The Introduction to Hegel's Philosophy of Fine Art
Author | : Georg Wilhelm Friedrich Hegel |
Publisher | : |
Total Pages | : 330 |
Release | : 1886 |
Genre | : Aesthetics |
ISBN | : |
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Author | : Georg Wilhelm Friedrich Hegel |
Publisher | : |
Total Pages | : 330 |
Release | : 1886 |
Genre | : Aesthetics |
ISBN | : |
Author | : Georg Wilhelm Friedrich Hegel |
Publisher | : |
Total Pages | : 436 |
Release | : 1975 |
Genre | : Art |
ISBN | : |
Author | : Georg Wilhelm Friedrich Hegel |
Publisher | : |
Total Pages | : 586 |
Release | : 1902 |
Genre | : History |
ISBN | : |
Author | : Georg Wilhelm Friedrich Hegel |
Publisher | : OUP UK |
Total Pages | : 634 |
Release | : 1998 |
Genre | : Philosophy |
ISBN | : 0198238169 |
This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory.
Author | : Georg Wilhelm Friedrich Hegel |
Publisher | : |
Total Pages | : 523 |
Release | : 2014 |
Genre | : Art |
ISBN | : 0199694826 |
Hegel gave lecture series on aesthetics or the philosophy of art in various university terms, but never published a book of his own on this topic. His student, H. G. Hotho, compiled auditors' transcripts from these separate lecture series and produced from them the three volumes on aesthetics in the standard edition of Hegel's collected works. Annemarie Gethmann-Siefert has now published one of these transcripts, the Hotho transcript of the 1823 lecture series, and accompanied it with a very extensive introductory essay treating many issues pertinent to a proper understanding of Hegel's views on art. She persuasively argues that the evidence shows Hegel never finalized his views on the philosophy of art, but modified them in significant ways from one lecture series to the next. In addition, she makes the case that Hotho's compilation not only concealed this circumstance, by the harmony he created out of diverse source materials, but also imposed some of his own views on aesthetics, views that differ from Hegel's and that the ongoing interpretation of the aesthetics part of Hegel's philosophy has unfortunately taken to be Hegel's own. This translation of the German volume, which contains the first publication of the Hotho transcript and Gethmann-Siefert's essay, makes these important materials accessible to the English reader, materials that should put the English-speaking world's future understanding and interpretation of Hegel's philosophy of art on a sounder footing.
Author | : Theodore Gracyk |
Publisher | : Polity |
Total Pages | : 225 |
Release | : 2012 |
Genre | : Art |
ISBN | : 0745649165 |
"[This] is [an] ... introduction to current key issues and debates in aesthetics and philosophy of art. Chapters on standard topics are balanced by topics of interest to today's students, including creativity, authenticity, cultural appropriation, and te distinction between popular and fine art. Other topics include emotive expression, definitional strategies, and artistic value. ... Major current theories are set beside key ideas from Plato, Aristotle, [Immanuel] Kant, [Karl] Marx and [Georg Wilhelm Friedrich ] Hegel. ..."--Back cover.
Author | : David Goldblatt |
Publisher | : Routledge |
Total Pages | : 1159 |
Release | : 2017-09-01 |
Genre | : Philosophy |
ISBN | : 1315303655 |
Aesthetics: A Reader in Philosophy of the Arts, fourth edition, contains a selection of ninety-six readings organized by individual art forms as well as a final section of readings in philosophical aesthetics that cover multiple art forms. Sections include topics that are familiar to students such as painting, photography and movies, architecture, music, literature, and performance, as well as contemporary subjects such as mass art, popular arts, the aesthetics of the everyday, and the natural environment. Essays are drawn from both the analytic and continental traditions, and multiple others that bridge this divide between these traditions. Throughout, readings are brief, accessible for undergraduates, and conceptually focused, allowing instructors many different syllabi possibilities using only this single volume. Key Additions to the Fourth Edition The fourth edition is expanded to include a total of ninety-six essays with nineteen new essays (nine of them written exclusively for this volume), updated organization into new sections, revised introductions to each section, an increased emphasis on contemporary topics, such as stand-up comedy, the architecture of museums, interactivity and video games, the ethics of sexiness, trans/gendered beauty, the aesthetics of junkyards and street art, pornography, and the inclusion of more diverse philosophical voices. Nevertheless, this edition does not neglect classic writers in the traditional aesthetics: Plato, Aristotle, Hume, Kant, Hegel, Heidegger, Collingwood, Bell, and writers of similar status in aesthetics. The philosophers writing new chapters exclusively for this fourth edition are: • Sondra Bacharach on street art • Aili Bresnahan on appreciating dance • Hina Jamelle on digital architecture • Jason Leddington on magic • Sheila Lintott on stand-up comedy • Yuriko Saito on everyday aesthetics • Larry Shiner on art spectacle museums in the twenty-first century • Peg Brand Weiser on how beauty matters • Edward Winters on the feeling of being at home in vernacular architecture, as in such urban places as bars.
Author | : Charles Batteux |
Publisher | : Oxford University Press, USA |
Total Pages | : 232 |
Release | : 2015 |
Genre | : Art |
ISBN | : 019874711X |
The Fine Arts Reduced to a Single Principle (1746) by Charles Batteux was arguably the most influential work on aesthetics published in the 18th century. James O. Young presents the first complete English translation of the work, with full annotations and a comprehensive introduction, which illuminate Batteux's continuing philosophical interest.
Author | : Peter Kivy |
Publisher | : Cambridge University Press |
Total Pages | : 388 |
Release | : 1993-02-26 |
Genre | : Music |
ISBN | : 9780521435987 |
Collection of essays on the following issues: music and the liberal education, work and performance, the world of opera, music and the history of ideas, music and emotion, and music alone.
Author | : Paul A. Kottman |
Publisher | : Fordham Univ Press |
Total Pages | : 395 |
Release | : 2017-04-03 |
Genre | : Philosophy |
ISBN | : 0823275817 |
Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses that gap, elaborating the extent to which artworks and practices of the fifteenth through the eighteenth centuries were accompanied by an immense range of discussions about the arts and their relation to one another. Rather than take art as a stand-in for or reflection of some other historical event or social phenomenon, this book treats art as a phenomenon in itself. The contributors suggest ways in which artworks and practices of the early modern period make aesthetic experience central to philosophical reflection, while also showing art’s need for philosophy.