucial work photographic artists have done to subvert and critique its image. The Image of Whitenessincludes the work of artists Abdul Abdullah, Agata Madejska, Broomberg & Chanarin, Buck Ellison, John Lucas & Claudia Rankine, David Birkin, Hank Willis Thomas, Kajal Nisha Patel, Michelle Dizon & Viet Le, Nancy Burson, Nate Lewis, Libita Clayton, Paul Mpagi Sepuya, Richard Misrach, Sophie Gabrielle, Stacy Kranitz and Stanley Wolukau-Wanambwa.
Author | : Manning Marable |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2005-04-01 |
Genre | : Photography |
ISBN | : 9780714845173 |
A monumental visual record of African American history since the 19th-century.
Author | : Vicki Goldberg |
Publisher | : Little, Brown |
Total Pages | : 244 |
Release | : 2012-02-23 |
Genre | : History |
ISBN | : 0316192600 |
The White House: The President's Home in Photographs and History covers every aspect of White House Life over the past 200 years. Witness multiple refurbishments to the house, media coverage and popular photography of the White House, and photos of its illustrious inhabitants, visitors, and even pets and illustrations. Accompanying the photographs is an incisive, informative text by renowned critic Vicki Goldberg. A rich visual history and a beautiful gift book, The White House is a must for photography and history buffs alike.
Author | : Myra Greene |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Photography, Artistic |
ISBN | : 9783868283228 |
A body of images exploring the challenges of describing whiteness and assumptions about social circles
Author | : David Präkel |
Publisher | : AVA Publishing |
Total Pages | : 179 |
Release | : 2008-12 |
Genre | : Art |
ISBN | : 294037385X |
'Working In Black & White' covers all aspects of black-and-white photography for both film and digital formats. The books explains basic theory, how colours become greyscale tones and how photographers can learn to 'see' in black-and-white.
Author | : Amos Morris-Reich |
Publisher | : University of Chicago Press |
Total Pages | : 295 |
Release | : 2016-01-11 |
Genre | : History |
ISBN | : 022632088X |
Historian Amos Morris-Reich here tracks the trajectory of racial photography from 1876 through the Weimar and Nazi periods in Germany and, briefly, after WWII. With a particular focus on German and Jewish contexts, "Race and Photography "reveals the important role of racial photography within academic discourse on race. Photography was not simply a medium of illustration but rather it was a conduit for new forms of visual perception. Approaching the history of racial photography from an epistemic point of view raises questions concerning the similarity and specific difference of photography compared with other scientific media, and makes explicit the scientific and cultural assumptions in which different uses of photography were embedded. Paying particular attention to the effect of photography on concepts of visual perception and also to the intricate relationship between racial photography and the imagination, Morris-Reich examines numerous scientists and scholars, both prominent and obscure, who developed photographic methods for the study of race or made methodical use of photography for its study. His careful reconstruction of individual cases, conceptual genealogies, and emergent patterns points to transformations in the scientific status of photography throughout the late nineteenth and early twentieth centuries and uncovers the agency of photographic media in the history of scientific racism. This work makes a distinctive contribution to the fields of history of science, history of photography, intellectual history, European and Jewish history, and the history of race.
Author | : |
Publisher | : |
Total Pages | : 372 |
Release | : 1912 |
Genre | : United States |
ISBN | : |
Author | : Mervin Aubespin |
Publisher | : |
Total Pages | : 304 |
Release | : 2011 |
Genre | : African Americans |
ISBN | : 9781935497363 |
Since the settlement of Louisville in 1778, African Americans have created a history behind the wall of slavery and the veil of segregation, and have forged a remarkably vibrant community that, at times, influenced the political and cultural history of the nation. This community, while not entirely beyond the reach of white Louisvillians, was certainly beyond their field of vision - and its people and its achievements are largely unknown, even to more recent generations of African Americans themselves.Over the past two centuries and more, black Louisville faced many challenges: creating a free black community in the midst of slavery; the struggle to end slavery itself; the struggle to expand the limits of freedom in a segregated society; creating meaning and culture; the struggle to end segregation; and the struggle to expand the limits of freedom in a society in which African Americans are "neither separate nor equal." Louisville African Americans met each of these challenges and, by so doing, they created a community and defined its identity and character. When most successful, they capitalized on their opportunities and assets, the most important of which derived from Louisville's favorable location, the need for black labor, the need for black votes and the presence of a few influential white allies. The resulting economic and political capacity, when used astutely, could wrest concessions from white businesses and political leaders that advanced the interests of the entire African American community.The purpose of Two Centuries of Black Louisville: A Photographic History is simply to tell this story in words and images - a history in which all, irrespective of race and place, can take pride.
Author | : Francis Trevelyan Miller |
Publisher | : |
Total Pages | : 368 |
Release | : 1911 |
Genre | : United States |
ISBN | : |